Gonna Fly Now
If you liked the 1976 boxing movie Rocky, have I got a book for you. This third volume has two major plots that consume roughly 80% of the page space: Aiz training Bell how to fight, and Bell's endless battle against the Minotaur. Aiz is the Adrian who inspires the hero to fight on against impossible odds, and wolfboy Bete plays Apollo Creed mocking Tomato Boy until there's egg on his face.
Yawn. Been there, done that, and so I felt like a prisoner forced to follow the predictable trajectory this story took. This was the first volume where I really felt too old and too far from the book's target YA demographic. All of Bell's puppy love mooning over the unattainable Aiz, jealous Hestia, manipulative Freya, protective Syr and Lyu.... I mean, is this an adventure series or a teenage "romantasy"?
Even when the adventure ramps up in the book's latter-half, it's so dragged out, as if Omori had a page limit to meet and kept jet-puffing the battle with more Minotaur MUWOOs and MROOAHs and Bell's internal monologues punctuated by his grunts and groans. And Omori is quick to sprinkle in like pepper on a potato snack those space-filling blank lines of "..." (I wish I knew about that trick in college when I struggled to write 10-page papers. I would tell the prof they are dramatic pauses and then take my D like a man.)
Speaking of drama, Omori does add a Greek chorus to the otherwise mind-numbing battle chapters. Bete, Tiona and Tione stand to the side and bicker with the acerbic bully Bete unwilling to acknowledge that Tomato Boy has come a long way in a short while. My own sneaking suspicion is that wolfboy Bete is Omori's answer to Marvel's Wolverine, and he plays that role with aplomb.
I was numbed in the fog of war but did wake up to wince when on page 156 the Minotaur's blade slashed so close to Bell it snipped a flurry of white hair from the back of his head. Dramatically effective, maybe, but I just don't think things work that way.
RIP Kanu, who gave his life for a riveting side-story-within-a-story that perfectly set the stage for what followed. His ill-fated adventure proved a high point of the book.
Just gotta trash talk Lilly for a paragraph. After playing the albatross in the last volume, here she endangers Bell's life by refusing to obey his clear and repeated order to retreat from the field of battle. She stands there sheepishly yet steadfast, "As long as you're here, I can't run! (p. 158). Why not? Is it a Supporter Union dictate? Did she delude herself into believing her less-than-useless presence would somehow tip the scales in Bell's favor? In my life's experience, when your boss tells you to do something, you do it. It was pathetic that Bell had to beg her to clear out so he could make his escape. But by the time her little prum paws went tup, tup, tup that window had closed. Lilly proved herself an insubordinate liability and I wish she'd be written out of the series... but I know she won't (insert impotent rage emoji when somebody invents one).
Easy to overlook in this volume bookended by the Training and the Big Fight are the quieter character development moments. Eina Tulle, my favorite character, is willing to lose her job with the Guild on principle as she presses for an investigation of Soma Familia. Her motivations are admirable. She wants to protect all adventurers from this toxic and drug-addicted clan whose mad desire to acquire wealth at any cost poses a threat to ethical adventurers.
Then we discover that Lyu also apparently has a thing for Bell (who doesn't, right?). Since the motherly waitresses at the Benevolent Maiden appear uniformly opposed to Bell's adventuring, I don't see much future for them in his expanding harem of admirers.
The flashback to Bell's grandfather appeared intended to retcon some depth and decency into what was hitherto a cartoonish dirty old man whose dying wish was for his grandson to go to the city and assemble a harem to vicariously fulfill his own demented wet dreams.
Hestia is also rewarded with some reputation restoration in this volume: "The goddess seemed to exist right on the border of 'fetching girl' and 'lovely young lady.' ... She was part mischievous troublemaker, but also refined--both elements seemingly entwined within her. ... Hestia possessed a dignity befitting a goddess" (p. 13). This was a welcome development as the flaky goofball goddess Hestia has played until now would not be sustainable long-term. And with the expanding scope and cast in this volume, it's clear Omori is playing 4-D chess and plotting the long game.
One great appeal of light novels is the illustrations. In the afterword to volume 2, Omori indirectly apologizes for Suzuhito Yasuda who "overcame a very difficult schedule to provide amazing artwork." The artwork was okay in that volume, but often appears phoned in for this one. Chapter 3's isn't even a drawing but looks like a photograph of wispy clouds. The lined-up swords illustration for chapter 5 was just lazy and utterly failed to capitalize on any of the new characters or the spirit of that all-action conclusion. But the award for absolute worst illustration in any light novel I've yet read goes to chapter 4's drawing of, well, what exactly is that? I thought it was an empty Thanksgiving horn o' plenty. No, not in a Japanese novel. Maybe a chopped potato from Hestia's side hustle? No. I finally figured out it's the minotaur's missing horn. But what a small and lazy drawing it is, free-floating in a page of white space.
That said, Yasuda does excel in drawing beautiful women, incontrovertibly testified to by our opening the book to his peekaboo-panty painting of Hestia and Bell followed by a full-sized poster of Freya's big reveal, which image can be glimpsed in the anime's opening titles. Freya doffs her clothes again in a rear-view shot for the prologue. Yasuda's correction of Hestia's warning to Lilly was well done, even if I can't believe Bell is that much taller than the girls. Aiz stands out prominently in her two illustrations. Lyu's side-eye glance is cute with Bell's reaction reflected in the dish. The Minotaur illos did the job.
Mentioning Lyu makes me wonder why Omori fills this story with difficult to pronounce and confusing names. Lyu, Syr, Riveria, and those Amazon sisters Tiona and Tione Hyrute. Hey, I'm still out here struggling to say Hephaistos!
I had to wonder if Yasuda reads the story before illustrating its key moments. Page 77 finds Bell with Aiz, admiring "every detail of her innocent, sleeping face" and "the nape of her neck." The nape is the back of the neck, and Bell's ability to behold it would be impossible if one believes Yasuda's illustration on the opposite page that not only shows Aiz facing Bell but her hair completely covering her nape.
On that note, if books had drinking games, toss back a shot every time Omori mentions Aiz's blonde hair. Dude, we know she's blonde! I get it that to the Japanese blonde hair is an exotic novelty, but Omori's obsession with it is beginning to border on the fetishistic.
Can somebody start a GoFundMe to provide coffee for the Yen On Press proofreader pool? There were a ton of typos in this volume; e.g., Bell remembers Gramps' "arms, thick as tree trucks" (p. 154). Astoundingly, this was not a mistake! Gramps was so old (how old was he?) that he lived through the Stone Age where people actually drove trucks made out of trees. Saw it myself on The Flintstones. So... do I get my No Prize?
Okay, so I found disappointing this Rocky-riffed concluding volume of Bell's redemption story arc. I know I'm in the minority here in ranking volume one as S tier, two a disastrous dip in the Lilly pond, and three a dragged-out drag-out fight. Hey, I just want more sword-and-sorcery adventuring and less love triangles and yearning teen romance. Before bitterness takes root, I will take a brief break from the series before taking up volume 4. And I will return as I enjoy the characters and the unfolding story and am a tremendous fan of the anime. That and I already have all 19 volumes on my shelf!