In Pandemonium Waltz, award-winning author Jeffrey Ford leads readers through a dizzying sequence of tales that blend fantasy, horror, and dark wonder with his trademark wit and literary grace.
From a traveling waltz exhibition whose performers might not be entirely human, to a sun-scorched hunt for a cannibal that unearths something far worse, to a splatter-slick monster hunt that exposes the fault lines of a divided America—Ford’s stories cross boundaries of genre and expectation. Each is a mirror turned slightly askew, revealing the marvelous and the monstrous just beyond the familiar frame.
Ford has long refused to choose between fantasy, science fiction, or horror, insisting instead that “somewhere down there, it all turns to bullshit.” The result is fiction that is fearless, unpredictable, and alive with imagination—a testament to storytelling itself and the spell it casts over those who listen. Pandemonium Waltz gathers some of Ford’s most haunting and exhilarating recent work: tales of metamorphosis, obsession, and the uneasy price of wonder.
Jeffrey Ford is an American writer in the Fantastic genre tradition, although his works have spanned genres including Fantasy, Science Fiction and Mystery. His work is characterized by a sweeping imaginative power, humor, literary allusion, and a fascination with tales told within tales. He is a graduate of the State University of New York at Binghamton, where he studied with the novelist John Gardner.
He lives in southern New Jersey and teaches writing and literature at Brookdale Community College in Monmouth County. He has also taught at the summer Clarion Workshop for science fiction and fantasy writers in Michigan. He has contributed stories, essays and interviews to various magazines and e-magazines including MSS, Puerto Del Sol, Northwest Review, Hayden's Ferry Review, Argosy, Event Horizon, Infinity Plus, Black Gate and The Magazine of Fantasy & Science Fiction.
He published his first story, "The Casket", in Gardner's literary magazine MSS in 1981 and his first full-length novel, Vanitas, in 1988.
A kaleidoscopic collection of imaginative, thought-provoking fiction, Pandemonium Waltz includes a variety of different genres and mashups that intermittently resemble the writing of Ray Bradbury or Haruki Murakami.
Ford's references are edgy and current, his metaphors are powerful and his imagery is indelible. Stories range from philosophical examinations of religious ritual to straightforward creature features, old west showdowns to cozy fantasies worthy of Terry Pratchett's Discworld. Many of the stories deal with the relationship between an author and his work, and the question of whether he himself might be a character in some literary existence. All of them distinguished by Ford's signature sense of humor, pristine prose and mastery of historical detail. Readers that enjoyed A Natural History of Hell will be thrilled and satisfied in their return to this underworld of imagination.
When Jeffrey Ford asks if he can have this dance, there's only one answer.
As I said in my review of Ford's previous collection, 'Big Dark Hole', he writes weird fiction that he seems to make up on the fly. I know he probably doesn't, but it reads like 'holy cow, what now?'
I've said he can be classified as a horror author, and that's especially true in this collection. There's a whole lot of eating and rending humans, including by other humans. Icky, creepy. Repellant enough to me that I don't like this collection as much as his others.
He's an imaginative writer though. There are some truly strange creatures (including cryptids you've never heard of). If you can stand some pretty grim body horror, you might want to check it out.