The Floating World

by Ben Eastham

On a remote Aegean island, the billionaire Thanassis Morel is building the Floating a climate-controlled utopia beneath a vast geodesic dome, promising refuge for the ultra-wealthy from the chaos consuming the outside world. When a struggling journalist is hired to propagandize the spectacular exhibition that will inaugurate this new Eden, he jumps at the chance to work with a cult artist – the reclusive Finn Reith – and to restart a life that stopped with the death of his wife two years earlier. Yet beneath the dazzling surface of this collaboration between art and power, he comes to suspect, run deep currents of violence. As Morel's monumental folly prepares for its glittering unveiling, he finds it ever more difficult to distinguish the dream from the reality. Who is being excluded from this new paradise? On what buried traumas is it being constructed, and are they poised to return? And how can art protect us against the end of the world? The Floating World is a dystopia, satire and Bildungsroman, steeped in ancient mythology and contemporary politics, a deeply moving, often hilarious and beautifully written debut novel that heralds the arrival of a major new talent in contemporary fiction.

Genres: Literary Fiction, Mystery

Kindle Edition

Expected publication September 29, 2026

Reviews

[Matt Bender · Rating 4 out of 5]

It seems like this should be a moment for dystopian novels. Eastman does two things in the floating world that make the novel particularly haunting: the novel takes place right before an imminent catastrophe and his narrator is so incapable of cynicism that it makes the reader imagine the novel’s doom sequence.

While the narrator is so naive that the floating world doesn’t feel like an overtly political novel, it engages with three big themes which are grief (the narrator’s wife was killed in some sort of climate related regional war), the social role of art (the narrator is involved in an art project for a techno-billionaire’s end of the world bunker community), and the lines society draws to segment human beings (there is a constant backdrop of protests and mass migration).

Eastman is an art writer of some sort and the book’s portrayal and critique of how wealth and power use art as an instrument are what you’d expect and feel fully developed. The novel’s weakness is its exploration of grief.

Recent climate disaster novels tend to be tragic (like Tea Obreht’s The Morningside), satirical (Kleeman’s Something New Under the Sun), or a sci-fi-ish thriller (Vara’s The Immortal King Rao). Eastman seems to really want this novel to be tragic, but doesn’t spend enough time developing any of his characters. I can fill in the blanks of a story about ecological loss, geopolitical violence, and the sick ways billionaires behave because I’ve peeked at the news. I can maybe imagine the impact of collective grief from the end to the world, but I found the conclusion of this novel melodramatic because I didn’t ever start to care about any of the characters in it.

[Xiibalba · Rating 2 out of 5]

Dystopia is my favorite genre, so I really wanted to love this. A climate dome for billionaires on a Greek island, art as propaganda for the end of the world, mass migration in the background. On paper, that's exactly my kind of book.
In practice, it never comes together. The premise is doing all the work while the story drifts from one beautiful sentence to the next without ever committing to anything. The satire of wealth and the art world is sharp in places, but the plot it's attached to stays vague: the "deep currents of violence" we're promised never become anything concrete enough to feel dangerous, and the narrator is so passive that I stopped caring what he discovered. His grief, which should be the emotional core, is told more than felt.

Thanks to NetGalley for the ARC

[Gergely · Rating 3 out of 5]

The Floating World immediately caught my attention with its premise: a climate-controlled artistic enclave funded by a billionaire while the rest of the world faces environmental collapse. I was drawn in by its blend of climate fiction, art, wealth, and power, and I appreciated its ambitious themes around privilege, creativity, and culture in times of crisis. Ultimately, though, I never became emotionally invested in the characters, so the stakes never fully landed for me. While I admired the ideas, I wasn't as engaged by the story as I'd hoped to be.

Thank you to the publisher and NetGalley for providing an ARC in exchange for an honest review.

[Debbie · Rating 3 out of 5]

I loved the book in the beginning it had great themes and very apt for the current age. It sort of lost me in the middle it felt a little meandering and the character became someone I didn’t like. Thank you to the author. Thank you to #netgalley and the publisher for an ARC.