You think you know the story because you have read Gaston Leroux’s Phantom of the Opera. Or because you have seen the silent movie version starring Lon Chaney. Or maybe you have seen the stage or screen version of Andrew Lloyd Webber’s musical. You think you know the story.
And you do. Music and Mirrors could also be called The Phantom of the Opera. Having seen this story in all those iterations I mentioned, I was both excited and wary to read this retelling. Excited because I love the story. Wary….because I love the story.
Most of the events occur in the London opera house. Built over an underground river, it is filled with secret passageways, dark hallways and mirrors. Many, many mirrors illuminated by gas lighting. Marian, the owner, uses the mirrors and lights to watch everything that goes on in her house without having to walk among the people that work there. For those places that the mirrors don’t reach, she has Igor to spy for her.
Marian and Igor watch Ada and Eric. Ada, because she is the girl who does not belong and Eric because he is the man Marian longs for.
As the reader, I appreciate that both Ada and Eric actions are simply motivated. Ada wants a life where her differences will not be so noticed. Ada is both genius and extremely introverted. As a titled young woman, her natural tendencies cause people (her mother) to think she is psychotic. In order to survive, instead of being truthful, she has established a Code of Interaction and mathematical algorithms to deal with the people around her. Eric’s motivation is his sister. Tuberculosis keeps her bedridden and lack of any wealth means she cannot get the treatment she needs. Eric will do anything he can to help her, even if that means being something he does not want to be.
Ada and Eric find their place in the opera house. Ada helps maintain the intricate stage equipment, which allows her learn the science behind the fantastic stage effects and to stay away from anyone that would institutionalize her. Eric finds his musical muse in Marian who takes Eric under her wing and trains him become a great opera singer, which is what he truly wants for himself. If you do not know the Phantom of the Opera story, you might even imagine that everything could turn out nicely for the pair.
But if you do know the story, you know that Marian is a jealous taskmaster. Her jealously increases when Igor reports on Eric’s activities. When tragedy occurs, the whispers of a phantom in the opera house are spread. As the truth is slowly revealed, more tragedies occur ultimately leading to a showdown.
As I read the tale, I kept thinking back to the earlier tellings, not for comparison, but to determine where I was in the overall storyline. I don’t want to compare Music and Mirrors to anything. Every story, every character, every fictional relationship is affected by the storyteller. In Music and Mirrors, Celine Jeanjean has marked this classic tale with her personal stamp. Her vision brings a fresh feminist view to the story of the dark, scarred musical genius longing for a human connection.
Many thanks to the author who provided a copy of her book in exchange for my honest review.