A Hemorrhage of Us by Roslyn Reed is a book that bleeds one onto the page, line by line, with prose so lyrical it often feels closer to poetry than conventional narrative. It is a story that I will carry with me for the rest of my life.
Unfortunately, I am not skilled at writing book reviews, so here is a list of my immediate thoughts:
- What truly elevates the book, in my opinion, is its commitment to character. The arcs in A Hemorrhage of Us are painstakingly constructed and deeply human. Each character feels shaped by their history in a way that’s palpable on the page. Growth is never rushed or cosmetic; it is earned through contradiction, failure, and difficult choices. Reed allows her characters to be sharp-edged and vulnerable at the same time, resisting easy redemption while still offering genuine hope. Watching them change feels less like observing a plot mechanic and more like witnessing real emotional evolution. Rayne's journey, in particular, feels so well-earned by the end of the story. She's a character you root for the entire way, and it's so satisfying to see how everything plays out. Hawth (the loml) is such a fascinating character to me. The contrast they provide to Rayne as an entity that is comfortable in who they are was absolutely delicious, and I did also appreciate the humor they brought to the page every so often (the scene with the Christmas decorations had me cackling.)
- House and Persi were also *chef's kiss.* I could gush about both of them for hours.
- Aside from the spectacular character writing, I think my favorite part of AHOU is the way that folklore is woven throughout it. The book is filled to the brim with magic without reading too much like a fantasy, which was a very interesting spin on things for me. It kept me constantly fascinated and I found myself constantly dying to know more about the magic of the world, and fortunately, Reed had it so interwoven to the story that everything was always eventually explained in a way that was natural, lacking overly informational expositions.
- Representation that is respectful and never performative. Rayne, as a black indigenous woman is so well represented. (And, as a side note, the way Hawth responded when Rayne asks them to undo her braid left me in shambles. It was so wholesome and sweet, dude.) Hawth's non-binary identity could be related to them being, well, an entity, but is done in a way that's so nonchalant that it's refreshing. They're just existing as a thing that goes beyond gender and I love that, personally. I do not personally know very much about the disease that Rayne has, so it was interesting to get to learn more about it!
- The horror elements were well-balanced with the mystical and the romantic ones, in my opinion. I, personally, am not a big fan of body-horror, but the scenes that included it were so well done that I was never at any point turned off from the story.
All in all, this is one of the few stories I've read that I wish I could give 6 stars. If you're a fan of works like Deathless, anything by Ethel Cain, or the story of Eurydice and Orpheus, then this is a book you need to get into your hands IMMEDIATELY.