Content Warnings: blood play, knife play, breath play, fear, body punishment, S&M, filthy dirty talking that might offend some people, and many other sorts of deranged things.
All these triggers made the book delicious (if you’re messed up like that and I say this with respect for my fellow kinksters). We're talking about cruel, merciless gods and mortals meddling, it's supposed to be depraved and filthy (you don't believe me? have a go at any mythology–Greek, Roman, Norwegian, Celtic, Egyptian, etc.)
No, ‘The Wolf and the Crown of Blood’ is NOT like Quicksilver, don’t compare it to that disaster. The dialogue and dark themes of this book make Quicksilver look like a children's book. There's no puerile banter and foolish dialogue that causes me to roll my eyes in my head at every interaction, and no childish, annoying FMC, so by this simple standard this book is far superior. Not to mention I had to force myself to finish that book while this one held me in a death grip that I relished and finished it in 2 sittings. But enough of this, I digress.
This book was 5 stars until I reached half of it. Then it dropped to 4, and finished with 3 stars.
What was GOOD
The setting is quite original, and you're thrown into the action very quickly. The sort of mythological vibe and world building is just right and so original from anything I read before, and I suppose that's another reason why I enjoyed this romance fantasy book as opposed to any other.
The spiciness is crazy, it's insane, it's my ‘guilty’ pleasure, but I don't care what others will say because it feels too good. It's so sinful you don't care if you go meet the devil afterwards, hell, I doubt he'll judge you for your depravity.
Usually in these sorts of books I enjoy the bantering and teasing parts more than the actual sex scenes, but this book manages to instill in you the same level of interest and excitement even in the climax.
Some might say there is a slow burn in this, but I disagree, the tension between them builds up explosively, there's an obvious passion and fire in both of them, a volcano meeting a hurricane, none of them back down and both enjoy the disaster left behind. They thrive in chaos and darkness and I devoured that all up because it's absolutely finger licking good.
Narrative
We will witness a few different POVs, but primarily his and hers. And as we progress through the story we'll delve deeper into their minds and their conflicting feelings for one another. It was especially exciting to witness Evander’s warring mind as he used logic and duty for the way he thought about Bryony, pinning his wandering thoughts of her to his failed job. It wasn't necessarily beautiful to see this because we get to participate in Evander's emotional journey, but because he showed us that Gods are just as flawed as humans if not more, in the most wonderful way.
Characters
The characters are all entertaining and I'd love to read more about the other enforcers, perhaps we'll get more from them in the future books. Yes, they're flawed, they're foolish, they're weak and vulnerable and try to hide behind indifference, but their actions are honest because they come from that weak vulnerable place. Both MCs are possessive, lusting, craving for each other and they lie only to themselves, playing pretend games.
Evander is not really the brooding type as I'd expect (every single book overuses this trope it's almost disgusting), no, he's playful, he's charming, and a sadistic possessive bastard. What's not to like? Obviously he has a past that still haunts him and the only way to numb the pain is more pain. He begs for it and acts like the monster people made him into because it's easier.
Bryony’s character does actually have some development, she evolves under Evander’s guidance. We all know how in books like this, the FMC always says she hates the MMC but she really doesn't. Well, in this novel, I actually do believe she despises Evander (at least in the beginning) because he represents everything she never had– power, control, strength, resilience.
Story
When the sadistic ‘angel of death’ Evander is tasked to eliminate Princess Bryony for her transgression (betraying the very God who owned her life), he found the mission to be far more complicated than a simple assassination, though not for the reasons one might think.
As soon as Evander is robbed of his mission by a mortal, he decides to put back together Bry only so he can finish the task assigned to him by Alexios (the Gods king). Not only that, but he will build her up from the ashes into something far more interesting, far more dangerous and vicious, just to watch the havoc she'd leave in her wake. Of course, he does all that because his sadistic arse wants to see the pain and blood Bry will bring, right? Only that's not true, the truth is, she's his to claim, his to own, his to play with, his to kill. The power dynamic between them often shifts on many occasions; it's not particularly D/s dynamic.
The love between them is like a Greek tragic story honestly, especially because Evander betrays his kin for her and it literally breaks him to be torn between love and family loyalty.
That first scene when Evander comes after Bry is intense. The heat, the tension, the proximity and intimacy while toying around pain and her inevitable death give me this ‘Eros and Thanatos’ vibe. The two human drives that guide us, where we find beauty and pleasure in death's grip, it was so beautiful, yet esoterical.
What was WRONG/CONFLICTING
The interaction between the MCs does get repetitive after a while and yes this was one of the reasons I deducted one star, it felt like the story dragged on and on unnecessarily just because of these filler pages of the same push and pull interaction between them.
And the second stolen star is because I cannot stand the trope of ‘miracle baby’ which I'm sure will happen, otherwise there wouldn't be a mention of how rare a god and a mortal can procreate. Add in the following contradicting issues to this snatched star:
- ruthless gods would care about consent. Really? I get it, you write a book and don't want to offend the sensibilities of some, but the setting and the world we've been lulled into doesn't seem to have a place for this particular humane trait, now does it? It’s just unrealistic and unbelievable
- the climax of the story is rather predictable given the circumstances and honestly I can't say I've encountered any twists in the novel, I would've loved some
- gods forbid these novels ever offer ‘women going down on men’, no, no, it's always the other way around. Because gods forbid women would actually enjoy pleasing men, eh? We mustn't, it's degrading, right? I'm sorry I had to pick on this but this book screamed of decadent actions and yet we get the most vanilla stuff in bed
- contradicting and unrealistic behaviour in Evander’s character- a centuries old assasin who wipes off villages and bathes in the blood and entrails of his prey, gags and vomits when he witnesses his kin slaughtered; admits he doesn’t enjoy chasing his prey, but he asks Bry to run and give him a good fight
- and last but certainly not least, there is NO WOLF, but this is my misunderstanding I jumped into this believing this sick bastard (Evander) is a shapeshifter, an actual wolf, a god transforming into a wolf or werewolf creature. I kept waiting for him to shift, but nothing. I hoped that would happen during their ‘rut’ phase, but nope, opportunity wasted or perhaps too shy to write that level of perversion? I mean, it's already deranged in the most beautiful way, why not go full blown feral and paint us a wicked picture?
In the end, I do recommend this for the spiciness and original take on mythology, but for me personally some things could not be ignored.
Many, many thanks to Elizabeth May, Daphne Press, and NetGalley for the ARC. This is a voluntary review, reflecting solely my opinion.