When I reviewed Jordan CF Page's "Orphans of the Atercosm," a horror collection whose strength lies in its brilliantly updated and unique use of Lovecraftian motifs in a fireworks display of terrific skill and artistry, I’d mentioned then how the collection blew me away, caught me totally unawares, and left me speechless. Whether or not you enjoy cosmic horror or the True Detective atmospheric style of narration, this collection is a must-read and signals the coming on the scene of a major talent.
That said, the "Orphans" collection had the bizarre phrase “(Side A)” appended to it, which I never quite made head or tail of. Well, I’ve now read Page’s novel "The Swallowed Town," with the phrase “(Side B)” attached, and both the previously mysterious phrase and this one finally make sense: the book was originally intended as the final story of the collection, its “Side B” so to speak, but when it grew from a novella into a whole book (thematically and narratively still connected to the stories), it could no longer be included in the collection.
Although it reproduces some of the "Orphans" narrative devices, ultimately "The Swallowed Town" stands on its own. It showcases Page’s flexibility in the choice of storytelling means, moving from journal entries to found footage descriptions to podcast transcripts to internet forums to therapy sessions recordings. Letters, newspaper articles, news clippings, non-fiction book fragments – they’re all used in masterful ways not just to create atmosphere (which they definitely do), but also to drive the story forward without having it collapsing due to some sort of pathological intricacy and multimedia complexity of the narrative resources at work. And yet, it’s not exactly an epistolary novel. The novel is just too mad, too complex, too intricate!
Page himself describes "The Swallowed Town" as “an analog-occult-cosmic horror that I’d pitch as 'House of Leaves' meets John Langan’s 'The Fisherman' meets True Detective.” He nailed it – the book, as is the case with "House of Leaves," also employs “experimental structural stuff” (Page’s term) to equally great effect. And it's at least equally insane, and well-written to boot, as the books mentioned!
What's the novel about, then? An investigative journalist is hired by a filthy rich recluse to look into the massacre of a family; the murders took place in [NAME REDACTED], a coastal town infamous for its annual festival celebrating some unknown species of marine organisms washing ashore for a few days a year, and never having been scientifically studied. The alleged murderer is known and imprisoned; the place it happened is a mysterious lighthouse; all connected to the town’s history, a town founded by three families fleeing Salem centuries ago. The journalist slowly uncovers a whole tapestry of mysteries, experiences his own kind of madness, and falls into one rabbit hole after another. He’s not even the first to get hired to look into the mystery. Thankfully(?), he takes the readers along with him, and we have the chance to experience almost first-hand the insane trajectory he follows.
I can't recommend the book highly enough! The imagination that’s gone into "The Swallowed Town" blows the mind, and its deliciously wry sense of dark and intense paranoia makes it hugely enjoyable. It's a literary achievement of the highest order, avoiding cheap horror thrills for mind-boggling, epic, cosmic horror vistas and existential dread - so much dread!
I wonder how Page manages to keep up such a consistent high level of quality.