Ian Kemish’s debut fiction TWO ISLANDS (UQP 2026) is a fast-paced, emotionally charged thriller informed by his experience as a former Australian diplomat, particularly his work in the Balkans in the 1990’s. He combines this with an engrossing, evocative portrait of the isolated Western Isles of Scotland, from where he has strong family history.
I recently reviewed Gretchen Shirm’s OUT OF THE WOODS, and TWO ISLANDS deals with similar themes around the work of the International Criminal Tribunal for the former Yugoslavia, established in The Hague in the Netherlands. Both books explore the horrific war crimes and genocide of that period through the hindsight of investigators, pathologists and prosecutors from around the world who have taken a secondment role in the proceedings over many years. This enforcement team is tasked with locating, charging and punishing the guilty, and offering some sense of closure or justice for the survivors and their families.
In TWO ISLANDS, Kemish creates a sophisticated and resonate story, with fully formed characters, and he captures the emotional intensity of the situation. He also manages to write a page-turning suspense thriller – a terrifying game of cat and mouse that threatens not only the main protagonist but those who choose to help him. (Much as in times of war, brave civilians put their lives on the line to protect the innocent and oppressed.)
Niko is literally running for his life and wants to be as far away as possible from his (new) home in London when he realises his witness protection guarantee has been compromised, and ruthless people are willing to chase him around the world to avoid him giving testimony at The Hague. He fears too for his family and friends. Niko was only a teenager when he saw terrible crimes committed. He understands what is at stake. On a whim, he chooses the loneliest part of Scotland, a tiny, isolated island off the coast. At first, he is desperate to escape the busyness of larger cities but then he wonders if he has made himself a target by settling as a strange newcomer in a small community. People have long memories, however, and some characters are connected to Niko in ways he could not have predicted.
The other protagonist is Australian Anita, who is on leave in her home country to visit her sick father when she receives the news that her star witness – Niko – has disappeared. This is out of character for him, and she fears the worst, either that he has been killed or is being pursued. The other option is that he has simply decided not to testify after all, which would be devastating for her case against the notorious war criminal Arkan.
Through the perspectives of Anita and Niko, plus a couple of local Scottish characters, the narrative is thrilling and unputdownable, as Niko evades detection from both Anita (whom he trusts, but has been unable to reach) and the goons that have been ordered to silence him.
TWO ISLANDS is set in the shadow of the Bosnia-Herzegovina tragedy, but it mirrors the genocides and horrors of post-World War Two atrocities including Rwanda, Ukraine, Gaza, The Northern Ireland Troubles and Afghanistan. Kemish makes the specific universal through his enormous compassion and understanding of these conflicts, and he introduces easily relatable characters that remind readers of our shared humanity. TWO ISLANDS is informative, insightful and page-turning.