2.5 rounded away because in the end, the more I sit with this, the more I just wasn't fond of a lot of things here.
Great premise, lovely cover, as always Natalie Naudus was a great narration choice for the variety of ages in this one family (and a few friends), but the book overall didn't work in execution.
Under the Ghost Moon follows Joey, a girl orphaned in her teens and cared for by her brother, at 39 after receiving the news of the death of said brother. There, from a series of pre-recorded videos from her brother before his chosen death (cw: suicide/cancer) in the face of terminal illness and his translation of their mother's journal, she discovers everything about their family's past that her brother has kept from her for over 20 years. Also her brother's best friend, aka her long time (LONG time) crush is there, and breaking news, he happens to be recently divorced.
What's good - I imagine very few people outside of the Taiwanese people/diaspora know much about the Taiwan independence movement and the horrors of the KMT 'oversight'. These are still issues today, though in differing forms. And books like this, much like The Lion Women of Tehran, make these worldwide issues more accessible, especially to people that don't know a thing about Taiwan, or only know that there's controversy about its designation.
What didn't work so much - A little more than half the story is her mother's journal, which unfortunately does not read like any sort of journal - there's a lot of "explaining for the reader" both in-journal and with several moments of dialogue throughout the book that become more stark examples of the "telling the reader everything, showing them little" issues throughout. I think I could have been fine with the, "okay, this doesn't read like anybody's journal but sure, we'll go with that for literary convention's sake" if it wasn't so obviously very written in a way that was to be read. (Since Sam, the brother, translated it, maybe it would have been neat for there to be notes from him in the margin or something considering Joey knew zip about a lot of things?). There's also a chapter or two near the end that's another character's story (as he's telling it, but it's his POV chapter) that has the same issue but it does make more sense to be told that way since it's in person, to an audience.
There's also the fact that EVERYTHING is predictable or connected. You know the brother's best friend and Joey are going to be a thing, it's so shoehorned in and not in a fun anticipatory way. Ethan doesn't have any kind of personality or character except that he's hot, and every time Joey has some revelation from the diary, there's a pause, and it's like, "Oh, Sam told you this already too?" (this happens several times) (what also happens several times is the exact phrasing: 'and then they kissed'). And then when we find out more about the family near the end of the book, it's not even a gasp-surprise, it's, 'yeah, okay, of course this would happen' to the point where when a grandfather is telling his story, I kept expecting his unnamed roommate to be Joey's disappeared/killed grandfather.
Overall I would recommend this book to people who like historical fiction but don't get too deep into it, who like multi-generational family stories and stories about dealing with BIG OL CHEATERS, and really easy romance as a side dish. It's very, I didn't like it that much but I can definitely see where the audiences are for it. Oh well! Good premise and important info within though, and applause to the author for not shying away from being so brazenly TAIWAN in this current world where censorship about even MENTIONING Taiwan is still a thing.
Thank you to Brilliance Publishing/Brilliance Audio for the ALC for review.