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Een mondvol zout
Een klein boerendorp in Noord-Sudan wordt op een ochtend wakker met het nieuws dat een jongetje is verdronken. Kort
daarna sterven de dieren aan een mysterieuze ziekte en vliegen de dadeltuinen in brand en branden ze tot de grond toe af. De dorpelingen fluisteren over een tovenares die aan de voet van de bergen woont. Het is het droge seizoen. De mannen moeten ergens heen, de vrouwen moeten werken, de kinderen spelen op de plek waar de rivier buiten haar oevers treedt. De zestienjarige Fatima verlangt ernaar om het dorp te verlaten en naar Khartoem te gaan.
In Khartoem vindt een alleenstaande moeder haar weg in een wereld die meisjes en vrouwen wil weren. Terwijl de burgeroorlog oplaait, dringt het politieke door in het persoonlijke en wordt haar positie in de hoofdstad onhoudbaar. Ze moet terug naar het dorp.
Een mondvol zout laat een land zien dat op de rand van een aardverschuiving staat, terwijl de vrouwen zelf moeten beslissen welke tradities zij in ere willen houden - en welke profetieën ze moeten herschrijven.
daarna sterven de dieren aan een mysterieuze ziekte en vliegen de dadeltuinen in brand en branden ze tot de grond toe af. De dorpelingen fluisteren over een tovenares die aan de voet van de bergen woont. Het is het droge seizoen. De mannen moeten ergens heen, de vrouwen moeten werken, de kinderen spelen op de plek waar de rivier buiten haar oevers treedt. De zestienjarige Fatima verlangt ernaar om het dorp te verlaten en naar Khartoem te gaan.
In Khartoem vindt een alleenstaande moeder haar weg in een wereld die meisjes en vrouwen wil weren. Terwijl de burgeroorlog oplaait, dringt het politieke door in het persoonlijke en wordt haar positie in de hoofdstad onhoudbaar. Ze moet terug naar het dorp.
Een mondvol zout laat een land zien dat op de rand van een aardverschuiving staat, terwijl de vrouwen zelf moeten beslissen welke tradities zij in ere willen houden - en welke profetieën ze moeten herschrijven.
251 pages, ebook
First published April 9, 2024
3136 people want to read
About the author
Reem Gaafar
2 books55 followersReem Gaafar is a Sudanese public health physician, researcher, writer and mother of three boys. She is published in both fiction and non-fiction circles, contributing to issues on public health and policy, society, racism and women’s rights. Her work has appeared in African Arguments, 500 Words Magazine, Teakisi Magazine, African Feminism, Andariya Magazine, International Health Policies and Health Systems Global.
Her short story Light of the Desert was published in the anthology I Know Two Sudans (Gipping Press, UK). Her second short short Finding Descartes was published in the anthology Relations: African and Diaspora Voices (HarperVia). Her debut novel A Mouth Full of Salt (Saqi Books, Invisible Books) won The Island Prize in 2023, was listed as one of 100 Notable African Books of 2024 and is the no.1 bestseller in the indie bookshop charts in the UK.
Her short story Light of the Desert was published in the anthology I Know Two Sudans (Gipping Press, UK). Her second short short Finding Descartes was published in the anthology Relations: African and Diaspora Voices (HarperVia). Her debut novel A Mouth Full of Salt (Saqi Books, Invisible Books) won The Island Prize in 2023, was listed as one of 100 Notable African Books of 2024 and is the no.1 bestseller in the indie bookshop charts in the UK.
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Displaying 1 - 30 of 145 reviews
January 10, 2025
This historical fiction is a story of three generations of an upper class Arabic family in Sudan in the second half of the twentieth century, a tumultuous time with changes in government, military coups, ethnic conflicts and civil unrest. It was a country fractured by colonial rule and divisive policies, as well as prejudices in race and religion. The great divide between North and South was evident, as was the divide between social classes. There was discrimination, even open aggression, which reflected the underlying bigotry and mistrust in society. Gender inequality also featured prominently throughout, although there were subtle signs of change.
The story is a mixture of folklore, mystery, tragedy and social and environmental commentary. The amount of historical information was just about right. The cultural references eg clothing, food, agriculture, were interesting. The writing kicks off nicely in a nuanced style, implying sentiments without being explicit. The disappearance of the heir of the Kheir Alseed fortune and the appearance of the shadowy, witch-like woman had an air of mysticism which captivated. However, the writing is less engaging later as it leans towards realism. The mystery also dissipates as the focus shifts to different characters. The chronological shifts were difficult to follow and disrupted the flow.
Overall, it is readable but it could have been so much better.
An interesting description of the Nile.
The river brought them life. But the river was not their friend.
Poignant
She was told more than once that the loss of a child, being left behind by the person who was supposed to support you in your old age and bury you when you were dead, was nothing like the loss of a sibling, or parent.
Spoilers
It would have been better to keep Fatima, and the treacherous Nile river, in focus. Shifting the spotlight to Nyamakeem's story, as an extended denouement, did not pan out so well. By the end of the story, I had lost the initial connection with Fatima. The tension of the missing boy also fizzled out a bit prematurely.
There was no conclusion as to why the animals died, although contamination of the river was suggested. Its pretty neat to end the story with a new character arriving to investigate, turning it into a kind of statement about the environment.
The explanation for the calamities which befell the family was not so satisfying though. They were loosely attributed to divine retribution.
The story is a mixture of folklore, mystery, tragedy and social and environmental commentary. The amount of historical information was just about right. The cultural references eg clothing, food, agriculture, were interesting. The writing kicks off nicely in a nuanced style, implying sentiments without being explicit. The disappearance of the heir of the Kheir Alseed fortune and the appearance of the shadowy, witch-like woman had an air of mysticism which captivated. However, the writing is less engaging later as it leans towards realism. The mystery also dissipates as the focus shifts to different characters. The chronological shifts were difficult to follow and disrupted the flow.
Overall, it is readable but it could have been so much better.
An interesting description of the Nile.
The river brought them life. But the river was not their friend.
Poignant
She was told more than once that the loss of a child, being left behind by the person who was supposed to support you in your old age and bury you when you were dead, was nothing like the loss of a sibling, or parent.
Spoilers
It would have been better to keep Fatima, and the treacherous Nile river, in focus. Shifting the spotlight to Nyamakeem's story, as an extended denouement, did not pan out so well. By the end of the story, I had lost the initial connection with Fatima. The tension of the missing boy also fizzled out a bit prematurely.
There was no conclusion as to why the animals died, although contamination of the river was suggested. Its pretty neat to end the story with a new character arriving to investigate, turning it into a kind of statement about the environment.
The explanation for the calamities which befell the family was not so satisfying though. They were loosely attributed to divine retribution.
This entire review has been hidden because of spoilers.
abandoned-dnf
July 25, 2025DNF @ 20%—[sigh] Two DNFs in a row.😒 At 20% in, 325 animals have been killed, leaving only the babies—now orphaned and at risk of dying, as well.🫣 The event is over, and if I was a different sort of person I could probably carry on reading. But my heart's not in it anymore, and so... the search begins again for a book that, hopefully, will leave the animals alone! Should it be this hard?😟
September 30, 2025
This tale of long-ago (and yet not that long ago) Sudan is a story that meanders like the Nile, but with a powerful undercurrent that pulls you to its end.
A little boy drowns in a village, setting off a chain of tragedies and discoveries that uncover generational secrets. The women at the peripherals of the village are much more than sideline observers; their lives underscore the village's past and future.
This is a deliberately written book that does not allow itself to be hurried, and while at first I mistook it for being "slow," I quickly realized my error.
There's a lot explored here, especially racism, not tritely, but purposefully and uncomfortably.
Despite this being set in Sudan and focused on Arabs vs indigenous Sudanese, I found it to strike very close to home. There's a scene where the character Nyamakeen meets her Arab in-laws for the first time, and their reaction of calling her a "slave" reminded me sharply of my own first meeting with former extended in-laws (yes, Arabs) - "why did you marry the maid?" they asked my ex.
Years later, I replay this scene and wish I had spoken up, even though my Arabic back then had been rudimentary at best. In any case, there's a reason he's an "ex," and alHamdulillah I have moved onto much better pastures.
My own selfishness aside, this book is more than just a "good read" - it is a necessary one.
A little boy drowns in a village, setting off a chain of tragedies and discoveries that uncover generational secrets. The women at the peripherals of the village are much more than sideline observers; their lives underscore the village's past and future.
This is a deliberately written book that does not allow itself to be hurried, and while at first I mistook it for being "slow," I quickly realized my error.
There's a lot explored here, especially racism, not tritely, but purposefully and uncomfortably.
Despite this being set in Sudan and focused on Arabs vs indigenous Sudanese, I found it to strike very close to home. There's a scene where the character Nyamakeen meets her Arab in-laws for the first time, and their reaction of calling her a "slave" reminded me sharply of my own first meeting with former extended in-laws (yes, Arabs) - "why did you marry the maid?" they asked my ex.
Years later, I replay this scene and wish I had spoken up, even though my Arabic back then had been rudimentary at best. In any case, there's a reason he's an "ex," and alHamdulillah I have moved onto much better pastures.
My own selfishness aside, this book is more than just a "good read" - it is a necessary one.
April 20, 2024
1989, the dry season on the banks of the Nile, a young boy in northern Sudan goes missing, and the villagers are in turmoil. Men swim the dangerous waters in search for a body, and the women grieve, gossip and whisper rumours of a mysterious sorceress who stalks the village at night who they blame for his fate - one which many children of the village have succumbed to.
In the wake of devastating floods and a crippling economy, new horrors begin as livestock die in the hundreds and fires rage through the area, and the residents look to unnatural forces to comprehend the state of affairs.
As civil war swells, the political seeps into the personal in this family saga and gripping mystery that zooms in on three women’s lives against the backdrop of Sudan’s unrest from the 50s to the late 80s and explores superstition, prejudice and a country teetering between centuries of tradition and seismic change.
For fans of Chimamanda Ngozi Adiche and Maaza Mengiste, this impressive debut has a profound sense of place and surprised and moved me in a way I didn’t expect.
In the wake of devastating floods and a crippling economy, new horrors begin as livestock die in the hundreds and fires rage through the area, and the residents look to unnatural forces to comprehend the state of affairs.
As civil war swells, the political seeps into the personal in this family saga and gripping mystery that zooms in on three women’s lives against the backdrop of Sudan’s unrest from the 50s to the late 80s and explores superstition, prejudice and a country teetering between centuries of tradition and seismic change.
For fans of Chimamanda Ngozi Adiche and Maaza Mengiste, this impressive debut has a profound sense of place and surprised and moved me in a way I didn’t expect.
April 30, 2025
I absolutely devoured this book!
Set in Sudan in 1989, this book had me hooked from the very beginning. Primarily about women, culture and tradition, I learned so much reading this.
Thank you Invisible Publishing for my complimentary copy.
Set in Sudan in 1989, this book had me hooked from the very beginning. Primarily about women, culture and tradition, I learned so much reading this.
Thank you Invisible Publishing for my complimentary copy.
April 28, 2024
Thank you @saqibooks for this copy!
My first venture into Sudanese fiction isn’t one I’m going to forget in a while. This short but impactful novel tells the story of a community on the banks of the Nile, and focuses on a handful of women who despite being hedged into their society by strict gender roles, are actually the ones who hold the stories and history of their people. They all come to a point of questioning these roles, and whether there can be more for women out there, whilst contending with the men and elders to make choices for them - in marriage, in education, even in death.
I will admit I restarted this book because I needed to really concentrate on the characters and their arcs but let me tell you, it’s worth it. In Part 3, the story almost comes full circle and I was sat eyes wide flicking back and forth between the start and end to make sure I was reading it correctly! Sulafa’s thread in particular really sticks with me til now; we start the book with her and all the wide eyed hope of a child, and the progression to a forced womanhood and trauma is unbelievably painful.
This novel should come with many a trigger warning but amidst all the sadness, heaviness and civil unrest is the idea that the future could be different. Reem Gaafar sets a vivid scene with every page. This story is 100% worth your time.
My first venture into Sudanese fiction isn’t one I’m going to forget in a while. This short but impactful novel tells the story of a community on the banks of the Nile, and focuses on a handful of women who despite being hedged into their society by strict gender roles, are actually the ones who hold the stories and history of their people. They all come to a point of questioning these roles, and whether there can be more for women out there, whilst contending with the men and elders to make choices for them - in marriage, in education, even in death.
I will admit I restarted this book because I needed to really concentrate on the characters and their arcs but let me tell you, it’s worth it. In Part 3, the story almost comes full circle and I was sat eyes wide flicking back and forth between the start and end to make sure I was reading it correctly! Sulafa’s thread in particular really sticks with me til now; we start the book with her and all the wide eyed hope of a child, and the progression to a forced womanhood and trauma is unbelievably painful.
This novel should come with many a trigger warning but amidst all the sadness, heaviness and civil unrest is the idea that the future could be different. Reem Gaafar sets a vivid scene with every page. This story is 100% worth your time.
June 21, 2025
I can’t believe I finished this book in 2 days. This was my second Sudanese novel and I am in awe!!!! Ahh!!! I get so excited when I discover GOOD LITERATURE!! Obviously as a Somali girly, i love reading books by African authors so for a long time I’ve been loving and reading a lot of Nigerian and Ghanaian authors because there are so many!! But i have been on the search for different authors from different countries in Africa and I finally stumbled across Sudanese authors and it was beautiful!!
There is a large south sudanese population in Australia and it’s good to read historical fiction because it allows you to experience a story and a life during times you won’t ever experience or live through.
Anyways this book was really well written, and tragic !!!! i loved every moment!!!
There is a large south sudanese population in Australia and it’s good to read historical fiction because it allows you to experience a story and a life during times you won’t ever experience or live through.
Anyways this book was really well written, and tragic !!!! i loved every moment!!!
May 1, 2024
The author has produced a veritable page turner, whose ending surprises the reader, but not. Additionally, the narrative of day-to-day life in Sudan is so artfully crafted that one can feel the heat, taste the smells, and painfully at times, share the despair of the challenging struggles of a people confronted by economic underdevelopment and political instability.
A wonderful read!😊😊😊
A wonderful read!😊😊😊
April 11, 2024
Thanks to a 10 hour ordeal at the airport (and this book being extremely compelling) I was able to finish it in less than 24 hours. It’s pretty incredible that this is the author’s debut novel because it is fantastic.
December 20, 2024
A Mouth Full of Salt is such a perfect title for this book. It’s based on a Sudanese proverb that refers to the taste left in your mouth after a big loss (probably like when you’ve cried so much you can literally taste the salt). And honestly, that’s exactly what this book feels like. It’s packed with one tragedy after another, but the way it’s written is so vivid and raw that you just can’t look away.
The story begins in this remote village downstream from Karima, where an eight-year-old boy has drowned, and everyone’s out searching for him. It starts slow, giving you a feel for the characters and the rhythm of village life, but once it picked up, I was totally hooked!
The book is split into three parts and follows the lives of three women. It jumps between the late 1980s, the early 1940s when Sudan was under British/Egyptian rule, and the time after independence, mixing in political references to give some background to the village life.
Reem Gaafar really brings the story to life with her vivid writing, setting such a powerful and intense scene on every page. She dives deep into tough themes like racism, gender-based violence, and oppressive traditions, which hit hard, not just because of how horrific they are, but because these issues are also prevalent in places like India today. It's one of those stories where you can’t really expect a happy ending, and that makes it even more impactful, though undeniably heartbreaking.
If you're curious about Sudanese life, traditions, or how cultural and societal norms shape personal experiences, this book is a must-read. It's also perfect for anyone who loves introspective, emotionally charged literature that digs deep into themes like loss, identity, and resilience.
The story begins in this remote village downstream from Karima, where an eight-year-old boy has drowned, and everyone’s out searching for him. It starts slow, giving you a feel for the characters and the rhythm of village life, but once it picked up, I was totally hooked!
The book is split into three parts and follows the lives of three women. It jumps between the late 1980s, the early 1940s when Sudan was under British/Egyptian rule, and the time after independence, mixing in political references to give some background to the village life.
Reem Gaafar really brings the story to life with her vivid writing, setting such a powerful and intense scene on every page. She dives deep into tough themes like racism, gender-based violence, and oppressive traditions, which hit hard, not just because of how horrific they are, but because these issues are also prevalent in places like India today. It's one of those stories where you can’t really expect a happy ending, and that makes it even more impactful, though undeniably heartbreaking.
If you're curious about Sudanese life, traditions, or how cultural and societal norms shape personal experiences, this book is a must-read. It's also perfect for anyone who loves introspective, emotionally charged literature that digs deep into themes like loss, identity, and resilience.
May 28, 2024
A remarkable debut that will stay with me for a long time. The author, Reem Gaafar, is an exceptional storyteller who takes you on an unforgettable journey through the complexities of Sudanese society, from the experiences of Sudanese women to the haunting legacy of systemic racism.
This is a true literary gem that demands to be read. If there's one debut you pick up this year, let it be this one.
This is a true literary gem that demands to be read. If there's one debut you pick up this year, let it be this one.
Read
September 15, 2024"A Mouth Full of Salt" explores the lives of a number of protagonists and delves deeply into their experiences, offering readers a nuanced exploration of Sudanese culture and identity. Especially at this given time when Sudan is all over the news, it may be an interesteing tale for those who are not familiar with Sudan and its culture. Through Reem's lyrical prose, I have been transported back to the vibrant streets of Sudan, where tradition and modernity intersect in ways that are complex even for me as a Sudanese.
One of the novel's strengths lies in its examination of diverse topics such as the impact of colonialism on Sudanese society. Reem skillfully portrays the legacy of colonization and its effects on identity, culture, and interpersonal relationships. Through the protagonists’ journey, readers gain insight into the tensions between preserving tradition and embracing change in a rapidly evolving world. Reem has also discussed politics and the economy of Sudan in a way that adds depth to the narrative. Through subtle commentary and vivid portrayals of societal structures, readers gain a deeper understanding of the challenges facing the country, which may shed a light on how matters have evolved into our current situation in Sudan.
The intertwining of personal stories with broader political and economic realities highlights the interconnectedness of individual lives and larger historical forces. By shedding light on these issues, I was forced to contemplate on the complexities of power, privilege, and resilience in the face of adversity. Overall, her suble exploration of Sudanese society makes "A Mouth Full of Salt" not only a captivating work but also a compelling commentary on the human condition.
Moreover, she captures the universal and perpetual struggle of individuals grappling with questions of belonging and self-discovery. The characters’ internal conflicts mirrors the broader societal tensions, adding depth and resonance to the narrative. As readers follow the protagonists’ quest to reconcile the various facets of their identity, they are invited to reflect on their own sense of belonging and cultural heritage.
Overall, "A Mouth Full of Salt" is a compelling exploration of the human experience, offering readers a window into Sudanese life while addressing themes that resonate across cultures. Reem’s evocative storytelling and insightful characterization make this novel a memorable and thought-provoking read, keeping the reader wondering is this a fictuous or nonfictuous naration!
I eagerly anticipate a sequel that explores the resolution of Nyamakeem's fate and the evolution of Fatima's aspirations for the future as well as Sulafa’s destiny. Additionally, I am intrigued by the prospect of investigating whether the villagers have gleaned any insights from their harrowing ordeals and are now poised for meaningful transformation.
One of the novel's strengths lies in its examination of diverse topics such as the impact of colonialism on Sudanese society. Reem skillfully portrays the legacy of colonization and its effects on identity, culture, and interpersonal relationships. Through the protagonists’ journey, readers gain insight into the tensions between preserving tradition and embracing change in a rapidly evolving world. Reem has also discussed politics and the economy of Sudan in a way that adds depth to the narrative. Through subtle commentary and vivid portrayals of societal structures, readers gain a deeper understanding of the challenges facing the country, which may shed a light on how matters have evolved into our current situation in Sudan.
The intertwining of personal stories with broader political and economic realities highlights the interconnectedness of individual lives and larger historical forces. By shedding light on these issues, I was forced to contemplate on the complexities of power, privilege, and resilience in the face of adversity. Overall, her suble exploration of Sudanese society makes "A Mouth Full of Salt" not only a captivating work but also a compelling commentary on the human condition.
Moreover, she captures the universal and perpetual struggle of individuals grappling with questions of belonging and self-discovery. The characters’ internal conflicts mirrors the broader societal tensions, adding depth and resonance to the narrative. As readers follow the protagonists’ quest to reconcile the various facets of their identity, they are invited to reflect on their own sense of belonging and cultural heritage.
Overall, "A Mouth Full of Salt" is a compelling exploration of the human experience, offering readers a window into Sudanese life while addressing themes that resonate across cultures. Reem’s evocative storytelling and insightful characterization make this novel a memorable and thought-provoking read, keeping the reader wondering is this a fictuous or nonfictuous naration!
I eagerly anticipate a sequel that explores the resolution of Nyamakeem's fate and the evolution of Fatima's aspirations for the future as well as Sulafa’s destiny. Additionally, I am intrigued by the prospect of investigating whether the villagers have gleaned any insights from their harrowing ordeals and are now poised for meaningful transformation.
June 8, 2024
What a book! I got this as a gift and went into it relatively blind, but it absolutely blew me away.
It perfectly strikes the balance of plot and social commentary. It’s moving and thought provoking while still telling a story you get fully invested in.
It perfectly strikes the balance of plot and social commentary. It’s moving and thought provoking while still telling a story you get fully invested in.
December 27, 2024
The river was like a bit of string, following her through time and place, anchoring her here – to a village that she hated with all her heart – but also moving her along.
Honestly... just incredible. Gaafar writes so vividly, it feels like being transported right into the village. And this despite the fact that I several times had to google certain terms or words. It was gut-wrenching and wonderful and just so good.
I've said it a lot in the reviews for this year, but I'm not too familiar with Sudan and South Sudan apart from the very basics, so it was very interesting to read a story taking place in the 1980s. I learned a lot, not just from the book but also through Youtube and articles as I was trying to understand the history and conflict somewhat more. But I sincerely hope that Gaafar will write many more novels. I'll read them all.
Honestly... just incredible. Gaafar writes so vividly, it feels like being transported right into the village. And this despite the fact that I several times had to google certain terms or words. It was gut-wrenching and wonderful and just so good.
I've said it a lot in the reviews for this year, but I'm not too familiar with Sudan and South Sudan apart from the very basics, so it was very interesting to read a story taking place in the 1980s. I learned a lot, not just from the book but also through Youtube and articles as I was trying to understand the history and conflict somewhat more. But I sincerely hope that Gaafar will write many more novels. I'll read them all.
April 26, 2025
Taking place in the mid 1900s in a small village in Sudan, we enter the story with the search for a boy who got lost in the river. And then life continues. But then the animals die. Is this small village life? The villagers look for someone or something to blame. New people are introduced and I wondered why and what they were doing and the author brought it all together in the final moments and I was held until the final sentence. This was great.
January 25, 2026
Amazing, beautiful, perfect. This book delves so deeply into the different social, cultural, gendered and class dynamics within a small Sudanese village. It’s able to strip back the veneer of respectability and expose the rotten underbelly of a society that I think all people who come from a deeply patriarchal, shame-based culture are very familiar with.
The ending forces the reader to examine the small ways in which we serve to uphold these systems of oppression. Beautifully done.
The ending forces the reader to examine the small ways in which we serve to uphold these systems of oppression. Beautifully done.
May 6, 2025
giving this a 3.75 so rounding to a 4.
was really interesting historical fiction about Sudan and South Sudan. I don’t know too much of the history of the two countries so I love learning about it through a fictionalised story. interesting family networks and storylines woven throughout.
was really interesting historical fiction about Sudan and South Sudan. I don’t know too much of the history of the two countries so I love learning about it through a fictionalised story. interesting family networks and storylines woven throughout.
June 18, 2025
Almost every book I read by a Sudanese writer will revolve around the river, in this novel the river is a taker of lives. In this village losing loved ones to the water is very common, the grief it causes is permanent even if it appears acceptable, since no one is really spared, but there is an element of karma that will be revealed in this captivating story of the village and it's women specifically. The horrible nature of mankind, it's greed, alleged supremacy and abuse of power towards the different or weaker other is what I got. The book ended ubruptly for me, and felt severed.
July 15, 2025
4.5 such a different voice! While beautifully illustrated it still managed to touch so many important topics. Using the element of mystic to keep pace while commenting on the social injustices.
Such a good read!! My only pitfall was at times not being able to keep track of the characters and timelines
Such a good read!! My only pitfall was at times not being able to keep track of the characters and timelines
April 25, 2025
This book taught me a lot about Sudan and is a strong debut. I did find the huge cast of characters hard to keep track of though and it's just terribly sad in lots of places. I'm looking forward to the discussion as I imagine there's lots of historical context I've missed
Read as part of the Shelterbox bookclub
Read as part of the Shelterbox bookclub
January 5, 2025
Wow... Just wow. In millennial language: WOW! And in the words of our elders: “May your hand never break; may it touch the Kaaba.”
Bless you, Reem Jaafar. Through your pen, you have revived a multitude of emotions—nostalgia, wonder, and longing for home. You’ve worked wonders with this novel, which can only be described as flawless.
Reem takes us on a journey through half a century of Sudanese history, before and after colonization, including the great flood of 1988 and the years that followed. She weaves between past and present, from the farthest reaches of the north to the southernmost regions. One moment, you’re standing at the edges of Kareema, and the next, you’re in Wau, Torit, or near the sources of the White Nile. She escorts us through a unique saga spanning three generations—stories so masterfully told that they feel like lived reality. Perhaps they are.
Reem is an exceptional storyteller. Her characters leap off the page, feeling more like real people than fictional constructs. She has meticulously sketched their features with her words, down to their walks, their speech, and even their distinctive facial scars.
The geography is precise, and the descriptions even more so. The land, the sky, the weather, and the details of daily life—everything appears as if in a vintage cinematic masterpiece. The huts, the carts, the clay water jars, the woven beds, the cooking fires, the flatbreads, the dates, the eggplant salad, the peanut butter, and the Nile—all are vividly and tangibly present, forming the foundation, the beginning, and the end.
She does not overlook their dialects, local languages, or accents—whether from the north or the Shilluk regions—and much has not been lost in translation. The level of detail is astonishing: muddy sandals, striped shawls, the sound of bracelets, the arrangement of traditional kitchens, creaking doors, the call to prayer, and so much more. The nuances will astound you!
The novel does not have a single protagonist; rather, it has many. The story is told at times through one character and at other times through an unnamed narrator, a choice that only enhances the novel’s brilliance.
The narrative fluidly explores themes like religion, inheritance, marriage, birth, customs, and racism, all with an extreme realism that feels like you’re eavesdropping on conversations in your own village—their grievances, joys, and subtle gossip.
From the very first page, you are drawn in. Your heart races to uncover the events. Your mind crafts one scenario after another, but...
Oh, the surprises—the order of events, the unfolding fates, and the triumph of truth!
The opening scene is shocking, and the shocks continue to cascade, leaving you with the bitterness of sorrow and the saltiness of tears, making the title, A Mouth Full of Salt, an apt and perfectly chosen one.
The language is eloquent, akin to an elder who speaks with modesty—no vulgar words or indecency between the lines. Her words are dignified, her descriptions noble. Choosing to write in English was a brilliant decision, as the target audience—both globally and among newer generations—does not predominantly speak Arabic. (An Arabic translation is reportedly forthcoming.)
Despite being written in English, Dr. Reem Jaafar masterfully conveys emotions and expressions.
Through her work, Reem reminds us that the storyteller never dies.
With exceptional craftsmanship, she takes you from Khartoum to Old Dongola, Kareema, Tangasi, Wau, and Torit, sparing you the fatigue of travel. Instead, she provides a comfortable seat, a rush of adrenaline, and a generous reward of dopamine in the final scene.
For me, the novel earns a solid 5 stars—resplendent and well-deserved. I wish I could gift it to everyone as an end-of-year present. Perhaps a piece of our homeland’s tales will bring us back to the homeland, even if only in imagination.
Congratulations to Dr. Reem Jaafar, and a well-deserved win for the Island Prize!
Bless you, Reem Jaafar. Through your pen, you have revived a multitude of emotions—nostalgia, wonder, and longing for home. You’ve worked wonders with this novel, which can only be described as flawless.
Reem takes us on a journey through half a century of Sudanese history, before and after colonization, including the great flood of 1988 and the years that followed. She weaves between past and present, from the farthest reaches of the north to the southernmost regions. One moment, you’re standing at the edges of Kareema, and the next, you’re in Wau, Torit, or near the sources of the White Nile. She escorts us through a unique saga spanning three generations—stories so masterfully told that they feel like lived reality. Perhaps they are.
Reem is an exceptional storyteller. Her characters leap off the page, feeling more like real people than fictional constructs. She has meticulously sketched their features with her words, down to their walks, their speech, and even their distinctive facial scars.
The geography is precise, and the descriptions even more so. The land, the sky, the weather, and the details of daily life—everything appears as if in a vintage cinematic masterpiece. The huts, the carts, the clay water jars, the woven beds, the cooking fires, the flatbreads, the dates, the eggplant salad, the peanut butter, and the Nile—all are vividly and tangibly present, forming the foundation, the beginning, and the end.
She does not overlook their dialects, local languages, or accents—whether from the north or the Shilluk regions—and much has not been lost in translation. The level of detail is astonishing: muddy sandals, striped shawls, the sound of bracelets, the arrangement of traditional kitchens, creaking doors, the call to prayer, and so much more. The nuances will astound you!
The novel does not have a single protagonist; rather, it has many. The story is told at times through one character and at other times through an unnamed narrator, a choice that only enhances the novel’s brilliance.
The narrative fluidly explores themes like religion, inheritance, marriage, birth, customs, and racism, all with an extreme realism that feels like you’re eavesdropping on conversations in your own village—their grievances, joys, and subtle gossip.
From the very first page, you are drawn in. Your heart races to uncover the events. Your mind crafts one scenario after another, but...
Oh, the surprises—the order of events, the unfolding fates, and the triumph of truth!
The opening scene is shocking, and the shocks continue to cascade, leaving you with the bitterness of sorrow and the saltiness of tears, making the title, A Mouth Full of Salt, an apt and perfectly chosen one.
The language is eloquent, akin to an elder who speaks with modesty—no vulgar words or indecency between the lines. Her words are dignified, her descriptions noble. Choosing to write in English was a brilliant decision, as the target audience—both globally and among newer generations—does not predominantly speak Arabic. (An Arabic translation is reportedly forthcoming.)
Despite being written in English, Dr. Reem Jaafar masterfully conveys emotions and expressions.
Through her work, Reem reminds us that the storyteller never dies.
With exceptional craftsmanship, she takes you from Khartoum to Old Dongola, Kareema, Tangasi, Wau, and Torit, sparing you the fatigue of travel. Instead, she provides a comfortable seat, a rush of adrenaline, and a generous reward of dopamine in the final scene.
For me, the novel earns a solid 5 stars—resplendent and well-deserved. I wish I could gift it to everyone as an end-of-year present. Perhaps a piece of our homeland’s tales will bring us back to the homeland, even if only in imagination.
Congratulations to Dr. Reem Jaafar, and a well-deserved win for the Island Prize!
April 11, 2025
Shelterbox Book Club Book 2: What an amazing book. Set it Sudan it highlights the lives and clashes of the families who live in the North and South of the country and the tragedy that results from a mixed marriage. It was really interesting to get an insight into life in rural Sudan, the impact of colonialism and military coups, and the ever presence of the River Nile. Beautifully written.
May 5, 2025
A Mouth Full of Salt by Reem Gaafar
Spanning four decades, this is a compelling and deeply moving story of three women in Sudan, whose destinies are inextricably linked by the waters of the Nile and the enduring weight of grief. It is a powerful exploration of community, matriarchy, racial hierarchies and the fragility of honor, and respectability.
At its core the novel examines the societal constraints placed on women in the 1980’s and their persistent struggle for agency. The rich character development offers a rich tapestry of perspectives, illuminating the varied experiences of women as wives, mothers and single individuals navigating a patriarchal society.
The novel delves into the historical and ongoing roots of distrust and animosity between Southern (African) and Northern (Arab) Sudanese communities, highlighting entrenched racial hierarchies. Through vivid storytelling, Gaafar brings to life the cultural traditions and ceremonies, superstitions and communal bonds and interdependence that define Sudanese society. She skillfully captured the tension between the desire to uphold tradition and the inevitable encroachment of modernization, presenting this conflict through nuanced and insightful characters.
This is a story of motherhood, love and family - but also of profound grief and irreparable loss. The anguish and pain is palpable within these pages, and though it may dim it doesn’t disappear.
It is a story of hopes and dreams and reaching for a future outside of your community.
Ultimately this is a heart breaking yet beautifully told story of inequity, racism, and resilience. It is a tribute to the immutable strength of women and mothers - their sacrifices, their endurance and the fierce love that drives them. It captures you from the first page, compelling you forward and refuses to release you from its grip.
Spanning four decades, this is a compelling and deeply moving story of three women in Sudan, whose destinies are inextricably linked by the waters of the Nile and the enduring weight of grief. It is a powerful exploration of community, matriarchy, racial hierarchies and the fragility of honor, and respectability.
At its core the novel examines the societal constraints placed on women in the 1980’s and their persistent struggle for agency. The rich character development offers a rich tapestry of perspectives, illuminating the varied experiences of women as wives, mothers and single individuals navigating a patriarchal society.
The novel delves into the historical and ongoing roots of distrust and animosity between Southern (African) and Northern (Arab) Sudanese communities, highlighting entrenched racial hierarchies. Through vivid storytelling, Gaafar brings to life the cultural traditions and ceremonies, superstitions and communal bonds and interdependence that define Sudanese society. She skillfully captured the tension between the desire to uphold tradition and the inevitable encroachment of modernization, presenting this conflict through nuanced and insightful characters.
This is a story of motherhood, love and family - but also of profound grief and irreparable loss. The anguish and pain is palpable within these pages, and though it may dim it doesn’t disappear.
It is a story of hopes and dreams and reaching for a future outside of your community.
Ultimately this is a heart breaking yet beautifully told story of inequity, racism, and resilience. It is a tribute to the immutable strength of women and mothers - their sacrifices, their endurance and the fierce love that drives them. It captures you from the first page, compelling you forward and refuses to release you from its grip.
November 29, 2024
A Mouth Full of Salt is a deceptively unassuming hardback that completely captivated me. My first encounter with Sudanese fiction left me with goosebumps. Through its pages, I was transported to an intimate fishing village—a microcosm of tradition and quiet rebellion—where compliance is a sign of respect, and questioning is a sin.
The narrative masterfully weaves superstition, folklore, time-honored rituals, and the tension of civil unrest, creating a world both endearing and eye-opening. While some sections were challenging to navigate, these moments were integral to bringing the prose to life in all its depth and nuance.
For me, the highlight was undoubtedly the female characters. Their intricate relationships and the fierce resilience they embody were unparalleled, leaving a lasting impression. This novel is as thought-provoking as it is beautifully written—a true gem of Sudanese literature.
The narrative masterfully weaves superstition, folklore, time-honored rituals, and the tension of civil unrest, creating a world both endearing and eye-opening. While some sections were challenging to navigate, these moments were integral to bringing the prose to life in all its depth and nuance.
For me, the highlight was undoubtedly the female characters. Their intricate relationships and the fierce resilience they embody were unparalleled, leaving a lasting impression. This novel is as thought-provoking as it is beautifully written—a true gem of Sudanese literature.
January 23, 2025
This book has left me awestruck.
Part 1 painted a beautiful picture of a village in North Sudan - the heat, the breeze, the smells, the warm glow, the sand, the river - but with an air that is eerie and chilling. Here, we learn of the many characters and their families, their daily affairs and their shared grief. At times difficult to read, the author did not shy away from including some of the raw cultural traditions (as well as other more common traditions experienced by POC today); adding to the realness of the setting being described.
Part 2, a more personal struggle, created a closeness to the protagonist(s) and longing for what will be of their fate. At this point, I could not put down the book.
The masterful ending was one that brought the story together in a tragic and heavy way.
Part 1 painted a beautiful picture of a village in North Sudan - the heat, the breeze, the smells, the warm glow, the sand, the river - but with an air that is eerie and chilling. Here, we learn of the many characters and their families, their daily affairs and their shared grief. At times difficult to read, the author did not shy away from including some of the raw cultural traditions (as well as other more common traditions experienced by POC today); adding to the realness of the setting being described.
Part 2, a more personal struggle, created a closeness to the protagonist(s) and longing for what will be of their fate. At this point, I could not put down the book.
The masterful ending was one that brought the story together in a tragic and heavy way.
August 25, 2025
This book was a completely random find on the library shelf that ended up being one of the most beautifully written, brilliantly deep of wonder & sorrows kind of book I ever read. The plot runs so deep and the connections made between characters and their pasts really ties each place to each character and each character to one another. The conflict in Sudan and the lack of women’s rights and seeing both these develop throughout the story (as the conflict grew deeper, as women tried to fight for their own liberation) I fell in love with the women who stood as their own and it opened my eyes to the type of world they live in. There are some traumatic scenes depicted throughout the story which was tough to get through but it’s definitely worth the read. 10/10
June 6, 2025
Read with @Shelterbox Book Club
An astonishing read about post colonial influences and times in a farming village in North Sudan. Rooted deeply in traditions, cultural expectations and hierarchies, the wisdom of this young writer and her life experiences as a physician and activist draws attention to some powerfully developed female characters.
The tragedies and emotions are intense and at times, disturbing. But the whole is courageously looking to a better and more independent future for the many strong female role models in these pages.
Captivating and all the more so for it being a debut novel by Reem Gaafar
An astonishing read about post colonial influences and times in a farming village in North Sudan. Rooted deeply in traditions, cultural expectations and hierarchies, the wisdom of this young writer and her life experiences as a physician and activist draws attention to some powerfully developed female characters.
The tragedies and emotions are intense and at times, disturbing. But the whole is courageously looking to a better and more independent future for the many strong female role models in these pages.
Captivating and all the more so for it being a debut novel by Reem Gaafar
October 1, 2025
This 245 page adult read set in Sudan will stay with me for a while. It started out a bit slow, but the immersive writing was intentional and spell binding. It comes full circle, the threads are not dropped or abandoned, and the slowness, in retrospect wasn't slowness at all, it was world building and connection reinforcement, and bringing the reader in to a time and place that remarkably becomes familiar as the story builds. The story told in three parts starts with a drowning of a boy in the Nile, focusing on Fatima, her world, her view, her village as it suffers loss of cattle, fire, death, wedding preparations, and exam results. It then switches in part two, to the voice of Nyamakeem, a Southern Sudanese women married to a Muslim from the North making her way in the city with her young son and facing racism and abandonment. Part three, oh part three brings the stories together, connected by the river, by circumstance, by loss; and leaves the reader feeling both satisfied, and hopeful. Equal to the character development, the plot contains commentary on gender roles and racism interwoven with history and culture. Islam is present as the majority of the characters are practicing Muslims, it is just who they are, but cultural superstition and ritual are not articulately separated. The book is their story, they are not seeking to didactically educate. The own voice book is showing and sharing, and as a result opening the readers heart and eyes.
There are a lot of characters, and I switched to the audio book, to not hinder my progress early on in the story. This truly made me feel like I was eaves dropping on the table next to mine and getting heavily invested in families and relationships that I couldn't quite keep straight, but couldn't interrupt for clarity either. The benefit was that when I would pause listening, I was obsessed with getting back to the characters, getting updates so to speak, about what was worked out, resolved, and up next for them, they really felt real, and I needed resolution and answers. The negatives, however, of listening to a character heavy audio book is that you don't go back and check names and details of family relations. And in this book the interconnectedness of all the characters is really the foundation of the book. I don't know if this made the twists hit differently, or if my squeals of shock and delight would have been different had I read the book and been constantly flipping back and forth. I leave you to decide what is best for you, either way I'm fairly confident, whatever way you decide to engage in the story, the book will win you over, and linger in your mind, long after the last page.
There are a lot of characters, and I switched to the audio book, to not hinder my progress early on in the story. This truly made me feel like I was eaves dropping on the table next to mine and getting heavily invested in families and relationships that I couldn't quite keep straight, but couldn't interrupt for clarity either. The benefit was that when I would pause listening, I was obsessed with getting back to the characters, getting updates so to speak, about what was worked out, resolved, and up next for them, they really felt real, and I needed resolution and answers. The negatives, however, of listening to a character heavy audio book is that you don't go back and check names and details of family relations. And in this book the interconnectedness of all the characters is really the foundation of the book. I don't know if this made the twists hit differently, or if my squeals of shock and delight would have been different had I read the book and been constantly flipping back and forth. I leave you to decide what is best for you, either way I'm fairly confident, whatever way you decide to engage in the story, the book will win you over, and linger in your mind, long after the last page.
November 20, 2025
Disclaimer: Blue Weaver Marketing and Distribution kindly sent me a copy of this novel in exchange for an honest review.
This is a story told in two parts. Seemingly unrelated stories told decades apart in the South of Sudan. They are connected through water.
In the early 90s in a small village, a young boy named Mohamed goes missing. He is believed to have drowned in the Nile river, and the village takes shifts waiting for his body to rise to the surface. Mohamed's mother, Sulafa, wanders the river bank searching for her only child, whilst her husband, Hamid Kheir Alseed, and his second wife are unphased.
Fatima is a young girl who lives in the same village, and whilst her betrothed, Sadig, helps search for the body, she is helping her cousin Sawsan prepare for her wedding day. Even though Fatima will soon be planning for her own wedding, she doesn't share her friend's happiness and wants something else in her future. Instead of joy and jubilation, the village is somber on this day because of the drowning, and also because the very next day the same village lost most of their animals from a strange illness. Before the dead animal pyre has even burned down, the village suffers another loss when their crops and orchards go up in flames. Without the animals and the crops, the village will struggle to survive. This will not be the last of the village's misfortunes.
In 1943, Nyamkeem and her husband and their newborn son travel from the North to the South. Her husband, Hassan, is from the South and is an Arab. When they arrive at his family home, they are not greeted with happiness, and are instead sent away, and will spend years isolated from his family. As her husband attempts to mend relations with his people, Nyamkeem will eventually find herself raising her son, Kheir Alseed, alone, and ostracised from the village. Years later, tragedy will strike when her son goes in search of the father who abandoned them, and Nyamkeem confronts the people who dismissed her because of who she was.
There are two timelines in this novel, and they will intersect. Mohamed's mother, Sulafa, and Nyamkeem both experience unspeakable tragedy, the pain of womanhood and loss. Their pain is haunting in many ways, and through pain, grief, and political upheaval, a curse settles and imbeds itself in a community and waits for the tides to change. A Mouth Full of Salt is the beautiful tragedy of life, and death. Am incredibly well-written story with deeply haunting characters.
This is a story told in two parts. Seemingly unrelated stories told decades apart in the South of Sudan. They are connected through water.
In the early 90s in a small village, a young boy named Mohamed goes missing. He is believed to have drowned in the Nile river, and the village takes shifts waiting for his body to rise to the surface. Mohamed's mother, Sulafa, wanders the river bank searching for her only child, whilst her husband, Hamid Kheir Alseed, and his second wife are unphased.
Fatima is a young girl who lives in the same village, and whilst her betrothed, Sadig, helps search for the body, she is helping her cousin Sawsan prepare for her wedding day. Even though Fatima will soon be planning for her own wedding, she doesn't share her friend's happiness and wants something else in her future. Instead of joy and jubilation, the village is somber on this day because of the drowning, and also because the very next day the same village lost most of their animals from a strange illness. Before the dead animal pyre has even burned down, the village suffers another loss when their crops and orchards go up in flames. Without the animals and the crops, the village will struggle to survive. This will not be the last of the village's misfortunes.
In 1943, Nyamkeem and her husband and their newborn son travel from the North to the South. Her husband, Hassan, is from the South and is an Arab. When they arrive at his family home, they are not greeted with happiness, and are instead sent away, and will spend years isolated from his family. As her husband attempts to mend relations with his people, Nyamkeem will eventually find herself raising her son, Kheir Alseed, alone, and ostracised from the village. Years later, tragedy will strike when her son goes in search of the father who abandoned them, and Nyamkeem confronts the people who dismissed her because of who she was.
There are two timelines in this novel, and they will intersect. Mohamed's mother, Sulafa, and Nyamkeem both experience unspeakable tragedy, the pain of womanhood and loss. Their pain is haunting in many ways, and through pain, grief, and political upheaval, a curse settles and imbeds itself in a community and waits for the tides to change. A Mouth Full of Salt is the beautiful tragedy of life, and death. Am incredibly well-written story with deeply haunting characters.
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