TIME OF DEATH: 13:43 SUN OCT 5 2025
I am, as a rule, against filing the serial numbers off fan fiction, not only because it tends to produce subpar work (I love fanfiction, and I write fanfiction, but fanfiction and published books are a different medium, and therefore one does not translate well to the other) but also because I do not believe that fandom spaces, which are the closest we, the collective "we", can currently come to anti-hierarchical classless (read: anarchist) communities, should be monetised, but also because I believe putting formerly free things behind a paywall to be ethically suboptimal. This does not mean I will never read anything that was once a fanfic, or that I can't enjoy anything that was once a fanfic, because a) I am only human and b) what a pointless insular rebellion that would be. There is no ethical consumption under capitalism and my stance has no power to remove these books from the public sphere, and at the end of the day, these works of art will continue to exist and are not illegitimate or automatically lacking in worth or quality because I believe them to be dodgy. This is not a case of what work "deserves" to exist; nothing and no one "deserves" to exist. Arguments to the contrary always circle back to fascism and censorship. Existence is neutral and need not be earned, i.e. "deserved". That said, what does annoy me is when obvious née fanfiction is presented as an original work "inspired by" its source material; lying is a much worse offence. And the obvious glaring omission that this book was once a fanfiction is indeed obvious and glaring. This book is House of the Dragon in a different font. It is so blatantly that, and what irks me is seeing other people who are bold enough to acknowledge that fact being shot down and branded misogynists, when this book's "feminism" is so, pardon the pun, toothless and simplistic, utterly devoid of nuance or class consciousness, utterly disinterested in anything other than the protagonist's pointless and individualistic grab for power. I would not be saying this, and would have had ZERO issues with this, and would have treated it as fluff and moved on with my life, if the book had not been touted as "feminist fantasy", i.e. making a political comment. Feminism is not when some women gain the social and economic capital to start oppressing other women. It is not equal opportunity supremacy, and matriarchy is not patriarchy flipped. That is not what it is. It cannot be, considering that patriarchy's roots are in the control of the means of production of humans, i.e. the control over human reproduction. If you hand control of reproduction to women, the society that emerges will look completely different. This is also why I hate these modern fantasies that try to patch the holes in an obviously patriarchal system and then claim that their book's politics are "gender neutral" or that there is "gender equality" in their world. There is no such thing as "gender equality". Gender is a caste system designed to subjugate women, trans people, gay people, and children, for the purposes of producing capital. The whole purpose of its existence is to create inequality. You can apply a new coat of paint but if your character is fighting to reclaim a throne or gain capital, your book is not feminist.
But this leads into a larger issue with this book in that, as an obvious former fanfic, it is wish fulfilment and nothing else. There is no meaningful plot to speak of. The first 50 pages are kind of interesting, and as soon as the failed rebellion happens and it's revealed that Aemyra is the heir to the throne, wanting to install a matriarchy (uggghhhhhhhhhhhh), it falls apart. The first moment that Aemyra bonds with her dragon is clearly the lynchpin of the whole story; I might be wrong, but my guess is that the author had this scene in her head and wrote the story around it, just to try to get to this point, because flying on a dragon is cool. There is nothing being said here. Nothing is being said about power and privilege, war and class, in a story where the main characters fly around on weapons of mass destruction and fight over the seat of power in an absolute monarchy. A bizarre state of affairs especially for a story whose worldbuilding leans heavily into a Scottish aesthetic, considering that the UK is a nuclear armed state, built the biggest empire the world has ever seen, was at ground zero and a massive instigator in the world's most destructive and deadly conflicts, and considering the controversy around the presence of nuclear warheads in the River Clyde.
But this isn't the only problem I have with the way the Scottish aesthetic is used, and please bear in mind that I am using the word aesthetic purposefully. This book makes heavy use of grammatically incorrect Scottish Gaelic, a choice I am bamboozled by, and am always bamboozled by, whenever I see it used in books that have this same aesthetic. I am, and always will be, a massive supporter of the revival of Scottish Gaelic, because preserving endangered languages is a crucial part of decolonisation and anti-imperialism, as well as protecting our shared cultural history and character, but the use of Gaelic here does force me to ask who exactly this book is for; is it for Scottish Gaelic speakers? Considering that the Gaelic is grammatically incorrect, I doubt that very much. What I am getting at is that this book's use of Gaelic feels performative and detached, perfunctory and incurious, because a much more prevalent minority language in Scotland that equally needs to be protected, and has also been historically persecuted, is Scots. What is fantasy authors' allergy to Scots? 1.5 million people out of Scotland's 5.4 million people speak Scots. If the language of the fantasy world here had been Scots, which has recently been designated by the Scottish government as a distinct language, this book would have made cultural sense to me. I would have felt, in any small way, that as a Scottish woman, this book was intended to be enjoyed by me. Again, I highly doubt that the author speaks Gaelic, or else I'm sure the Gaelic would not have been incorrect; I am sure that she knows at least some Scots words. So what is the point in the use of Gaelic here, then? Is it because it looks like a fantasy language, as is apparently the case to some American authors, who batter and contort it to within an inch of its life? I'm not trying to level an accusation here and I am certain that the author had zero ill intent. What I am baffled by, confounded by, is the cultural vacuum this book exists in; it floats, grey, untethered, useless in its feminism and shrugging at me, blank-eyed, when I ask it for any insight into the culture it so heavily borrows from. Gaelic has very little bearing on the average Scottish person's daily life, but Scots is prevalent. It bleeds heavily into our everyday lexicon, so why is it absent here? This book is drawing on elements of our culture that most modern Scots will never come into contact with, all the while ignoring the ones we do, and for what? To make it seem more mystical? Is our culture not rich enough? Do you fear that, when Scots hits their ear, the Tories and turncoats who told us to stop speaking it when we were children because it sounded poor, uneducated, dirty, and incorrect, will knock on your door and deride you further? Is it not yet time for us to heal? Indeed, this is a fantasy world, so it does not need to be historically accurate to anything... except when it does this, and builds itself entirely around a very specific cultural wellspring. If it had a bit of Scottish flavour, some details here and there, nods and homages, but was otherwise the author's own imagination, I would not be saying this because that is another matter entirely. There is an enormous difference between drawing on your own cultural experience to furnish your world and building your entire fantasy world, scaffold and all, around a distinct culture. If you were to include an event in your book that very, very closely resembled a real historical event, readers would not be remiss in likening said event in your book to that historical event. If your book very, very, very closely resembles a real culture, you are making a comment whether you like it or not. The comparison is there and I cannot pretend it isn't.
I haven't touched on the characters because they are not worth touching on. Aemyra is fine but extremely stupid. Her father is even stupider. They deserve each other. That they mount this risky rebellion against the crown and only once it has failed start talking about who outside of the kingdom "might" ally with them, you know you are in for a clown show without any wigs. This is room temperature IQ territory we are entering here. You expect me to think this woman is taking her bid for the crown seriously when, instead of getting on the fucking boat to safety when a whole army is chasing her, she stops to do a flirty sword fight with the prince? When presented with an easy opportunity to kill him, clearing her path to the throne, she decides "That is not the kind of queen I will be" and runs off? Does she think she will never be required to kill anyone as queen? How does she think autocrats hold onto their power, exactly? Her father has apparently not forged a single alliance outside of their kingdom to aid in this rebellion and I am yet expected to believe that he is an ambitious schemer? No intelligence was gathered prior to this attempted rebellion; we arrive at the castle only to be surprised that the current royal family has been gathering troops to defend the seat of their power, which is something we would have known if we had sent a spy in, or had even just watched from the gates to see how much food and steel was going in and out of the castle. But that would make too much sense. As it stands the strategising here is on par with Victoria Aveyard's Red Queen, where Canada, whose current energy source is 60% hydroelectric, and who is the world's second largest producer of uranium behind only Kazakhstan, is at war with the US because they need their water wheels to produce electricity. Water wheels.
Canada. Needs water wheels.
FIN