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307 pages, Paperback
First published May 12, 2015
“Oliver sees himself as a carpenter, a craftsman putting notes and melodies together, fitting them when they will, stepping back to rest and reconsider when they won’t.”
Back then [in 1935] he'd hammered out rags as rough as the planks that made up that schoolhouse stage. Over the years he's taken a saw and rasp to those tunes and smoothed them at the edges, sanded them slowly over time with finer and finer grit paper, and applied a polish to them. The songs are comfortable now. People can take their shoes off to dance without fear of a spike in the foot; they can lie back on that smooth and waxed wood to take a nap in the afternoon or make love all night long. Oliver sees himself as a carpenter, a craftsman putting notes and melodies together, fitting them when they will, stepping back to rest and reconsider when they won't.As Alley writes, "Music, in all of its variations and venues, is the world's oldest social network," a point brought home by his decision to intertwine Oliver's life with two other main characters: Frank Severs, a Memphis journalist, and Agnes Cassady, a young jazz pianist from New Orleans. Frank and Agnes are both facing major life changes of their own, and Oliver and his music help each of them cope in their own ways.
He's always liked this room, the size of it, the lights, the way his piano sounds when it comes back around to him. That sound of it leaves his fingertips and goes to the bar for a gin and tonic, takes a tour around the place to touch the pretty ladies on their bare backs, tingling their spines right between the shoulder blades before landing softly back on his ear.Overall, I enjoyed meeting Oliver, Frank, and Agnes, and I look forward to seeing more of Alley's characters in the future.