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Last Human:

Lister gazed out of the porthole and catalogues the series of disasters that had led him to this point in space and the bad decisions, the poor career choices, the unreliable friendships that had led him here - on a prison ship bound for the most inhospitable penal colony in the outer cosmos...and all he'd ever wanted was to be a soft metal guitar icon. This is the beginning of the third and eagerly awaited red dwarf novel where Lister starts out by searching for his Doppelganger and ends up having the future of the human race on his shoulders.

279 pages, Kindle Edition

Published December 11, 2025

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About the author

Doug Naylor

19 books89 followers
Douglas R. Naylor is a British comedy writer, science fiction writer, director and television producer. He is best known as half of the writing team of the lnog-running BBC sci-fi comedy Red Dwarf (1988-2009), which is a worldwide cult hit.

Naylor was born in Manchester, England and studied at the University of Liverpool. In the mid-1980s, Naylor wrote two regular comedy sketch shows for BBC Radio 4 entitled Cliché and Son of Cliché. These sketch shows were scripted by Naylor along with another writer, Rob Grant. This writing partnership was successful with Naylor and Grant going on to co-write and produce numerous BBC television series throughout the 1980s and 1990s. These included programmes such as Comic Relief, Spitting Image, and The 10 Percenters.

The collaborations between Grant and Naylor have often used the pseudonym Grant Naylor. This collaboration is today best remembered for the creation of the British science fiction comedy television series, Red Dwarf (their earlier radio sketch shows formed the basis for the show; Chris Barrie starred in both those and Red Dwarf).

However sometime between the airing of sixth series of Red Dwarf in 1993, and the writing of the seventh series in 1996, Rob Grant ended his partnership with Naylor after revealing he was tired of it and of his intentions to quit and pursue other projects. The pair announced their professional split and cited creative and professional differences, along with Grant's desire to move onto new shows.However sometime between the airing of sixth series of Red Dwarf in 1993, and the writing of the seventh series in 1996, Rob Grant ended his partnership with Naylor after revealing he was tired of it and of his intentions to quit and pursue other projects. The pair announced their professional split and cited creative and professional differences, along with Grant's desire to move onto new shows.

As of 2007, Naylor and Grant Naylor Productions are primarily focused on the production of the DVD releases of Red Dwarf and the postulated and much-hoped-for movie. In 2008 it was announced by Grant Naylor Productions that Red Dwarf would return to TV screens in the form of four half hour specials for the digital channel Dave. The episodes were broadcast over the Easter weekend, 2009, and comprising a three-part special (20 minutes each), Back to Earth, and a behind-the-scenes "Making of" Back to Earth. Naylor wrote the scripts for the three new episodes and also directed them. Back to Earth received record ratings for freeview channel Dave. As of April 2011, Doug Naylor has been commissioned to write a new 6 episode series of Red Dwarf (working title Red Dwarf X). It is not yet known which characters, aside from the main 4, will return or whether it will resolve the cliffhanger at the end of series 8 or be a follow on or prequel to Back to Earth. The show starts filming in November 2011 with a probably 2012 release.

Writes under the name Grant Naylor when collaborating with Rob Grant.

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Displaying 1 - 1 of 1 review
Profile Image for Ian.
Author 7 books17 followers
May 4, 2026
TV spin off novels don’t always hit the mark thogh this one pretty much does. It borrows quite heavily from some of the TV scripts in places but that’s no bad thing, indeed it can be quite fun to spot the references.

The plot is clever and absurd in fairly equal measure and it’s pacey enough to keep you reading to find out where it’s going to go.

The biggest problem with the Kindle edition is that the formatting is a mess. Line spacing is frequently irregular and there’s a liberal sprinkling of typos, I suspect this is due to it being OCRed from a print copy as the book was first published in 1995.

If you’re a fan of the show there’s enough to enjoy here to get you past the flaws.
Displaying 1 - 1 of 1 review