Thanks to MacMillan audio, NetGalley, and Nikki St. Crowe for the ALC in exchange for an honest review. My opinions are my own.
When I was a little kid, I remember watching "The Wizard of Oz" with a strange mixture of awe and terror. From the menacing horror of the tornado to the technicolor splendor of Munnchkinland, the possibilities the movie evoked captivated my imagination for years to come.
As an adult, retellings of that classic story don't hit me with quite the same sense of wonder, but I'm always excited to see a new take on the land of Oz, especially if it subverts my expectations. Nikki St. Crowe's "West of Wicked" offered exactly that kind of unique perspective that mixed the familiar story with darker, more foreboding possibilities, and I enjoyed being whisked into the cyclone of this new and more sinister land of Oz, especially with the multi-POVs of the talented narrators.
The story begins with a twist from the very first scene; we learn immediately that Dorothy is not related by blood to "Aunt" Emma and "Uncle" Henry. Instead, she is dropped off by a woman not immediately identified in the midst of a terrible storm, and is taken in by the kindhearted couple. We also learn that the setting for this retelling takes place in somewhat "modern" times: the language is modern English, and Dorothy isn't quite as wholesome as the image from the classic novel. She has a lover, a farm boy named Edward, is frustrated by her life in what passes for Kansas, and struggles with the abandonment that's haunted her all her life. When the tornado appears to whisk her away, we learn that while the classic scene of the house falling on the Witch of the East happens, it's not ALL that happens, and sets in motion a chain of events that sends Dorothy spiraling down the Yellow Brick Road.
Along the way, she meets classic characters, many of which we recognize from the original novel and movie: the Scarecrow, the Tin Man, and the "cardinal witches", one for each point on a standard compass. Yet, the way the author plays with the expectations of those characters and cleverly changes their core personality traits was wildly entertaining, and it kept me guessing even as the familiar story unfolded, because this Oz is full of darkness, betrayal, and the thirst for power, all of which puts Dorothy in the crosshairs of danger. We're also introduced to new characters that add an extra layer of intrigue, including Cleo, an apprentice to the Witch of the East, and Feos, the captain of the flying monkeys. As Dorothy travels toward the Emerald City, she soon learns that she's here for a very specific purpose, hunted by a pursuer that will not stop until they catch their prize, and in the final act of the novel, a massive reveal turns the entire story on its head once again, setting us up perfectly for book two.
I really enjoyed the atmosphere, pacing, and structure of the book. When they're done well, retellings take well-loved material and turn them into something unique and enjoyable; they take elements of the source but "remix" it enough so that the new story stands on its own, with key callbacks to the original almost acting as Easter eggs. In a lot of (good) ways, it reminded me of the 80's movie "Return to Oz," with the original characters almost seeming like they'd been put through a cracked funhouse mirror.
For the most part, I thought this retelling was very successful. My imagination was piqued by the familiar "blueprints" with new, darker overtones, and the world building was solid enough so that I could easily picture this new, grittier Oz. As someone who is a huge fan of high fantasy, I appreciated the detail the author brought to the settings and characters, and while we don't have all the details on the magic system yet, we learn enough to keep us intrigued. The setup for the twists were subtle and well thought through, and even though I was able to guess most of them, I was truly surprised by the final reveal, and the ones I did guess left me satisfied instead of feeling like they were too predictable.
I experienced this novel entirely through audiobook, and the narration was a highlight for me. MacMillan (the publisher) does an incredible job at selecting narrators who really bring characters to life, with unique voices and emotion that seems genuine, not trite. I especially enjoyed Shane East as TinMan, whose rough and raspy tone perfectly fit the character's key traits in this retelling. Though this novel was done in a full cast format, it wasn't done "duet style," so there are scenes where the narrators will read for other genders. My only nitpick on audio quality came from the narrator who voiced Cleo; at times, there was a strange, metallic quality to their audio capture, but that was only truly noticeable when wearing headphones. There were also pronounced pauses at the end of each chapter, but my guess is that those will be resolved before the final version of the audiobook is released.
I think you'll enjoy this novel if you enjoy classic retellings, fantasy with a bit of intrigue, and a core mystery that deepens as the story continues. While this story does have a few spicy scenes, they're few and far between and do not overpower the story, so if you're looking for a spice-heavy novel, this may not be up your alley. It's the type of audiobook perfect to listen to after a long week where you just want to be swept away to a new, thrilling, and sometimes foreboding land, following down a glittering road just to see where it leads. I can't wait to see what the author does with book 2!