White Sky #2

by William Harms, Lee Loughridge (Artist), JP Mavinga (Cover Art)

After being violently separated from her father, Violet now faces the horrors of this world on her own. Unsure of what to do, she meets the unlikeliest of allies, a psychic-medium named Walter who’s being held prisoner under the Bay Bridge Toll Plaza. Comment end

Genres: Comics

Kindle Edition

Published March 25, 2026

About the author

William Harms has written for Marvel Comics, DC Comics, Image Comics, Top Cow, Sony Computer Entertainment, and 2K. He was the lead writer on Mafia III, which was widely acclaimed for its narrative and was nominated for several writing awards, including a British Academy Film and Television Arts (BAFTA) Games Award.

His graphic novel series Impaler was nominated for an International Horror Guild Award.

He resides in Northern California.

Reviews

[The Void Reader · Rating 5 out of 5]

White Sky #2 — ⭐️⭐️⭐️⭐️⭐️

Writer: William Harms
Artist: Lee Loughridge
Cover Art: JP Mavinga

This series is officially playing with my emotions. White Sky #2 hits the gas immediately, rips Violet away from her father, and then—just when the story cracks open into something even stranger and more dangerous—it cuts off again. Another cliffhanger. Another “you’ve got to be kidding me” moment. And yes, I’m already desperate for the next issue.

Harms tightens the tension by isolating Violet, forcing her to navigate this ghost‑ruled world without the one person she trusts. The fear is sharper, the stakes feel heavier, and the pacing is relentless. Enter Walter, the psychic‑medium imprisoned beneath the Bay Bridge Toll Plaza—a character who shouldn’t work but absolutely does. He’s eerie, vulnerable, and instantly compelling, the kind of wildcard ally who makes the world feel even bigger and more haunted than before.

Loughridge’s art continues to be a perfect match for this bleak, spectral landscape—moody, washed‑out, and full of quiet dread. Mavinga’s cover once again sets the tone: stark, unsettling, impossible to ignore.

If issue #1 hooked me, issue #2 yanked me straight into the undertow. This series is two-for-two on killer pacing, killer atmosphere, and killer cliffhangers. Completely unfair. Completely addictive.

Overview

After being violently separated from her father, Violet now faces the horrors of this world on her own. Unsure of what to do, she meets the unlikeliest of allies: a psychic‑medium named Walter, who’s being held prisoner under the Bay Bridge Toll Plaza.

Happy reading from the Void 👻🔥📚

[Machiavelli · Rating 4 out of 5]

White Sky #2 keeps the momentum going with another strong, atmospheric issue. The art continues to be a standout—gritty, haunting, and perfectly suited to the bleak tone of the world. There’s a constant sense of unease on every page that really pulls you in.

The story is still unfolding in a way that doesn’t hand you easy answers, but that’s part of what makes it work. You’re not fully sure what’s happening yet, but there’s enough intrigue and depth building beneath the surface to keep things compelling. It leans into the mystery without feeling empty.

I’m really enjoying the darker tone and the way the tension continues to build. This is shaping up to be a slow-burn story that trusts the reader and rewards patience.

[alejandro galvez · Rating 5 out of 5]

So good.

Very cool comic. Pretty neat that they are using the SF Bay Area as the setting. I live around here and its cool to see the names of the cities or the setting of the Bay Bridge. Pretty accurate illustrations. But a very good series. Very happy with it.

[josh · Rating 3 out of 5]

3.5*

[Connor · Rating 4 out of 5]

Coming along nicely so far, keeping the same pace as the first issue and telling a lot without actually telling, beautiful art that gives the world some weight.

[Lizzy DeMarco · Rating 5 out of 5]

Very creepy...good creepy, but still creepy, second issue!

[Alex Fyffe · Rating 3 out of 5]

2.5