2024 Book #36:
Borderlands (1990), edited by Thomas F. Monteleone
While definitely not as famous as Dangerous Visions, Borderlands is a short-story anthology that positions itself along the same rhetorical lines. The editor’s introduction claims that this is the “new thing” in horror and dark-fantasy fiction. Here, there are no ghosts, no slashers, no archetypal monsters (and, perhaps significantly, nothing Stephen-King-esque). Instead, we get a turn toward the weird and the psychological, hallmarks of some of the best horror fiction of the 1990s. This isn’t to say that the stories in Borderlands all feel the same, though. In fact, the anthology mostly succeeds in how distinctive and unexpected its offerings are. The best tales – those by Klein, Massie, Little – show the breadth of this collection. Klein’s story of neo-Lovecraftian paranoia is one of the best pieces of cosmic horror I’ve ever read, but it’s totally unlike Massie’s searing rumination on psychological and physical trauma. Bentley Little, on the other hand, offers an almost entirely inscrutable, Kafkaesque corporate hellscape (I’m not sure if this story makes any sense, but it’s certainly memorable). Praise aside, the bad stories in Borderlands exemplify the same issues I have with a lot of horror from this era: first-person, edgelord narratives of depravity that come off as pretentious and melodramatic (but see the stories by Osier and Brite for depravity well executed). Borderlands is a testament to the fact that if you want to do the “new thing,” make sure you do it tastefully and that you have something interesting to say. Star-ratings for all stories are below; as usual, high-three and above are worth checking out:
***** T. E. D. Klein, “Ladder”
***** Elizabeth Massie, “Stephen”
**** Bentley Little, “The Pounding Room”
**** Poppy Z. Brite, “His Mouth Will Taste of Wormwood”
**** Darrell Schweitzer, “Peeling It Off”
**** Thomas Tessier, “Evelyn Grace”
**** John Shirley, “Delia and the Dinner Party”
**** Chet Williamson, “Muscae Volitantes”
**** Jeffrey Osier, “Oh What a Swell Guy Am I”
**** Les Daniels, “By the Light of the Silvery Moon”
*** Karl Edward Wagner, “But You’ll Never Follow Me”
*** Nina Kiriki Hoffman, “Stillborn”
*** Harlan Ellison, “Scartaris, June 28th”
*** Nancy Holder, “Glass Eyes”
*** David B. Silva, “The Calling”
*** Michael Green, “The Raw and the Cooked”
*** Ed Gorman, “The Man in the Long Black Sedan”
*** Francis J. Matozzo, “On the Nightmare Express”
*** Charles L. Grant, “Alexandra”
*** Joe R. Lansdale, “By Bizarre Hands”
*** Jack Hunter Daves, “His Frozen Heart”
*** John DeChancie, “The Grass of Remembrance”
** G. Wayne Miller, “The Good Book”
** John Maclay, “A Younger Woman”
** Lee Moler, “Suicide Note”