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Found Footage: What the Camera Remembers
FOUND Solved Cases of True Crime — A True Crime Collection
by Paul T. Gregory
Cameras don’t care. They mark, they timestamp, they remember. And in case after case, those indifferent frames became the line that wouldn’t move.
In this gripping, fact-first collection, Paul T. Gregory reconstructs ten homicide investigations unlocked by found footage: a rinsed memory card that refused to forget; a campus bus-stop clip that trapped a rare hatchback in a single second; a mosaic of corner-store CCTV that shrank a city to one door; a shaky bystander phone video that forced a reckoning in open court. Frame by frame, minute by minute, these stories show how ordinary pictures—doorbells, lift cams, shop domes, dashboard DVRs—turn disappearances into timelines and alibis into dust.
Inside you’ll
Scene-led narratives that read like a documentary unfolding in real time.
The exact investigative leverage of each how pixels became pressure, routes, vehicles, and names.
Ethical, non-graphic storytelling that centers victims and the work—no spectacle, no filler.
Clear “what the camera missed” notes that separate sequence from speculation.
If you crave true crime that is suspenseful and disciplined—built on timestamps, routes, and evidence rather than rumor—Found Footage will keep you turning pages long after the screens go dark.
Press play. The seconds will tell you the truth.
by Paul T. Gregory
Cameras don’t care. They mark, they timestamp, they remember. And in case after case, those indifferent frames became the line that wouldn’t move.
In this gripping, fact-first collection, Paul T. Gregory reconstructs ten homicide investigations unlocked by found footage: a rinsed memory card that refused to forget; a campus bus-stop clip that trapped a rare hatchback in a single second; a mosaic of corner-store CCTV that shrank a city to one door; a shaky bystander phone video that forced a reckoning in open court. Frame by frame, minute by minute, these stories show how ordinary pictures—doorbells, lift cams, shop domes, dashboard DVRs—turn disappearances into timelines and alibis into dust.
Inside you’ll
Scene-led narratives that read like a documentary unfolding in real time.
The exact investigative leverage of each how pixels became pressure, routes, vehicles, and names.
Ethical, non-graphic storytelling that centers victims and the work—no spectacle, no filler.
Clear “what the camera missed” notes that separate sequence from speculation.
If you crave true crime that is suspenseful and disciplined—built on timestamps, routes, and evidence rather than rumor—Found Footage will keep you turning pages long after the screens go dark.
Press play. The seconds will tell you the truth.
72 pages, Kindle Edition
Published December 14, 2025
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Displaying 1 of 1 review
January 18, 2026
This book proves that true crime doesn’t need graphic detail to be compelling. Fans of true crime podcasts and documentaries will find a lot to like here.
This book avoids graphic content, instead offering concise, conversational case summaries that are informative without being sensational. The focus remains firmly on video evidence, facts and respect for the victims, rather than shock value.
Each chapter centers on found footage connected to the case, including the well-known footage tied to the murders of Abby and Libby.
One line neatly captures the book’s approach:
“Found footage, laid in order, doesn’t need to see violence to prove truth. It needs to pin the moments around it until no lie can stretch between them.”
While I personally tend to prefer true crime that leans a bit more into the darker, more unsettling details, I genuinely respect the restraint shown here. This feels like an ideal recommendation for readers who prefer a more “closed-door” true crime approach… focused on information, context, and ethics rather than explicit horror.
This is part of a true crime series and I’ll definitely be reading more of this collection.
This book avoids graphic content, instead offering concise, conversational case summaries that are informative without being sensational. The focus remains firmly on video evidence, facts and respect for the victims, rather than shock value.
Each chapter centers on found footage connected to the case, including the well-known footage tied to the murders of Abby and Libby.
One line neatly captures the book’s approach:
“Found footage, laid in order, doesn’t need to see violence to prove truth. It needs to pin the moments around it until no lie can stretch between them.”
While I personally tend to prefer true crime that leans a bit more into the darker, more unsettling details, I genuinely respect the restraint shown here. This feels like an ideal recommendation for readers who prefer a more “closed-door” true crime approach… focused on information, context, and ethics rather than explicit horror.
This is part of a true crime series and I’ll definitely be reading more of this collection.
Displaying 1 of 1 review