Author Anna Byrne’s close friend Mary Morgan spent her life looking for community. As a youth, the pain of Mary’s mother’s death is made more difficult by her family’s silent grief, financial problems and disapproval of her identity as a lesbian. At 17, Mary leaves her troubled home in Toronto to live among the Guna peoples of Panama—an adventure that ignites four decades of social justice work in war-torn countries around the globe. Flying kites with Bedouin children, smoking with Bosnian men, and resisting the Guatemalan Civil War alongside Maya women offers Mary a powerful salve for her yearning to belong: Chosen family—communities based on mutual values and support.
When faced with a terminal diagnosis while living in a remote British Columbian town with few resources, Mary brings the heart of her life’s work—the power of ordinary people to effect change—to bear on her dying. In addition to Anna, she asks two other friends—Jules, and Laurie—to be her “dying team” and help her to die at home. Over 16 months, until her death with Medical Assistance In Dying (MAID), the team embarks on a profound experiment to curate Mary’s vision of a death steeped in beauty, ceremony, and practical support through building a casket, hosting a home vigil, and transporting her body for a green burial. The journey to bring tenderness and creativity to one person’s suffering emerges as an antidote to the urgency, scarcity, and loneliness that seek to define our lives—and deaths. Anna Byrne’s The Last Caravan offers a new paradigm for deathcare by returning it to the hands of the community.
Anna Byrne’s The Last Caravan is not a quiet memoir—it’s a call to reimagine how we live with one another, and how we leave each other behind. At its core is Mary Morgan, a woman whose life was shaped by a restless, determined search for belonging. Byrne traces that search from a grief-shadowed youth in Toronto—marked by loss, silence, and rejection—to a life lived expansively across continents, where Mary finds connection not in blood ties, but in chosen community.
The early chapters carry a raw, almost unsettled energy. Mary’s departure at 17 to live among the Guna peoples of Panama sets the tone: this is a life propelled by both escape and purpose. Byrne doesn’t romanticize this journey, but she does render it vividly—through small, human moments. Flying kites with Bedouin children, sharing cigarettes with Bosnian men, standing alongside Maya women during the Guatemalan Civil War—these scenes accumulate into something more than travelogue. They become evidence of Mary’s lifelong experiment: that belonging can be built, deliberately, across difference.
Where the book deepens—and distinguishes itself—is in its final act. Mary’s terminal diagnosis in a remote British Columbia town brings her philosophy into sharp, intimate focus. What follows could have been a story of isolation or medicalization. Instead, Byrne shows us something radically different: a community-built death.
The creation of the “dying team”—Anna, Jules, and Laurie—is handled with care and emotional precision. There’s no sentimentality here; the work is practical, sometimes heavy, often uncertain. Building a casket, organizing a home vigil, navigating the realities of MAID—these acts are described not as lofty ideals, but as grounded, sometimes messy expressions of love. Byrne allows the reader to feel both the strain and the grace of what it means to accompany someone through dying.
What lingers most is the book’s quiet insistence that death need not be outsourced. Byrne suggests, without preaching, that the same forces that isolate us in life—urgency, scarcity, disconnection—too often define our deaths. The Last Caravan offers an alternative: that care, even at the end, can be communal, creative, and deeply human. Ultimately, The Last Caravan is less about dying than it is about presence—about showing up for one another in ways both ordinary and profound. It leaves you not only moved, but quietly challenged: to consider who your own “chosen family” might be, and what it would mean to entrust them with both your life, and your death.
Mary blazed across our lives for a few short years, and we were much blessed by her transit. She came to our town to "die in community" and constructed an amazing circle of friends and supporters. She lived out loud in those few short years, so much so that we felt we'd known her much longer. Anna Byrne does a great job of capturing Mary's voice, both in the ups and downs of her life and her illness, and in her vision for returning death to community (as birth has been returned in recent decades.) I felt as if she was right back with us. Mary? Presente! Many of us are a long way from getting comfortable with death. Yet, almost anyone can read this book and let down a few guards. Someday, we will all need its wisdom. Thank you, Anna, for presenting Mary's vision so powerfully. And for participating so fully in supporting Mary on her journey. There are few books like this. The vision and the journey will inspire many.
This book is a special account of one person’s experience of living her life to the fullest from beginning to end, and the different communities that she cultivated along the way. It was interesting to read about Mary’s story and her journey behind making the decision to die at home, alongside the perspectives of her dying team and the “deathcare” they provided her. Anna's writing is elegant and descriptive, but she could be plain and raw in the moments that require it. Although not a manual by any means, in recounting one person's experience with community-based dying, the book seems to offer insight and guidance for others considering a similar path. It documented all the beautiful parts about dying, but also all the incredibly hard parts that we’re too scared to talk about. I was honestly 100% hooked after reading the paper cut-out analogy in the second paragraph of the prologue! I have read that part aloud to many people. Highly recommend!
A dear friend gave me this book to read, as I have gone through the death of my husband at home and I cannot recommend Anna's book highly enough. "The Last Caravan" by Anna Byrne is a moving and deeply personal story about community, friendship and end-of life choice.
The book follows the story of Mary, who is terminally ill and creates her own "dying team" where she can be supported to make her own choices about how and where she dies. While this story explores death and dying, it is also a story about community, compassion and dignity.
Anna's book is thought provoking, encouraging meaningful conversations about how we live, how we care for each other and what matters most at the end of life. It is a must read for anyone considering their own home death or is interested in end-of-life care.
Every death is as different as the different lives we lead. As interdependent, sometimes rational but mostly rationalizing, human beings we have in common the fact our personal Hamlet options will all expire someday. In the language of finance nerds, we all have life options for which decay is certain but actual time of expiry is not. Last Caravan is about how one person exercises her option before it expires and what it is like to be part of the community that supports her. Instead of raging against the dying of her light, Mary Morgan tried to give and receive love those around her. Anna Byrne tells the story from the point of view of one of the people in Mary's community. Her writing is rich in detail that verges on poetry. She alludes to big issues and broad themes but never preaches. The result is a highly readable book that gives you much to think about.
A must read book if for no other reason than to get one thinking of one’s own death. Dying is inevitable and yet many in today’s society avoid thinking about it or talking about it with loved ones. The courage Mary Morgan shows in planning her own death and incorporating her strong beliefs on giving back to the earth, this book provides so many ideas and resources for people to think about. Not everyone would choose MAID. Not everyone would choose a green burial, a dying team, etc. but EVERYONE is going to die so this book provides so many unique things to think about as well as a detailed list of resources. A great book to discuss and share with those close to you.
Anna had me intrigued from the opening prologue paragraph. “No matter how spectacular or ordinary the terrain, all our lives are temporary and, by the cosmic clock, infinitesimal and fleeting”.
I relished in the eloquence of Anna’s articulation of the accompanying Mary through her best and worst days. I could feel the emotions and appreciated the tender loving care the community provided.
I highly recommend this book to those wanting to witness a compassionate and heartfelt journey of Mary’s life and death. Thank you Anna for capturing it all in this beautiful book.
When I was living through a health issue Anna hosted a workshop based on her first book - Seven Year Summer. It shifted my perspective on the end of life and specifically my own demise.
In none of my imagining could I come up with a lovelier way to leave this world than that described in this book. Mary was unique in the way she lived her life so it shouldn’t be a surprise that her death was also very unique. The commitment of her "dying team" is a powerful testament to community. That Anna was talented and brave enough to tell Mary’s story is a gift to everyone who reads it.