In Lion, Tina Chang mines personal and collective memory to explore safety and danger, visibility and invisibility as an Asian American woman. Throughout the collection, Chang responds to multi-hyphenate women artists who create across various media: text, illustration, painting, video, sculpture. Artists include Haena Yoo, H?ng-Ân Truong, Astria Suparak, and a collective whose work paid tribute to the life of Christina Yuna Lee, who was murdered during the height of anti-Asian hate crimes, sparking cross-disciplinary dialogue on Asian American perspectives, surveillance, and the myth of the model minority.
As the aftermath of the pandemic is examined, so too are the structures of bias, racism, and violence that continue. The collection’s title explores the word’s cultural history, composite Chinese iconography, and lion-centered explorations of strength and mastery. Lion traverses the closeness and distance between the racialized self the world views and the perceived self who endures and survives.
Tina Chang was born in Oklahoma, in 1969, to Chinese immigrants, who had met in Montreal, where her mother was working as a nurse and her father was earning his doctorate in physics. Chang moved with her family to New York City when she was a year old. As a child, Chang and her brother were sent to live with family in Taiwan for two years before returning to New York. She earned a BA at SUNY-Binghamton and an MFA at Columbia University.
The first woman to be named poet laureate of Brooklyn, New York, Chang discussed her appointment with the New York Times: “The ultimate goal is to break down the wall between people and poetry,” Chang noted. “Somewhere along the way, we have felt intimidated by it, or we have felt we have to be well-educated in order to be able to access it or walk into that world.”
She currently teaches poetry at Sarah Lawrence College and is an international faculty member at the City University at Hong Kong