Witty backstage insight meets bright, pointed drama in a trio of Milne plays and essays. This collection shines a light on early 20th‑century theatre life, mixing sharp humor with keen observations about critics, managers, and the hopes of young dramatists. Readable, witty, and stage‑savvy, it foregrounds character, motive, and the tug‑of‑war between art and commerce.
The book collects pieces written between 1918 and 1920, including Make-Believe, Pirn Passes By, and The Stepmother, along with Milne’s own reflections on writing and the theatre world. Expect lively dialogue, idea play, and moments of warm humor that never forget the cost and craft of putting on a show.
- Experience brisk, character‑driven exchanges that reveal actors, managers, and writers grappling with fame and funding
- Enjoy Milne’s economical, accessible humor that peels back curtain talk and audience expectations
- See how dramatic tension blends with everyday life in a way that feels timelessly theatrical
- Discover Milne’s voice on the responsibilities and delights of storytelling and stagecraft
Ideal for readers who enjoy witty theatre satire, classic plays, and Milne’s approachable humor.