Ashley Kalagian Blunt has done it again with her third psychological crime thriller LIKE FOLLOW DIE (Ultimo Press 2026) – she immerses the reader into a world of techno-crime and the dark spaces of the internet that frighten us all. If you enjoy a well-crafted psychological suspense full of twists, this book delivers. It will also appeal to those exploring the themes of the recent hit drama Adolescence: boys becoming men; ‘toxic masculinity’; men’s rights activists’ groups; online influencers; the discussion around the causes and mindsets behind mass shootings and radicalisation; the media and ideologies; the vulnerabilities of young people, especially those isolated or suffering mental health issues; and the concept of whether society inevitably contributes to the actions of individuals. LIKE FOLLOW DIE is scary because it is truth masquerading as fiction – highly relatable, plausible and seemingly more commonplace now than ever.
The structure of the story is clever and page-turning. The main narrative happens over only a few hours of one day, when ‘the most hated woman in Australia’ opens her door to a homicide detective. Corinne Gray’s life has been reduced to monotony, isolation and vitriol after her teenage son, Ben, committed an atrocious act of violence. At first, we are unaware of what tragedy has occurred, and we don’t know if Ben is missing, in hiding, in prison, estranged or dead, but it is clear he and his mother are no longer in contact. It is also clear that every Australian, fuelled by the media’s coverage of events, considers Corinne to be the very worst mother in every possible way. The sins of the son have become the neglect or terrible upbringing of his mother.
The second part of the narrative focuses on the homicide detective, Kyle Nazarian, in the few days before, and the day of, the climax. A newly minted detective, Kyle is keen to impress but immediately conflicted by the rough and ready attitude of his partner, DS Duff, who is highly regarded and respected but also takes a few liberties with scene of crime procedural policies and chain of evidence rules. Kyle knows he must demonstrate utmost loyalty to be trusted, but his conscience is tested several times by Duff’s decisions.
The third part of the story includes Ben’s diary entries, firstly handwritten as a 12-year-old boy, and then uncovered later (through police investigations) as a private digital journal. These entries reveal the slow unravelling of Ben’s thoughts, beliefs and resentments as he grows from a sweet boy to a troubled adolescent. These epistolary interludes add colour, interest and insight into the boy we never meet except off the page.
There are further human complications. DS Duff has cancer and this could be his last case – everyone on the force wants him to go out on a high with a successful closure rate. And Kyle’s wife Seda is at the tail end of a high-risk pregnancy. This is perhaps one of the most interesting aspects of the story, as Kyle is constantly torn between wanting to be there for his wife, and needing to be one hundred percent focussed at work.
Kyle and his wife have a fascinating backstory related to their Armenian family, their parents, grandparents and great-grandparents. The author has previously included references to the history of the Armenian genocide and its ongoing repercussions in her other novels (and also written non-fiction essays on the subject). This issue is not really mentioned in this novel until towards the end, but when it is included, it certainly packs a punch and explains a lot of Kyle’s indecision and conflicted emotion. There is one line, about his feelings when he sees his beloved wife’s pregnant stomach ballooning with new life, that will haunt me forever. It is a testament to Kalagian Blunt’s writing skills that she can incorporate such poignant human tenderness and fragility into the meat of a crime novel.
Because it IS also a crime novel, even though I have barely discussed that yet! Kyle and DS Duff are investigating the deaths of two people, murdered in gruesome ways and with identifying clues intentionally left behind by the killer. There appears to be no connection, Duff is keen to close the cases before his illness catches up with him, and Kyle is also keen to wrap them up so he can be home before Seda gives birth.
But the climactic day arrives, when Corinne and Kyle meet face to face, and Corinne is invited – and keen – to speak about her sweet-natured son Ben, a boy who loved history and his dog, a teenager dreaming of being an Olympic swimmer. She wants to explain and she wants to understand herself, how her gentle child could become the monster he is now known as; a monster lured to the dangerous shadows of the internet, or perhaps created and nurtured by those spaces. The truth is important to Corinne, and while she doesn’t expect sympathy, she wants – no, she needs – to warn others of how easily parenting can go horribly wrong.
As with all great thrillers, there are many red herrings, clues, twists and turns in LIKE FOLLOW DIE, the most significant at the end which, when you read it, upturns everything you have read before. The end of that chapter has dialogue by both Corinne and Kyle that is a heartbreaking demonstration of the parental bond. But the author goes even further, adding a final unexpected chapter that give us yet another astonishing reveal, this one tying together all the threads throughout the book, and explaining several plot points that didn’t seem important until this explanation resolves them all and gives us information that was hiding in plain sight all along.
LIKE FOLLOW DIE will be released in February but you can pre-order now from your local independent bookstore. A little bird told me that pre-orders may even be gifted something special for being so keen. (A used murder weapon? A secret dark web code? A body disposal suit? Who knows …)