Step into the heart of Paris with this lush and thrilling dark academia fantasy that follows a young alchemist running from a dark past.
When Larkspur Lee arrived in Paris, it was with nothing more than the ambition in her veins and the magic under her skin.
As a student of Meurdrac, one of the few remaining alchemical universities, she burns to prove herself, but lacking the wealth, privilege and connections of the other students, she has to fight twice as hard - and be twice as cunning - if she wants to be considered worthy of immortality.
So when Petronelle Flamel, the Grand Magistra of Meurdrac and Third amongst the Deathless, begins searching for an apprentice, Lark decides she'll do whatever it takes to be selected. Failure is not, and never has been, an option.
But after a shocking death, she instead finds herself at the heart of an impossible crime - one where the only evidence whispers of Lark's past. And matters are further complicated when the mentor she crossed an ocean and a continent to escape re-enters her life, enticing her to his side once again while secretly wielding an agenda of his own.
As the investigation begins and the mysterious Knight assigned to the case, Violaine, becomes convinced that more sinister works are responsible for the murder, Lark must wrestle with both the university's dark secrets and her own as the life she's meticulously built for herself begins to unravel.
And as everything around her delves into chaos, Lark has no choice but to decide if the power she desires is truly worth the price.
The thrilling new dark academia fantasy full of magic and mystery, the perfect gothic read for fans of babel and ninth house
Lynn D. Jung is a speculative fiction writer from southern California. She has since dwelled in France, Costa Rica, and Thailand, but she is currently based in the Midwest.
Lynn loves to write about complex women, haunted scenery, and strange magic. You can find her most often out amongst the trees or through the videos on her eponymous YouTube channel, where she discusses her writing and her publishing journey thus far.
Mothsblood is an utterly brilliant debut - truly, I am so blown away by Lynn’s ability to weave (or perhaps I shall say transform) syntax into something equal parts lyrical, heartrending, and transportive - Lynn took us to the heart of Paris with her lush descriptions of the cityscape.
When does the pursuit of knowledge become the pursuit of power?
This is the question that Mothsblood wrestles with, and it is the question that each character must separately contend with. It truly reads like a novels-length power struggle, casting a critical eye on elitism and power hierarchies within the institution of academia. It is almost disconcerting how the hunger for power transforms and alters individuals into something unrecognizable and even grotesque, and we are forced to watch as each character clamors over the others in a desperate bid to be the one to come out on top.
Mothsblood follows Larkspur Lee, who has traveled to Paris to attend Meurdrac, the world renowned institution for alchemical studies. Lark is an alchemist, and she plans on making her name in the world of alchemy known - what better way to do this than to win the contest for apprenticeship under Petronelle Flamel, one of the Deathless alchemists who have cheated death through the use of the Philosopher’s Stone?
However, immortality remains a fickle and imperfect science, and Lark soon finds herself in the middle of Petronelle’s murder investigation. Who killed Petronelle, and how? And why does Lark’s former mentor from California appear at the academy shortly after her death?
And most importantly, what is the price of ambition, and at what point does it become too steep?
Update: We have a cover reveal! The target audience being for those who loved Ninth House and Blood Over Bright Haven, oh my dark academia fantasy heart cannot be contained☕️🕯️🍂
I've had my eyes on this since stumbling on Lynn D. Jung's WIP on Twitter/X. Have been following Jung's writing journey on YouTube ever since, and so excited we've reached this point!
I have very mixed feelings about Mothsblood, there’s a lot here that I really admired even though I’m not entirely sure it was 100% the book for me personally.
First of all, this book is DEEPLY character-driven. If you love messy protagonists and stories that really dig into the uglier sides of trauma, grief, obsession, and survival, I can absolutely see this hitting incredibly hard!! Lynn D. Jung clearly had a very specific vision for these characters and committed to it fully.
Lark especially is SUCH an interesting protagonist because she is not written to be easily lovable. She’s sharp-edged, guarded, selfish at times, angry, deeply affected by everything she’s been through, and the book never tries to smooth those traits over to make her more palatable. I actually really respected that. Her trauma feels woven into the way she thinks and reacts rather than existing as backstory decoration, which made her feel very real.
That said, I also think this was part of why I struggled to fully connect emotionally at times. Because the story is so tightly rooted in Lark’s perspective and inner world, some of the side characters ended up feeling less developed than I wanted them to be. Characters like Kareem and Violaine especially fascinated me, and I kept wishing we had a little more time with them outside of how Lark perceived them.
The writing itself is beautiful in a very dark, atmospheric way. The whole book has this heavy, almost suffocating tone that completely immerses you in the world and the emotional state of the characters. There’s a constant sense of tension and unease simmering underneath everything that I thought was really well done.
I think where the book slightly lost me was that sometimes the interpersonal dynamics and emotional subtext seemed to take precedence over plot momentum. Which is obviously intentional!!! But it did mean there were points where I felt more intellectually engaged than emotionally invested.
Still, even though this wasn’t a perfect fit for me, I can absolutely appreciate what the author was doing here. It’s ambitious, emotionally raw, and refreshingly uninterested in making its characters “easy.” I have a feeling this is going to be one of those books people either completely adore or bounce off hard.
Thank you to Lynn D. Jung, Cornerstone, and NetGalley for the eARC!
Unfortunately I think I wasn’t the right reader for this book! The world building, set up, and magic based on Alchemy was true exciting and innovative. Even the dynamics that the school creates is fascinating and it was a very good take on the elitism and “social capital” necessary to make it through elitist institutions.
For some reason, I couldn’t get hooked on the story, and some aspects of the storyline were confusing for me. Thank you NetGalley and Cornerstone for the ARC.
Soul shattering, haunting and beautifully flawed, Moothsblood is the kind of book that leaves a lasting impression.
Our FMC is complex and hard to grasp at times, but she has so many layers to her that explain the precise nature of her character. I felt her unease and confusion so clearly through her contradicting actions, and it kept me invested in her character because I was desperate to understand why she was the way she was.
Moothsblood is about dismantling a system that is wrong on so many levels. It’s a journey of discovery, where we, alongside the main character, find out just how wrong our perception was towards the magical system and the hierarchy within it.
The ending was phenomenal. Full of tension, secrets that are revealed and rage that makes us boil, and, amidst it all, a quiet yet very persistent love that was there all along. In absolute awe with the way this story unfolded and with where it brought us readers at the end.
Tears were shed. Hearts were broken and chests were left hollowed out, a feeling that can only be experienced when an incredible story comes to an end.
There’s no denying that this is beautifully written. Lynn D. Jung is an absolute wordsmith, crafting a rich, deeply immersive academic world layered with a dark, gothic atmosphere. Set in a modern-day Paris that somehow feels suspended in a bygone era, Mothsblood leans fully into its dark academia roots, complete with lectures, thesis work, and a tangible sense of intellectual obsession. If you want your dark academia to actually feel academic, this delivers. Entomology lovers especially will enjoy this.
I loved the alchemical university setting at Meurdrac and the intricate, well-researched worldbuilding. The integration of alchemical sciences into a contemporary setting was fascinating, and the inclusion of historical figures will be a treat for anyone familiar with the history of alchemy and the Philosopher’s Stone. The atmosphere is easily one of the book’s strongest elements: moody, gothic, and almost suffocating at times.
Thematically, this explores identity, elitism in academia, the pursuit of knowledge, the abuse of power, blind ambition, and who ultimately pays the price for it. There’s also a sapphic romance subplot woven through the story, which I really enjoyed, but wish had been a little more developed.
That said, this is where my experience became more conflicted. The pacing felt inconsistent, and at times the heavy focus on atmosphere and verbose prose came at the expense of narrative momentum. I found it difficult to stay connected to both the plot and the characters, and certain threads were introduced with weight but never felt fully resolved (Petronelle’s journal, the automatons, and the contention between magic and alchemy).
The murder mystery initially hooked me with a compelling setup, but it seemed to resolve surprisingly early, which left the latter half of the book feeling somewhat directionless. I’m usually able to build theories about where a story is going, but here I felt a bit lost until the end. The final 15% was the most gripping part, finally delivering the tension and momentum I had been waiting for, though getting there was a struggle at times.
There is also this surreal, fever-dream quality to parts of the narrative. While likely intentional, it made it difficult to fully trust what was real or stay grounded in the story. Between alchemised substances, alcohol, hallucinations, mentions of black mould, and body horror, I often found myself questioning how reliable Lark was as a narrator.
Lark herself is a complex and flawed FMC, clearly shaped by her trauma and abuse. Her self-destructive coping mechanisms make her feel real and layered, but also, at times, difficult to like and root for. Outside of her dynamic with her mentor/abuser, which is one of the more developed and disturbing relationships, many of the side relationships felt underexplored, making it hard to form a deeper emotional connection with her peers, romantic interest, and teachers.
I do want to highlight that the eARC I received did not include content warnings, which significantly impacted my reading experience. I also could not find any listed on the author’s website either. Had I been aware beforehand, I likely would have made a different choice about picking it up. While I think the abusive relationship and its impact on Lark was handled well and realistically, the fawning and subsequent abuse were difficult to read.
There were aspects I genuinely loved, but ultimately this just wasn’t the right fit for me 💔 Despite my mixed feelings, I still think this is an incredibly strong debut. It is ambitious, atmospheric, and clearly written with a lot of care and intention. I can absolutely see this resonating with readers who love richly detailed dark academia, gothic fantasy, and morally complex characters, especially if you do not mind slower pacing and heavier subject matter.
Thanks to NetGalley & the publishers at Random House UK, Del Rey for the advanced copy!
I really wanted to love this and I mostly did - it grappled with a lot of themes similar to RF Kuang's Katabasis and Babel, and was extremely atmospheric and eerie. Unpacked the unbalanced power structures of academia hidden within of universities and mentorships, picked at threads of misogyny, emotional manipulation and abuse, substance abuse, sexual violence, and how being 'the other' particularly the racial discrimination faced as a Korean in Paris, worked to unsettle and unseat our deeply problematic protagonist. I loved her at times (yay for messy bisexuals) but god she needed a break.
It was fascinating and I enjoyed the body horror inherent in the alchemy of it all - transformation big important vibe here - but I was disappointed by the momentum in the middle, where all our energy was sapped. Important context sadly did bog us down, and this felt long.
So an arc of this got sent to the store specifically for me, I’d never heard of it but it sounded interesting enough so I took it home, and ultimately I’m glad I did.
I am a huge sucker for urban/contemporary fantasy, and I appreciate when things billed as “dark academia” actually decide to interrogate the privileges academia is actually built on and isn’t just Sparkling Tweed, and this has both of those. The juxtaposition of the old world magic with the modern setting made for a fascinating atmosphere that I had a lot of fun getting immersed in. I looked forward to seeing what new and horribly magical thing the book was gonna throw at me next!
It was also an incredibly tough read for me personally, as it’s a lot of chapters of this ostensibly queer girl getting groomed and spiraling into self destruction while the aforementioned insular academic privilege closes in on her. It’s SUPPOSED to be icky but oof.
Overall, I did enjoy the book. There are a couple things I still wonder about so if the author wanted to write a sequel I’d read it, and I’ll also keep an eye out for whatever else she writes.
Also a quick note, the queerness was a bit of a pleasant surprise. As I read I was like “am I reading too much into this?” Especially since there is a scene of “girls getting it on at a party while I douchey guy is there like 👀” which made me roll my eyes, but by the end it’s abundantly clear that Lark is some kinda queer, even if exact labels aren’t used on page. Hell, I don’t think the character herself knows! Just that she loves this woman enough to want to move the world for her.
Review of an Advanced Reader Copy. Thank you to Random House UK and Lynn D. Jung for the opportunity to discover this story early in exchange for my honest review !
Mothsblood follows the path of Larkspur, a young Alchemy student fighting to find her place in a community corrupted by wealth and legacy. Despite being a one in a generation talent and brain, Lark quickly realized that the only way for it to be worth something in this world is to play the game. When her ticket to recognition gets murdered under her own nose and her past suddenly comes back to haunt her, what (and who) will she choose..?
"She's fairly certain she's about to die, something she never intended for herself, and it never occured to her until then that dying alone is a terrible fate."
"Lark is sick of people trying to help her, not when she cannot be saved."
RATING : 4/5.
This is one of those reviews which are kinda hard to write. I finished the book a couple days ago, I'm sitting at my computer, gathering my thoughts about it and no constructive criticism immediately jumps to me. Yet, it was not a five stars read. So how do I explain this ?
I personaly found Mothsblood to be quite character driven. Yes, there's a plotline building through the entire book and yes, it is major and quite interesting. Yet, I do not think you can appreciate said book if you're not willing to get to know its characters, especially Lark.
Lark is NOT your typical fantasy FMC. She's realer, she's uglier. She does have the usually traumatic backstory, and the author will show you exactly how that affected her. Reading through the early reviews, I saw a few people saying that the big revelation about what happened to Lark came too late for the reader to actually connect with her. I could not disagree more. I think her backstory is carefully and cleverly sprinkled through the story. I think you get the perfect amount of informations early enough to grasp the general idea of what Lark went through and that was enough to get me on her side. I loved that the author chose to do it in a way that felt aligned with her character. Lark is anything but someone who opens up easily or quickly. She is driven, hungry, selfish, sometimes mean, even to people who did not deserve it, but most of all she's guarded and I believe that's the key part of her. I'll say it, I firmly believe most of the discourse that might happen surrounding Lark will stem from deeply routed sexist thinking. If you hated Lark, ask yourself how you would have felt if she was written as a male character and... do with that what you will.
Maybe I would have liked to know a bit more about a few other characters, I'm thinking especially Kareem, Violaine and Victor. You really only see things through Lark's perspective and, well, you can't say Lark is much of a people person. I feel like their feelings and experiences of the story would have been a really interesting aspect to see but I also get that it was not the point the author was trying to make. While Lark was beautifully executed, maybe it took a bit too much from those side characters. Some, like Kareem and Violaine, I wanted to see more involved in the plot. Others (I obviously won't say who) had a big part to play but felt too underdevelopped for it to flow well. Some felt just kinda there, hi Sasha and Matthieu. Kang, in my opinion, was the perfect balance of page time and personal background for his part and relevance to the story.
Story wise, again, I liked it. It's well done. I will say though that you need to love diving into the psyche of the characters to enjoy this story to its full potential. There's a huge part of the plot that stem from a particular type of interpersonnal connection (which, again, I obviously won't name). If you often find yourself not caring that much about the dynamics between characters, Mothsblood is definitely not for you. The book is being marketed as a Dark Academia and while, yes, it definitely is, I'm worried some people could go in with the wrong expectations... I think Alchemy and more generally Academia are a tiny bit less central than I was led to believe based off the book description. Actually, I do not think that the blurb (or any reviews really) manage to capture exactly the essence of Mothsblood. That was not something I minded, I even believe it to be the sign of both a complex story and cleverness (can you tell I'm exhausted to have every tiny trope written out in a book promo?). Still, it might be a little jarring to readers going in with clear and set expectations, you just have to open yourself up to the story and to Jung's words. I do not know how to describe it other than Mothsblood reads like a book from another era of publishing, before the tropification and tiktokification of books, stories and writing. I loved the writing in this.
So, why is it not 5 stars ? Guys, I have no fucking idea. All I can say is that it had everything to make me fall in love with it, I just didn't. May I say that it's not the book, it's me..? I feel like it might be me. I definitely think that you should give it a try. Please, remember that no review can replace the personal experience of reading, and the most meaningful opinion you can form is the one you build for yourself!
This was such an atmospheric and intriguing debut. The dark academia setting in modern-day Paris was one of my favorite parts of the book, it felt moody, immersive, and full of secrets, which perfectly matched the mystery surrounding the murder of the headmistress. I especially enjoyed the alchemy elements and the layered university politics, which made the world feel unique and compelling.
Lark was an interesting main character, and I liked following her as she navigated her complicated past, dangerous secrets, and morally gray choices. Her internal conflict about power, ambition, and who she can trust added a lot of depth to the story. The mystery kept me invested, and I appreciated how the darker aspects of the plot slowly unraveled over time.
My only reason for giving this 4 stars instead of 5 is that some parts felt a little dense, particularly with the lore and pacing in certain sections, which occasionally slowed the momentum for me. But overall, this was a strong debut with an original premise, rich atmosphere, and plenty of twists. Definitely a great pick for readers who love dark academia, secret societies, and fantasy with mystery elements.
Thank you to NetGalley and Penguin for an ARC of this book.
The premise of this book was great and so intriguing, however the execution was a bit choppy and chaotic. I couldn’t really grasp Lark’s bitchiness, towards characters like Kareem and Céline, while I understand the intentions, her character just lacked the ability to channel this and made her seem childish (from her own words) throughout a lot of the book.
The alchemy components though were well thought out and gave a great gothic element to the story.
The ending was probably my favourite part, it was perfectly paced, well executed, while slightly predictable, it was a great end to an otherwise slightly above average book.
=> Dark Academia => Gothic Fantasy => Murder Mystery => Morally Grey Characters => Toxic Mentor Relationship
🕯️Okay what the hell was in this book because I finished it and genuinely just sat there staring at my ceiling for a while. Mothsblood is one of those books that is honestly really hard to review because technically it has almost everything I usually love in a story, and yet I still can’t fully explain why it didn’t completely hit for me emotionally. Like objectively? This is an incredibly strong debut. The writing alone had me losing my mind every few pages. Lynn D. Jung can WRITE write. The prose is lyrical without trying too hard, atmospheric without becoming unreadable, and the entire book feels drenched in this dark, suffocating gothic energy that completely pulls you in.
The Paris setting was honestly perfect for this story too. Everything felt old and decayed and beautiful at the same time. Meurdrac as an alchemical university was probably one of my favorite parts of the book because it actually felt academic. Like this isn’t the fake aesthetic version of dark academia where someone wears a blazer and drinks coffee in one scene and suddenly it’s “academia.” This book is filled with lectures, research, thesis work, intellectual obsession, elitism, legacy, and people literally destroying themselves in pursuit of knowledge and power.
🦋 The story follows Larkspur Lee, an alchemy student who comes to Paris hoping to earn recognition at Meurdrac and compete for an apprenticeship under Petronelle Flamel, one of the Deathless alchemists who achieved immortality through the Philosopher’s Stone. But then Petronelle gets murdered, Lark gets dragged into the investigation, her abusive former mentor suddenly reappears, and everything spirals from there.
At its core, this book really feels like a massive exploration of ambition and power. Like when does wanting knowledge stop being about curiosity and start becoming obsession? And what kind of person do you become when your entire life revolves around proving yourself worthy of recognition? Every character in this book is clawing for power in some way and it gets genuinely uncomfortable to watch sometimes.
🩸 Lark herself is SUCH a complicated character and honestly I think whether this book works for you or not depends heavily on whether you can connect with her. She’s not a “likable” fantasy FMC in the traditional sense. She’s selfish, emotionally closed off, self-destructive, obsessive, mean sometimes, and deeply damaged by her trauma and abuse. But that’s exactly why she felt real to me. I actually really liked the way her backstory was revealed because it matched her personality. Lark is not someone who opens up easily, so having everything dumped on the reader immediately would’ve felt wrong.
And honestly some of the criticism I’ve seen toward her already feels a little… questionable. Because I genuinely think if Lark was written as a man, people would call her “complex” instead of annoying. But anyway.
🕸️ Atmosphere-wise this book absolutely eats. There’s this fever dream quality running through the entire story where you constantly feel slightly disconnected from reality alongside Lark. Between the hallucinations, alchemised substances, body horror, alcohol abuse, black mold imagery, and general decay, everything feels unstable in a way that really worked for me.
But this is also where some of my issues started showing up.
The pacing is definitely inconsistent. There were moments where I was completely locked in and then other sections where I felt like the atmosphere and prose were overpowering the actual narrative momentum. The murder mystery setup hooked me immediately, but it weirdly resolves earlier than I expected, and after that the story started feeling a little aimless until the final stretch. That last 15% though??? Easily the strongest part of the book for me. Suddenly everything became tense and emotionally gripping in the way I’d been waiting for the entire time.
🥀 I also wish some of the side characters had more development because a few of them were genuinely so interesting. Kareem, Violaine, and Victor especially felt like characters I wanted way more from. Since everything is filtered so heavily through Lark’s perspective, some relationships ended up feeling underdeveloped emotionally, including parts of the sapphic romance subplot, which I really liked but wanted more depth from. The mentor relationship was genuinely disturbing in a way that felt painfully realistic. The manipulation, dependency, and emotional damage were written VERY well, almost too well at times.
🖋️ Honestly, I think this is one of those books where I can completely understand why some people are going to adore it and why others might struggle with it. This is a very character-driven story that cares more about psychology, obsession, atmosphere, and interpersonal dynamics than constant plot movement. If you need fast pacing or super clear answers at all times, this probably won’t work for you.
But if you love dark academia that actually feels academic, morally messy characters, gorgeous prose, gothic atmosphere, and stories that feel slightly haunting even after you finish them, then I really do think this is worth reading.
And honestly? I kinda love that this book feels like it came from an older era of publishing before every single story started sounding like it was written specifically to become a TikTok aesthetic. It feels weird and ambitious and genuinely confident in what it wants to be. Even with my mixed feelings, I still think this was an insanely impressive debut.
Mothsblood is the type of book that haunts the reader, the imagery and lessons you can’t shake no matter how hard you try.
I believe this book will really surprise people in the genre of dark academia, it is not what many readers have become accustomed too. Mothsblood’s version of dark academia is not a mood school background with no mention of the subjects being studied, just a background to the plot. No this is one of the most to the letter execution of being both a very dark story and being extremely academic. Both of which may not necessarily appeal to everyone. My closest comparison I can come up with is the darkness of Ninth House, with the academia of Babel type of story. But truly no book compares. It’s a debut that carves out an entirely new narrative within the dark academia/ fantasy genre.
Set in Paris at a secret alchemist university, there are dark plot lines, deep discussion and themes of academic hierarchies, students being viewed as disposable for prof’s research purposes and at its core does the advancement of science or in this cause alchemy, really outweigh the potential for damage. In the words of Dr Ian Malcom (yes jurassic park) ‘you were so focused on it you could, you never stopped to ask if you should’. The same ethical/ moral debate that always sits at the centre of advancement just like with Oppenheimer.
I predict this book will be very divisive for readers not expecting the darkness and scientific discussion for example of insects. I for one found it thrilling to have such a different story told and such a different complex female character. It clears the fmc at the beginning of the book is quite numb from some sort of trauma and the way she behaves is a great representation of reality. The moment she manipulated the rich guy who is smitten with her at the beginning to get what she wanted, I knew I was hooked.
I’m not sure if there is a clear listing of trigger warnings anywhere but it is definitely worth checking for some more senestive plot points. However I felt it was dealt with very well.
This book does have a romantic plot however this is not a spicy/ smutty/ graphic book. As is appropriate I think, if the author had written scenes that we are used too in romantasy it would have taken away from the book and felt out of place. I am very pleased the author wasn’t pressured into writing scenes like that.
I will be looking forward to getting a special edition of this book for my shelf, I believe Illumicrate will be doing it. Partly as a trophy and partly to enjoy the story without the formatting and arc errors that were present in the edition I read. Although I am obviously grateful to netgalley and the publishers for the opportunity to read this e-arc in exchange for an honest review.
P.s. final note readers may be surprised by the language used throughout this novel, it is perhaps different to standard vocabulary in similar level books. I would say I am pretty well educated and I had to check the definition of many words! I couldn’t decide if a thesaurus was over used but in the end settled on the that’s just the way the author is and good for them, they have a very impressive vocabulary. However for some this may be distracting from the story.
………….
Larkspur Lee is a, 20 something, 1st year student at a secretly alchemy university Meurdrac in Paris. She is american which the rest hate and on scholarship- so your usual dark academia setting. But one thing sets Lark apart and it’s her mentor at Hunt university, california. This gives her a seemingly better foundation that the rest on the sciences of alchemy. Although the relationship and how it soured is all shouted in mystery.
It was refreshing to have so much academia in a fantasy dark academia book I must admit. Often it’s just the eerie setting for books rather than the subject matter. But Mothsblood really gets into the science of it all, not for the faint of hearted if academia is not your thing. There is A LOT of talk about bugs, insects and as you can imagine moths!
One very unusual thing was the writing or rather word choice. I was torn on whether this is actually how the author sounds and writes and is slightly pretentious or had overused the thesaurus. But as many of the word choices derived from french I think it’s the french influence which would make sense with it being set in paris however it really does take you out of the book often to look up the meaning of words. Many of which I had never heard off. Everyday is a school day.
Lark was a really interesting and different fmc than I have ever read. A very different type of complex character and morally grey. I can’t think of many other examples of the fmc using men the way she does to get what she wants and I was totally here for it.
A mystery that just kept going.
The cover is stunning and can’t wait to see what special editions are done
Thank you netgalley and the publishers for an e-arc in exchange for an honest review.
Thank you, NetGalley & the publishers at Random House UK (Del Rey), for providing me with the advanced copy in exchange for an honest review.
Mothsblood had a lot of elements I usually LOVE in books - lyrical writing, a great dark academia atmosphere, a character-driven story, an interesting alchemy-based magic system, and a very unique and interesting premise. Sadly, I was unable to get into the story fully.
First of all, I LOVED the premise - a secretive French university where students can learn and master alchemy. I loved how the story intertwined elements of well-known historical alchemy with more modern, technology-based applications. Modern and technology-based applications. I also liked the structure of the alchemy society - with the Deathless on top, hoarding the philosopher's stone and its immortality. This was a great setting to have tension, with an elitist class with the gift of immortality, and other alchemists, ambitious and desperate to access this elitist circle. I also loved how the author touches on how closed the alchemist circle is, with little to no opportunity to get in.
I also loved how dark and atmospheric this book was - with a Parisian university setting, in a secret school teaching a secret type of magic: alchemy. This book felt suffocating at times, reflecting Lark's POV, which I really liked - the setting was really closed off with few locations, which really helped set the atmosphere. This book was obviously well researched, with different metals and runes for transmutation and magic, and I really did like this aspect. I do wish it had been explained more, and I did feel at times that the magic just didn't fully make sense to me (kinda: I used this metal, wrote a rune, and BIM magic happens), which made me crave more from the magic system. The magic was told rather than shown, and I just wanted more from it.
This was very VERY character-driven, and I really didn't like the characters that much. Lark was a very interesting character - she comes from Korean descent and grew up in the US with a mother constantly seeking approval from men she dated, and I do think this element really shaped her personality (and subsequent events). She wasn't made to be a likeable character, and she was lost, destructive and constantly aimless as she struggled to get away from her mentor's influence. I did like this part of her personality, but ultimately her choices and actions made it difficult for me to emotionally connect with her. The fact that we only have her POV also made it hard for me to fully grasp the world, as she was genuinely unravelling during the events of the book. The book's storytelling was also plagued with alcohol and drug abuse, which really didn't help structure the "fever dream" vibes of the story.
I feel the same for most characters, as they weren't really vivid and fully sketched out, but useful for the plot overall. I did like learning more about some characters, but ultimately most characters were drowned in the overall secretive vibe - you know barely anything about them.
I also struggled with the pacing. Some parts, I really liked; others, I felt disconnected and that the prose took precedence over what was happening. This book felt partially overwritten, with events being disconnected. Some scenes, I felt should have been longer and more detailed; other scenes could have been considerably shortened and/or removed. This book was fascinating at times, but lost momentum quite a few times. Ultimately, the last 15% and the resolution, whilst fast-paced and interesting, didn't fully satisfy me in terms of wrapping up the story. The ending also leaves a lot of unexplained things (I assume for a sequel), but I felt like it left too much mystery about what happened after all the events and during the resolution.
Overall, I do think this book has a lot of potential, and I did like a lot of elements, but it felt short for me as I couldn't connect with the main characters. It's an ambitious book, with a lot of raw emotions, and I loved that the author was unwilling to gloss over anything, but it is one of those books you either adore or just don't connect with. Sadly for me, I wasn't able to love this book as much as I hoped!
Side note - this book should 100% come with heavy trigger warnings, and my ARC copy didn't have any (I did get the arc early this year so it might be why).
Larkspur Lee is a brilliant alchemist and on a rain-soaked night in Paris, her and her fellow academic rivals find themselves involved in an impossible crime: the murder of their headmistress, the immortal Petronelle Flamel. Soon the alchemist Academy, Meurdrac devolves into chaos and the mysterious investigator assigned to the case, Violaine, believes a cult called Promethean Genesis, is to blame for the murder. Larkspur is running from a past she wants to forget, but things are complicated when her mentor from America arrives in the school and starts again to force her into his orbit. Familiar with the cult's horrors, Lark wants nothing to do with the investigation, but she's slowly pulled into Violaine's investigation and again in her mentor's orbit. When secrets are forced to the light and Promethean's plans are revealed, Lark has to decide if following her path and reach what she wants is truly worth the price.
Mothsblood was one of my most anticipated book this year and I was over the moon when I got the chance to read this earc and I devoured it. It's a perfect, brilliant and wonderfully written dark academia and the story is absolutely fantastic. Lark is an entomologist and she's willing to do anything in her power to become her headmistress' apprentice, Petronelle Famel, the immortal. In a school where they teach alchemy, where exists seven immortals called Deathless, Lark is a brilliant student, ambitious and cunning, moving in a world where money talks and she has to fake and manipulate her way in it, driven by her intelligence, wit and drive. When her headmistress is mysteriously killed, when Goodwin, her mentor, comes to Paris and again in her world and when Lark is convinced into helping Violaine in her investigation, her school's secrets and her own are forced to light.
Lark is such a brilliant main character. She struggles with abuses in her past, with complex relationship with her family, with fleeting flirts with her classmates, between drugs and alcohol and she's a realistic, flawed character. I totally loved the queer representation in this book. Her stubborness, her ambition and moxie are those that drives her to fight to uncover the truth and to stop the cult's madness. It's with care and realism that Lynn D Jung talks about the complex and grooming relationship between Lark and her mentor, Victor Goodwin, writing how Lark struggles with her complex feelings of desire to be seen, appreciated and lauded by her past mentor, with the knowledge of being manipulated, controlled and abused. In a intricate game of cat and mouse, Lark balances her desire and nostalgia for a complicated relationship tinted by lies, secrets, manipulations and cruelty and her own desire of "defeating" Goodwin at his own game, revealing the ugly truths behind his facade. Also complicated and wonderfully written is Lark's relationships with Shane and Violaine, Kareem, Sacha and Mathieu, her classmates, in a game of power, desire and love.
Brilliant and fascinating are the themes of alchemy, immortality and magic, in this extraordinary debut. Through Lark's thesis, the school's lessons and immortal's lives, the reader is captivated and immersed in an university filled with secrets, lies and broken taboos. I loved living in this world, so wonderfully crafted, fascinating and dark, following Violaine's investigation, trying to put Lark's puzzles pieces together, trying to stop Goodwin and the cult. This book is incredible.
This was one of my most anticipated reads after first hearing about it. The premise immediately grabbed me, and I was beyond excited when I got the NetGalley approval email. Now that I’ve finished it… if I had to sum it up in one sentence: it’s not good, it’s not bad, it’s just… nice.
The story follows Larkspur Lee, who arrives in Paris armed with ambition and a gift for alchemy. As a student at Meurdrac, one of the last remaining alchemical universities, she’s determined to prove herself worthy of immortality despite lacking the wealth and connections of her peers. When Petronelle Flamel, the Grand Magistra, begins searching for an apprentice, Lark is willing to do whatever it takes to be chosen. However, after a shocking death, Lark becomes entangled in an impossible crime that seems tied to her past. As the investigation unfolds, and with the reappearance of a former mentor she tried to escape, her carefully constructed life begins to unravel. Alongside the mysterious Knight, Violaine, she must navigate dark secrets, both within the university and herself, and ultimately decide whether the power she craves is worth the cost.
There’s a lot here to like: alchemy, a secretive and cut-throat academic setting, hints of cultish intrigue, angst, queerness, and moments of wonder. That said, the execution didn’t quite land for me. Lark herself was frustrating as a protagonist; she often came across as whiny and passive, and due to the mystery aspects of the book, I didn’t really understand her motivations as a character until much later on, which made it difficult to fully connect with her journey.
While the prose is undeniably beautiful, the story takes far too long to get going. It wasn’t until around the 60% mark that things really began to pick up, and closer to 80% before everything started to make sense. The narrative style, which unfolds largely in real time with only sparse flashbacks, left me feeling more confused than intrigued. Instead of building tension, it often made me feel disconnected and, at times, bored.
There were also noticeable inconsistencies that pulled me out of the story. One moment in particular (Chapter 24) stood out, where Lark is described as wearing a robe after a shower, only for her shirt to suddenly reappear within the same scene. Small errors happen, but something so immediate was jarring. Another scene in Chapter 29 of the book also felt tonally off, with characters pausing for intimacy in the face of immediate danger, which undermined the tension.
That being said, I did enjoy the final portion of the book. From around the 65% mark onwards, the story became much more engaging, and the ending was satisfying. Unfortunately, it just took too long to get there for me to fully overlook the earlier issues.
Ultimately, I think this may simply not have been the book for me. I sometimes struggle with dark academia unless the story is particularly gripping, and this one didn’t quite reach that level. I wouldn’t want to discourage others from picking it up though, as I can definitely see it working better for other readers.
It’s not a bad book by any means… just a bit underwhelming.
That said, the cover is absolutely stunning, and I’m very curious to see what special editions might look like, because I imagine they’ll be beautiful.
Thank you Netgalley for providing me a copy of this book to review. All opinions are my own
I received this as an e-arc on NetGalley. Thank you to Bloomsbury USA for the copy!
Mothsblood is a contemporary dark academia fantasy set in Paris, France following Larkspur Lee, a Korean American first year alchemist who gets caught up in a murder mystery plot that seems to lead back to her former mentor at the center of it.
I have gone on record more than once stating that dark academia is far from my preferred genre. I still maintain that stance, but reading Mothsblood has me reconsider being more open to the genre. The plot summary, I feel, makes this book sound rather plot and action driven. Jung included her fair share of twists and turns plot wise, but I would say that you should expect a very introverted narrative going into this. The plot is important and well sketched, especially for a debut author, but the books thematic focus is on Lark's development and actions. Around the 40% mark, the book begins to move from a standard murder mystery plot to a critique of academia as a whole and an examination of what it looks like to be a POC at a PWI institution, and the damage of molded into something by someone else before their own benefit. So, big trigger warnings for student x teacher dynamics, grooming, and SA.
Lark is difficult, though I assume not an unfamiliar character for dark academia fans, the young ambitious academic, though Lark is driven by the need to prove herself in an institution that almost explicitly caters to the privileged children of the various alchemical families. As a fellow POC deep in the pits of hell that is academia, I found her familiar to me, the constant ruminations on money, an obsessive focus on an idealized future to justify a less than ideal present, the various snubs at your background, heritage, behavior, and abilities from you privileged peers and ignorant superiors, constantly fraying at the edges, etc. Lark felt like a real person who I have and could encounter in my day to day life and she stressed the hell out of me. I get her, but good god girl.
I think my one complaint about the novel would be it's prose. I respect a fellow purple prose girl, but I think there are times where we have to look at what we are saying rather than finding the prettiest way to say it. The book was compulsively readable for me, but I can easily see other people finding it overwhelming or unneeded and putting the book down. At times I feel like the prosaic style overpowered the story more than serving it, especially in pivotal moments, where I feel like Lark's internal narrative and development was shrouded and abstract because of the language. The plot / driving forces behind her behavior was believable, but I don't think we quite connected it to her internal self when we needed it too, so her changes in behavior could come off as hazy or abrupt when it was meant to be a culmination of her character development.
Overall, I really enjoyed myself with this one! I'm looking forward to what Lynn D. Jung comes up with next.
I love fantasy and murder mysteries, and Mothsblood delivers both in a gripping story primarily set in Paris. This is a world where magic and alchemy are utilized right under the noses of everyday “ordinary” people.
There are also those who are immortal. And the promise of immortality might drive some to do anything to have their chance to live forever.
Larkspur Lee is a compelling protagonist. She’s got a past, and the early hints suggest secrets she wants to keep buried as she builds her new life in Europe, far from where she grew up in California. (Lee’s family comes from Korea.) She’s distanced from her mother and grandmother and determined to make a name for herself. To do that, she’s devoted herself to her studies as Université Meurdrac.
Unlike her peers, she doesn’t have a heritage that secures her a place of prestige and she doesn’t have much money. She engages in illegal activities to stay afloat while working to be the best in her class.
When the opportunity arises to become an apprentice to one of the few who have immortality, Lark is determined to secure the spot. Things go horribly wrong, and the immortal is murdered.
The murder provides the opening for someone from Lark’s past to arrive and she soon finds herself caught between the woman investigating the murder (who has a mysterious past of her own), the man she ran from in California, and her peers.
What stood out for me in Mothsblood was how unique Lark is as a protagonist. So many stories create heroes. While I absolutely rooted for Lark along the way, she was honest with herself, that she was no hero. She was selfish and ambitious and she used people to further her agenda as needed. But those flaws also set the stage for a lot of growth, and that made her a very interesting, memorable protagonist.
The author does a great job of weaving in information about the past without slowing the plot in the present, and there are plenty of developments that keep the story from being predictable. I was wrong about some things I guessed at, but every reveal made sense and was earned through foreshadowing and hints along the way.
Some of the other elements in this book include found family and real friendships. I love romantasy books. I’m not quite sure this qualifies as romantasy (although it has a relationship arc in it), and I don’t know if there are plans to make this a series, so I’m viewing it as a standalone at this time. However you classify it, for me, Mothsblood felt fresh and compelling and is a memorable story. And since Lark is conditioned by necessity to focus on survival, her journey is inspirational.
Notes For The Audience:
This story is ideal for those who enjoy suspense, murder mysteries, the mounting sense of dread of horror, and stories set against an academic landscape. Mothsblood leans into dark fantasy territory.
Mothsblood: Rating: 5/5 Plot: 5/5 Characters: 5/5 Review: Thank you so much to NetGalley and Bloomsbury Publishing for the ARC of Mothsblood in exchange for my honest opinion! Mothsblood is a whirlwind of gripping plot, multifaceted characters, and amazing diversity. This book places you straight into a French dark academic setting with great attention to detail with every scenic descriptor, placing you so well into the main characters eyes you feel transported into the streets of stormy late nights and stuffy college apartments. For a debut author/novel I genuinely think Lynn D. Tung nailed so many different points that some seasoned authors sometimes overlook. Every single character felt so flushed out and unique, with their own personalities, moral compasses, desires and styles. I could easily imagine them all in their own light, instead of them solely feeling like space fillers they felt like real day to day people you may run into at school or work or maybe even on a night out.
Our MC Larkspur (Lark) is currently an alchemical student at Meurdrac University in Paris, France. One of the most renowned and sought after schools for young alchemists and known for their immortal and famous headmistress Petronelle Flamel. The wife of the late creator of the Philosophers stone, and the head of the “Deathless”, somehow ends up gruesomely murdered with only Lark and a mysterious knight named Violane to find out the truth of who murdered the headmistress and why. But little do they both know that this door opens up to answers about not just the murder, but their own dark truths aswell.
This book is more unique to anything that I’ve read before. From the plot twists to the cadence of the main character and her relationships with everyone in her orbit. There was so much intention and purpose in every single interaction, some that you don’t even realize until the middle or end that mean so much more than you might initially think. There weren’t any stones unturned, no open-ended plot holes, no random details that feel as if they should mean something but end up being nothing in the end. I think that that was my favorite part of reading this book. Every suspicion or confusion had an answer or reason after all of the intensity and turmoil.
The character development was amazing and we really truly got to see what made Lark how she is and gives so much reasoning as to why she makes the decisions that she blindly makes. She grows so much out of the shell that her and others put her in. Other characters in the book also have a lot of development in terms of their own growth and understandings of the world around them and the reality that everything is set into.
This is an amazing read that will easily keep you immersed in the life of someone you didn’t know you knew.
4.75/5 ⭐ This is a stunning debut that is lyrical, haunting and quietly powerful. It is more atmospheric than action, but that doesn't stop this from being a wonderfully executed story. Mothsblood is intellectually rich and almost gothic in its dark academia theme, and it's the kind of book that will linger with me for quite some time.
The story follows Larkspur Lee, an ambitious alchemist studying at an elite Parisian institution, where power, knowledge, and secrecy intertwine. From the outset, there’s a strong sense of tension beneath the surface across personal, academic, and philosophical junctions. The themes of identity, ambition, and transformation are woven throughout in a way that feels thoughtful rather than heavy-handed, and the story brilliantly explores the idea of morality and pushing too far with science.
The prose is beautiful, truly. Lynn has a way with words that is rich and intricate and mesmerising, but never felt overdone or flowery. The dark academia setting is equally immersive, with the world of alchemy brought to life in a way that feels both grounded and surreal. At the same time, this is very much a slow, introspective read. The plot sometimes takes a backseat to atmosphere, and this can make it feel like a slower read, where there are long stretches focusing more on mood and character psyche that on narrative progression. I loved this book and my reading experience was being completely absorbed in the writing, but when I stepped back, I also realise that I'd read 100 pages and not much had actually even happened.
Character-wise, Lark is compelling but not always easy to connect with. She’s sharp, ambitious, and shaped by her past in ways that make her feel real, but also emotionally distant at times. Her complexity was certainly authentic and I loved her development over the course of the story. The supporting cast adds layers of intrigue and tension, but some relationships could have been explored more deeply to fully land their impact. I certainly wasn't expecting the plot twists, even with the hints along the way, and it blew my mind and tore out my heart and stomped all over it. Beautiful, gut-wrenching and twisted, and I have to say that the quiet intensity that builds over the course of the book really drove this home.
Overall, Mothsblood is a beautifully crafted novel that prioritises language, mood, and theme over action. It won’t be for everyone, but if you enjoy slow-burn, introspective dark academia with truly gorgeous prose, it’s an incredibly rewarding read, even if it occasionally feels like it’s drifting rather than driving forward.
Thank you so much to Netgalley and Random House UK, Cornerstone for the eARC of this book!
Thank you to NetGalley and the publisher for the arc of Mothsblood. I'm rating it a slightly generous 3.5 stars.
Mothsblood is a queer dark academia fantasy novel tackling themes of the abuse of power, grooming of children, sexuality, and identity. Our Korean-American protagonist Lark has fled to Paris, where she wants two things: success in her field; and to escape her abusive professor and ex-boyfriend, who had been grooming her since she was 12. Enrolled in an elite secret university of alchemy, and paying her way through selling drugs to rich and well-connected students, she struggles to integrate due to her nationality, ethnicity, and class background. And then, when she's on the cusp of achieving her goals, a professor at her university is murdered.
I enjoyed the focus on alchemy and the famous historical figures that kept popping up in the story. The author clearly did her research! And, I liked the book's epilogue. It wrapped up the story in a way that felt satisfying and hopeful while still acknowledging all the things that had happened in the story.
However, I found the prose to be overwritten and full of overly esoteric language. Particularly in the first half of the book, I found myself constantly exiting my e-reader app to use Google Translate or look up niche words that the dictionary describes as having become obsolete centuries ago. I'm all for a rich vocabulary, but including some context clues would have helped a lot!
I was also hoping for more from the setting, but it felt like I was reading about a tourist's version of Paris. On the other hand, I really liked reading about Lark's Korean-American background and how her relationship with grandmother and mother affected her.
Like in many dark academia books, Lark is a flawed and messy character who isn't always particularly likeable. Her flaws make sense given her experiences of abuse and backstory in general, and we see a character arc from her. At the same time, even though I normally adore queer rep in books, I had mixed feelings about it here. Lark falls into the stereotype of a seemingly bi woman who will sleep with men but is also disgusted by them and treats them pretty badly. On page, we see her have sex with three different men and three different women, and I kind of wanted to shout at her to just stop getting involved with the men.
Still, Mothsblood could be a good choice for readers looking for a queer, diverse dark academia novel with philosopher's stones, bodily transmogrification, nods to Frankenstein, and ancient societies full of overly powerful immortals.
mothsblood had me almost immediately with its premise alone. dark academia, alchemy, immortal societies, esoteric magic… many of my favourite things in spec fiction. naturally, my expectations were sky high. 🖤
lynn d jung’s prose is absolutely the standout here. rich and velvety in places but light as silk in others. she crafts an atmospheric version of paris that feels steeped in shadow and quiet magic. there’s a confidence to the writing that feels incredibly impressive for a debut, and i found myself highlighting passages simply because they were beautiful.
however, i just couldn’t shake the feeling that i wanted more from the world itself.
for a story centred around alchemy and academia, i found myself wishing we spent longer immersed within both. there are fascinating ideas scattered throughout, but often only briefly before we’re whisked away elsewhere. i wanted to linger inside the university halls, understand the alchemy more deeply, and really sink my teeth into the society lurking beneath it all.
the same goes for the characters. there are flashes of genuinely compelling people here, particularly amongst the immortal elite, but i never felt like i knew them quite well enough. emotionally, i stayed just a little too far removed from everyone to become fully invested.
that said, i never stopped admiring the ambition on display. this feels like the kind of fantasy that’s more interested in atmosphere than spectacle, weaving together shade and light, secrecy and ambition, until everything is wrapped in this hazy, dreamlike fog.
i don’t think this one was entirely my cup of tea, but i have absolutely no doubt lynn d jung is an author i’ll be watching. it’s an incredibly assured debut and i’m excited to see what she conjures next.
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🖤 dark academia steeped in alchemy and secret societies 🧪 gorgeous, atmospheric prose with a dreamlike quality 🌒 beautifully realised setting that leaves you wanting to explore it further ✨ ambitious ideas, though i wanted deeper character development and more time with the world
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3.5 stars rounded up. an incredibly strong debut with prose that lingered long after i’d finished, even if i found myself wishing i’d been allowed to sink a little deeper into its world.
4.5 stars rounded up. Lynn D Jung, this is a CRAZY debut.
There were so many moments in this book that genuinely shocked me whether it be the horror, the traumas, or the crazy plot twist at the end, so shocked I felt like I needed to break the 4th wall and talk to someone about this. One con about reading this as an ARC, I have no one to talk to this about!!
God this book is visceral. You can feel every gross, bloody, and beautiful thing in this book and I loved it. I don't find too many adult fantasy novels with descriptions this vivid. I think the genre like to have the reader imagine the scene for themselves, to leave it to their imagination. But I loved seeing and feeling what Jung wanted me to see and feel. It was a full experience.
I loved the trauma aspect. I loved how messy it was and how Lark took so many missteps in her healing journey. It's SO relatable for me and I felt like I really came to understand why Lark's history make her the way she is. She is truly really unlikeable and I don't agree with many of her actions but I also get it. We all have a history. That's the point.
One con that I have and why this book isn't perfect for me is also what I loved so much about the novel. Much of Jung's prose albeit beautiful, scenic, morose, is academic. This is truly a dark ACADEMIA book. A lot of the language in this book is academic and reminiscent of me studying for the GRE, which in itself is traumatic for me. I can confidently say that's the point of the book. Its discussion of academic elitism and bioethics requires academic level writing to be successful. On page and in practice, it was perfectly applied, it's just not to my preference. It felt very overdone. Maybe we could have simplified a few of those words no one but academics use. I felt many of the esoteric and lofty words took me out of the story. Many of the descriptors, while beautiful and reminiscent of literary fiction, were simply too much for the story.
I also commend Jung for how much I hate myself for being so into Victor. Dang that man is charming. I seriously need to talk to someone about this.
Thank you NetGalley and Bloomsbury for the opportunity to read this ARC--my most anticipated read of 2026. I need to buy this book asap
I recently thought I was starting to grow tired of Dark Academia, but Mothsblood completely pulled me back in. Such a wonderful debut novel!
The novel follows Larkspur, a young woman drawn into the dangerous inner circles of an elite magical academic world where knowledge, immortality, and power are go hand in hand. Petronelle Flamel, the Grand Magistra of Meurdrac and Third amongst the Deathless, begins searching for an apprentice, and Lark really wants the position. When murder and dark secrets begin surfacing, she becomes entangled in a web of manipulation, ambition, forbidden desires, and shifting alliances where nobody can truly be trusted.
I devoured this book from beginning to end. The pacing is excellent, the tension keeps building in exactly the right way, and the mystery works incredibly well. The identity of the murderer genuinely surprised me, and several plot twists completely blindsided me in the best possible way.
At its core, this is a story about power — who gets to wield it, how it corrupts, and especially how women are forced to navigate deeply unequal academic structures. Even though the setting is fantastical, the dynamics feel painfully recognizable. The charming, charismatic professor who manipulates women who struggle with their background until real damage is done is once again present here, but the fantasy elements allow the story to push the question of power and control to much darker and more extreme places.
What I loved, is how layered the characters are. Larkspur and Violaine are fascinating and emotionally complex, Karim is the fellow student we all know, and Mathieu adds another compelling layer to the tangled relationships and shifting loyalties. The power struggles among the Deathless and Victor are especially gripping and give the story an almost intoxicating atmosphere of paranoia and ambition.
Mothsblood manages to be both an addictive murder mystery and a sharp exploration of gender, manipulation, and institutional power and I loved reading it. Thank you NetGalley and Random House UK, Cornerstone | Del Rey for the ARC!
When Larkspur Lee arrives at Meurdrac, one of the last alchemical universities, she’s searching not only for ambition but also an escape from her past. Determined to prove herself, Lark sets her sights on becoming the apprentice of Petronelle Flamel, the Deathless Grand Magistra. But when a brutal murder throws her plans into disarray, Lark must wrestle with both the university's dark secrets and her own as the life she’s meticulously built for herself begins to unravel. She’s forced to question the true price of power…and whether it’s worth it.
I really loved this book, it felt genuinely unique and the writing was beautiful!
It’s not the easiest read, some parts of the plot (especially the alchemy) can be a bit complex to follow in places, but it’s so worth it! The writing is descriptive and immersive, and the world-building is incredibly vivid. It’s low fantasy, which I really enjoyed, and the way the alchemy and the setting are described felt imaginative.
The characters have a lot of depth and the way they’re written is so tangible and engaging. Lark herself is complex, she’s not necessarily the most lovable and it’s fair to say she has some demons but she definitely grows on you as more of her story unfolds! The interludes give glimpses into her childhood, adding a nostalgic layer. I liked that she has secrets and that the reader slowly gets to uncover them over time.
The dark academia vibes were top tier, the descriptions of Meurdrac are beautifully gothic and atmospheric! I also liked that Lark doesn’t live at the university, which balances the darker academic setting with some more contemporary elements outside of it.
The first half of the book was easily five stars for me, I was completely absorbed in the atmosphere and the more character-driven storytelling. The second half becomes darker, grittier, and more plot-driven. I still enjoyed it, but it did feel like a bit of a shift in tone.
A really unique and immersive dark academia read - great for fans of Ava Reid!
Thank you to NetGalley and Random House UK, Cornerstone for the ARC.