Wendell Pierce is currently best known for his roles on both "The Wire" and "Treme" although, at only 53, he probably has many more notable acting gigs in his future.
"The Wind in the Reeds" is less an autobiography and more of a journey. Pierce's narrative follows his slave ancestors as well as many other members of his family tree who ultimately made a life for themselves in New Orleans. And Pierce is as much about New Orleans as New Orleans is about Pierce.
I was very impressed with the level of research Pierce did to tell his story, particularly about the history of New Orleans. The book is broken down into several defining moments in his life: his childhood in Ponchartrain Park among his close family members, moving to New York to become an actor (where Wynton Marsalis, a childhood friend, helped widen his exposure to art and culture), performing on Broadway, and getting casted in "The Wire" as Bunk Moreland. But, the true defining moment occurred when he was in New Orleans during Hurricane Katrina and had to protect his parents by ushering them out of the city. Deeply effected by the death and destruction, the isolation from other city dwellers, and the sadness facing his parents, Pierce does an amazing job expressing his feelings and fears. His words and emotions are both polished and raw as he shares many truths about those dark days.
The hurricane led to another major event in his life, which was his appearance in an outdoor production of "Waiting for Godot" in his destroyed New Orleans neighborhood. Pierce spends a lot of time putting Beckett's classic play in the context of the post-hurricane culture of his city, as well as what the production means to the viewers. In the end, it's clear why the play helped both Pierce and his community heal.
The final chapter, about what Obama's inauguration meant to him and his family, along with Pierce's mother's passing, will leave you with a big lump in his throat.
I almost gave this book 4 stars because, at times, like Louis Armstrong, Pierce is prone to ramble. But his convictions are real, as is his passion for his art, his family, and his fellow man.