It’s 1942. America has just entered the Great War against fascism. Winston Churchill is Prime Minister and has just made an alliance with FDR and Stalin. And you’ve just been invited to a local pub in Oxford nicknamed ‘The Bird and Baby’. A group of professors who meet every Tuesday and Thursday night wave you over. Charles Williams the poet is arguing with a notable theologian. Warne Lewis has brought a bottle of scotch and is handing out glasses. Hugo Dyson and Owen Barfield are discussing a philosophy known as ‘final participation’ where one can be fully united with nature. A man you’ve seen on television debating certain religious talks is in the center reading his latest serial of what he calls ‘Screwtape’. But another man who’s been quiet the whole time, emerges from his darkened corner into the dim bar lights, takes his pipe out of his mouth and says, “Welcome to our literary club of practicing poets… The Inklings! Hwaet! We inclinga!” The man bites his pipe and awaits your reply, his name is Tolkien.
Who were the Inklings? Were they just a group of friends who discussed their latest writings? Or were they a cloistral group of dark academia scholars that met in secret?
In the late-1940s, John Waine often came to the Inklings on Thursday nights, and some years later he wrote of them, “This was a circle of instigators, almost of incendiaries, meeting to urge one another on in the task of redirecting the whole current of contemporary art and life.”
These dabblers in ink, or incendiaries as it were, comprised of C. S. Lewis, and J. R. R. Tolkien, but eventually went on to include Charles Williams, and so many others. Humphrey Carpenter evolves his personal historical narrative from this basis, and does so smashingly! There are only a few historians in my opinion that can actually step into the shoes of their figures, and Carpenter seems an expert at it. Including real narratives in some of their Thursday night meetings, you just have this overwhelming feeling that you’re present, in the room with these literary giants, that you know them and you want to buy them a coffee.
These giants met at the Eagle and Child pub, nicknamed the Bird and Baby, twice a week from the 1930s to 1950. So notable was their meetings that an author of indie mysteries included in his book, “There goes C. S. Lewis, it must be Tuesday!” But who were they really?
“During the war, his [Charles Williams] two closest friends from the working men’s college were killed. At the time, Williams was greatly distressed, that they should have sacrificed themselves as it seemed on his behalf. Worse still, because of his growing habit of ignoring conventional distinctions of time and space, he couldn’t feel that their deaths were something that could have happened elsewhere and in the past and were now over. To him, the whole thing was constantly happening. The clink of teacups at his own breakfast table, seemed to him to be the tin mugs passing from hand to hand while dying men were crying for drink in no man’s land. This may seem like a casual poetic fancy, but it was not. Such was his imagination that he could feel it acutely.”
“…Tolkien encountered romantic love at an early age. When he was 16, he fell in love with a girl of 19. A fellow orphan who lived in his Birmingham lodging house. But he and Edith Bratt were soon separated by his guardian. And in later adolescence Tolkien was thrown back on friendship with others of his own sex. So much so, that by the time he was reunited with her, he had as it were, lost touch with her and had devoted the greater part of his deepest affection to his male friends.”
In the book, Carpenter constantly steps in the shoes of C. S. Lewis and Charles Williams, but never Tolkien. In near every chance Carpenter has to talk more in depth of the man, he refers you to read his earlier work, ‘J. R. R. Tolkien: A Biography’. It is in this earlier work where Carpenter steps into Tolkien’s shoes, but as for this read it just seems out of place not to have done so. This is probably the only issue I found with the book as a whole.
Did the Inklings have to have membership of a special club to be admitted to their ‘Poet Society’? “What remains that can be called a common Inklings attitude? Certainly it seems a significant link that Tolkien, Lewis, and Williams all wrote stories in which myth plays an important part. But each of the three uses myth in quite a different way. Williams takes the already existing ‘Arthurian myth’ and uses it as a setting for metaphysical odes. Lewis uses the Christian “myth” and reclothes it for his didactic purposes. Tolkien invents his own mythology and draws stories of many different kinds from it… There is of course the belief shared by Tolkien and Lewis that myth sometimes can convey truth in a way that no abstract argument can achieve, an idea certainly shared by Williams.”
So who were these Inkings? “They were Lewis’s friends. A group gathered round him. And in the end, one does not have to look any further than Lewis to see why it came into being. He himself is the fox!”