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96 pages, Paperback
First published January 1, 1932
How still,Langston was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance in New York City. Like many African Americans, Hughes has complex ancestry. Both of Hughes' paternal great-grandmothers were enslaved African Americans and both of his paternal great-grandfathers were white slave owners in Kentucky. [I mean, just imagine growing up with that in mind.]
How strangely still
The water is today,
It is not good
For water
To be so still that way.
I, too, sing America.Giving a voice to the hopes of black people of his day and age, I noticed another similarity between him and other black writers of his time: Hughes wrote 'the wall rose, rose slowly, slowly, between me and my dream'. Baldwin wrote about 'all the fears with which I had grown up, and which were now a part of me, rose up ike a wall between the world and me'. Wright mused about 'the sooty details of the scene rose, thrusting themselves between the world and me...'
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.
Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,”
Then.
Besides,
They’ll see how beautiful I am
And be ashamed—
I, too, am America.
Where is the Jim Crow sectionThere's power and magic in Langston's work. He is definitely worthy of all the love and praise he gets.
On this merry-go-round,
Mister, cause I want to ride?
Down South where I come from
White and colored
Can't sit side by side.
Down South on the train
There's a Jim Crow car.
On the bus we're put in the back—
But there ain't no back
To a merry-go-round!
Where's the horse
For a kid that's black?