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Aladdin: Legacy of the Lost #3
Aladdin: Legacy of the Lost #3
With Aysa, the Djinn of the Ring, Aladdin seeks help from the Queen of Sheba, sorceress and ex-wife of the evil sorcerer Qassim. As Aladdin learns the secrets of his Aramaspi ancestors and their ability to rewrite the world through the power of the Dreaming Jewel, Qassim draws closer and closer to victory and Armageddon. It all comes down to the battle in the lost kingdom of the Aramaspi between Aysa, the fabled Djinn of the Ring, and her husband Rhaz, the all- powerful Djinn of the Lamp. Can Aladdin and Sinbad brave the secrets and perils of their Aramaspi lineage to rescue Princess Soraya and save the world…
- GenresComics
45 pages, Kindle Edition
First published March 23, 2010
16 people want to read
About the author
Ian Edginton
798 books148 followersEdginton sees part of the key to his success coming from good relationships with artists, especially D'Israeli and Steve Yeowell as well as Steve Pugh and Mike Collins. He is best known for his steampunk/alternative history work (often with the artist D'Israeli) and is the co-creator of Scarlet Traces, a sequel to their adaptation of H.G. Wells' The War of the Worlds. With 2000 AD we has written Leviathan, Stickleback and, with art by Steve Yeowell, The Red Seas as well as one-off serials such as American Gothic (2005).
His stories often have a torturous gestation. Scarlet Traces was an idea he had when first reading The War of the Worlds, its first few instalments appeared on Cool Beans website, before being serialised in the Judge Dredd Megazine. Also The Red Seas was initially going to be drawn by Phil Winslade and be the final release by Epic but Winslade was still tied up with Goddess and when ideas for replacement artists were rejected Epic was finally wound up - the series only re-emerging when Edginton was pitching ideas to Matt Smith at the start of his 2000 AD career.
With D'Israeli he has created a number of new series including Stickleback, a tale of a strange villain in an alternative Victorian London, and Gothic, which he describes as "Mary Shelley's Doc Savage". With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh.
He is currently working on a dinosaurs and cowboys story called Sixgun Logic. Also as part of Top Cow's Pilot Season he has written an Angelus one-shot.
http://comicbookdb.com/creator.php?ID...
http://en.wikipedia.org/wiki/Ian_Edgi...
His stories often have a torturous gestation. Scarlet Traces was an idea he had when first reading The War of the Worlds, its first few instalments appeared on Cool Beans website, before being serialised in the Judge Dredd Megazine. Also The Red Seas was initially going to be drawn by Phil Winslade and be the final release by Epic but Winslade was still tied up with Goddess and when ideas for replacement artists were rejected Epic was finally wound up - the series only re-emerging when Edginton was pitching ideas to Matt Smith at the start of his 2000 AD career.
With D'Israeli he has created a number of new series including Stickleback, a tale of a strange villain in an alternative Victorian London, and Gothic, which he describes as "Mary Shelley's Doc Savage". With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh.
He is currently working on a dinosaurs and cowboys story called Sixgun Logic. Also as part of Top Cow's Pilot Season he has written an Angelus one-shot.
http://comicbookdb.com/creator.php?ID...
http://en.wikipedia.org/wiki/Ian_Edgi...
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Displaying 1 of 1 review
March 1, 2024
Fever Pitch Hits Max Intensity!
Bombastic explosion of action, plot twists, and drama! So most of us know basically how Aladdin ends, but this wild ride of a journey is quite the rollercoaster! More radical creatures, rich interesting history, and heated exchanges make this story a bursting stick of dynamite. Depth and colour in all the panels are art in motion while the conclusion of the story reaches an apex finish. Very nuanced as well, I'll DEFINITELY be reading through this series again.
Bombastic explosion of action, plot twists, and drama! So most of us know basically how Aladdin ends, but this wild ride of a journey is quite the rollercoaster! More radical creatures, rich interesting history, and heated exchanges make this story a bursting stick of dynamite. Depth and colour in all the panels are art in motion while the conclusion of the story reaches an apex finish. Very nuanced as well, I'll DEFINITELY be reading through this series again.
Displaying 1 of 1 review