Featuring the return of the new-classic team of Roy Thomas and Roberto de la Torre for a mesmerizing Conan tale, a silent Solomon Kane story from writer Enrique Dueñas González and artist James Castillo, dynamic covers by Alex Horley and James Castillo, plus pin-ups and more!
Roy Thomas was the FIRST Editor-in-Chief at Marvel--After Stan Lee stepped down from the position. Roy is a longtime comic book writer and editor. Thomas has written comics for Archie, Charlton, DC, Heroic Publishing, Marvel, and Topps over the years. Thomas currently edits the fanzine Alter Ego for Twomorrow's Publishing. He was Editor for Marvel comics from 1972-1974. He wrote for several titles at Marvel, such as Avengers, Thor, Invaders, Fantastic Four, X-Men, and notably Conan the Barbarian. Thomas is also known for his championing of Golden Age comic-book heroes — particularly the 1940s superhero team the Justice Society of America — and for lengthy writing stints on Marvel's X-Men and Avengers, and DC Comics' All-Star Squadron, among other titles.
Also a legendary creator. Creations include Wolverine, Carol Danvers, Ghost Rider, Vision, Iron Fist, Luke Cage, Valkyrie, Morbius, Doc Samson, and Ultron. Roy has also worked for Archie, Charlton, and DC among others over the years.
This felt like a blast from the past. Roy Thomas delivers an excellent sword and sorcery Conan story. Each page feels like the Savage Sword of Old! De la Torre’s artwork is perfect. A solid Kane short followed, but I didn’t much care for the art style. There was also a Chainmail section where readers asked questions and received answers from the publisher.
When a young Conan attempts larceny he finds the competion in thievery ready to fight him, when they then get discovered. They both jump from the castle in a water. But they get chased some more and take a woman with them on their flight. Who then robs them in turn from their horses. So both rogues then enter a Mountain range to escape from their pursuers human and wolf. They end up in some Mountain town were Conan's fortune changes. An excellent story where the b/w art really shines like in the classic SSoC series. The second story is a moody b/w Solomon Kane tale that is brutal. So in short another excellent SSoC which leaves you wanting more. This is truthfully one of the better titles on the market these days. And this title offers you the chance of truly enjoying Conan at his best.
The Savage Sword of Conan #13 is everything I want from a Conan story—brutal, grounded, and dripping with atmosphere. This feels like a lost chapter from the classic magazine era, with Roy Thomas delivering a tight, no-nonsense tale of greed, betrayal, and survival.
The heist setup pulls you in immediately, but it’s the tone that really sells it. There’s weight to every decision, and the story never loses sight of what makes Conan compelling: he’s not a hero, he’s a force navigating a dangerous world on instinct and willpower.
Roberto De La Torre’s art is phenomenal. Gritty, shadow-heavy, and full of texture—it captures the raw, physical nature of Conan perfectly. Every panel feels lived-in and dangerous, elevating even the quieter moments.
This isn’t trying to reinvent Conan, and that’s exactly why it works. It’s classic sword-and-sorcery storytelling done at a very high level.
A return to top form, and one of my favourites out of all 13 issues so far.
Only two stories in this one, the main only being the Conan story, and the second being a short Solomon Kane story.
Roy Thomas being the writer for the Conan story truly shows his experience of writing about the character. He truly captures the spirit of Robert E Howard, and this could easily have been an adaptation of an original story - classic Conan.
De La Tore being the artist as well for this issue, and probably my favourite Conan illustrator is always reassuring going into a Conan comic.
The Solomon Kane story by Enrique Dueñas was also enjoyable, and also captured the spirit of REH. The art style by James Castillo was unique, modern but felt appropriate.
Issue 13 sets the bar - and this is the first time I’m up to date with the series since it started. Something I hope to do going forward, and I now have the other Conan the Barbarian comics to catch up with in the meantime!
After a few subpar issues, this one is outstanding. This is an original story that flows from one episode to the next smoothly while propelling Conan from location to location. The artwork is outstanding, reckoning back to the years of Buscema and Chan. This is what I want in a Savage Sword, and - as an adult, I appreciate the nudity without being graphic. Conan's world is raw and unfiltered and it needs art that matches it.
“The Savage Sword of Conan #13” includes two solid stories. The Roy Thomas one feels classic, starting with a tale of thievery, but shifting on to a supernatural encounter that challenges Conan’s ability to survive. The Enrique Dueñas tale is short, a Solomon Kane story light on words but crafted quite well. Both are worthy renditions for Howard fans.
Rob De La Torre as artist and “plotter” with Roy Thomas listed as “scripter” - interesting! Blue Orchid is a very Conan tale as you’d expect - great twist, fantastic action, art is on point as always with Rob.
The Solomon Kane story felt a little rushed and some of the art was a little dark so hard to follow but otherwise another great issue
Gotta say, for a guy who's been writing Conan on and off for fifty-odd years, Roy Thomas still kicks butt. And Roberto De La Torres, I swear, is the living embodiment of John Buscema. Fully enjoyed the Conan main story, and the Solomon Kane back up story was fantastic as well.