This compilation of essays, critiques, and artist dialogues by Yaniya Lee, primarily published between 2017 and 2021, assembles the accounts and accomplishments of African diasporic artists and curators from across Canada and beyond.
This book was a real treat. First of all, the presentation of this gorgeously bound volume was excellent. This is a collection of the author’s essays, articles, and criticism focused on Black Canadian artists. It was definitely thought-provoking, and I learned a lot.
I do think the book would be enhanced by more context before each piece of writing. I want to know where they were published, what prompted the author to write each of them, and maybe some more behind-the-scenes details.