Yuto Ichikawa - The Red Pencil Is Never Needed: Probably the most "typical" whodunit story of all of these. And it's still a good story, just not one that left me particularly wowed by it. I wish there was more of a conclusion to events though, even if that probably wasn't Ichikawa's primary purpose while writing this. Honobu Yonezawa - The Berliner Pfannkuchen Mystery: What this story did is convince me I need to get around to Shoshimin sooner than later, because if all the stories are as good as this, I'll probably like it a lot. Yonezawa definitely gets a lot of mileage out of the everyday mystery, and the chains of logic here are really cool to see. Incredibly funny too. Tokuya Higashigawa - Suspects with Alibis: Incredibly absurd, but also really clever at the same time. Higashigawa is really good at using comedy for maximum effect in his mysteries, and this is no exception. Maya Yutaka - A Brocade of Autumn Leaves: Peak whodunnit (and whogotdone ig?), my favourite of the lot. Really cool logic here, and seeing how you can deduce who the victim and who the killer was with basically no information about the murder is actually so peak. Rintaro Norizuki - Stigmatized Properties: Kinda mid tbh. I liked the deduction leading to who the murderer is, but the story as a story was kinda boring, so I didn't really care much about what was going on in it. Tomoyuki Shirai - The Blue-Assed Corpse: I learned that apparently having a blue ass is an idiom in Japan. Kinda on the lower-middle end of Shirai tbh, it's a fairly short and simple story, and some elements aren't really convincing enough, but, as usual, the deductions and the process of elimination are really cool.