A graphic novel biography about one of America’s most heinous race crimes, Framing Emmett Exposing Dark Fear follows an anonymous Black writer as he investigates Emmett’s murder, confronting not only the unresolved truths of the past, but the ways Black pain is consumed, reshaped, and monetized in the present.Fourteen-year-old Emmett Till was abducted and lynched in August 1955 in Mississippi, his body thrown into the Tallahatchie River by two white men. A white woman named Carol Bryant had accused young Emmett of making advances on her. Bryant’s husband and his half-brother then hunted down, tortured, and murdered Emmett. Three days later, his mutilated body was pulled from the river.In Emmett’s home city of Chicago, his mother, Mamie Till-Mobley, insisted on an open casket funeral. Tens of thousands of people attended the ceremony, including the media, and the grotesque images of Emmett’s body were printed in Jet magazine and quickly spread throughout the nation, serving as a catalyst for the civil rights movement.Drawing on acclaimed journalist Christopher Benson’s experience collaborating with Mamie Till‑Mobley on Death of The Story of the Hate Crime That Changed America—a Pulitzer Prize–nominated, Robert F. Kennedy Award–winning work—Framing Emmett Exposing Dark Fear reexamines the legacy of Emmett Till through a contemporary lens.
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Honestly, you can never go wrong with telling the story of Emmett Till. The older I get, the more I realize how young Emmett was when he was killed. He deserved better and he deserved justice. But most of all, this book was sweet since it showed me who Emmett was and not who had he had unfortunately become. The end of someone’s life should not the beginning of their story.
This graphic history serves as a great primer on the Emmett Till case. It not only explains what happened but also shows how the events have been framed by different groups across different times. Mamie Till-Mobley plays a large role in this book, as the author worked with her prior to her death to ensure that Emmett’s story would continue to be told.
Undeniably, Till’s lynching is a shameful part of the history of white supremacy in the USA. It also must be remembered as something that opened many eyes because of Till-Mobley’s courage in showing people the brutality of the crime. This book is a great resource to introduce younger people to this dark chapter of American history.
Thank you to NetGalley and Abrams ComicArts for allowing me to read an ARC of this title.
Emmett Till's story is of course tremendously important. His brutal murder sparked the Civil Rights movement of the 1950s and 1960s. Rosa Parks has said that when she refused to give up her seat on the Montgomery bus that she was thinking of Emmett Till. The photographs in Jet magazine of his maimed and tortured seared the conscience of the nation.
Christopher Benson's role in telling this history has been key. He co-authored the book by Mamie Till-Mobley, Emmett's mother, on the crime. This book won a Robert F. Kennedy Book Award and was named the BlackBoard Nonfiction Book of the Year. Her book together with another book by Devery S. Anderson were made into an ABC mini-series, "Women of the Movement." Benson also co-authored the book by Emmett's cousin, and tirelessly worked to uncover the history of this great crime. Benson is on the Board of the Till Institute and has worked tirelessly with Mamie and others to make sure that Emmett Till's story is remembered.
The protagonist of "Framing Emmett Till" is an unnamed Black journalist, clearly inspired by Benson. The graphic biography/memoir attempts to do several things. The book retells the story of Emmett's murder, Emmett's funeral, and the "trial" of his murders. It tells of Benson's difficulties in investigating the story, including editors who were uninterested or reporters who did not want to share information. It tells of how Black pain is commodified and monetized. Benson relates a series of meetings with movie executives who want to make a Till movie, and their remarks often center the White experience and are callous and clueless.
Unfortunately the art is not up to the task. The artwork is at times murky and muddy. The book jumps between apparently modern time, with the unnamed reporter investigating the story, and 1955, when the murder was committed, and on occasion inserts the journalist into 1955 scenes (e.g. page 86). The art could have made those eras more clear to the reader. The color palette of the book is shades of blue, brown, and occasionally orange. The darker colors often made drawings appear murky, and made it difficult to distinguish different characters. A clean line with perhaps shading but little background color (John Lewis, Andrew Aydin, and Nate Powell's "March" trilogy, or Derf Backderf's "Kent State" and "The Dissidents") might have worked better and told the story more effectively.
Thanks to NetGalley and Abrams Comic Arts for the digital copy of this book; I am leaving this review voluntarily.
The murder and mutilation of Emmett Till was the lit match to the mid-century Civil Rights movement in the United States. That was around 75 years ago, but new generations should also learn of Emmett’s story. Framing Emmett Till is a graphic novel that relays his story in a unique way.
I do have to point out that the unfinished copy I received for review was just sketch lines and will be in full color once it is released. Maybe that’s why, at first, I had a hard time following the story about a journalist who wants to tell Till’s story for him, not for his own personal glory, but to get the story out there without extraneous baggage. It was a little hard to follow the dual timeline stories at the beginning because there were no yard markers. As the story progressed, there were more timeline stamps that made it clear whether the scene was modern-day, or back to 1955 when Till was lynched.
One aspect of the story that I don’t think gets enough attention when discussing Civil Rights is how J. Edgar Hoover and the FBI believed that the people who wanted equal rights for blacks were all part of a Communist plot against America. This was right after the Red Scare that lasted more than a decade, where lives were ruined if you were even falsely accused of having certain thoughts that leaned towards Communism. You cannot make this shit up.
I appreciate the graphic novel for the importance of telling Emmett Till’s story in an accessible format so that new generations learn the story and do not forget.
Framing Emmett Till: Exposing Dark Fear by Christopher Benson and Eric Battle is a powerful and deeply moving graphic novel about the 1955 murder of fourteen-year-old Emmett Till. Rather than presenting his story as a distant historical event, the book also examines how Black suffering is remembered, represented and sometimes commercially exploited today. It shows the deeply rooted and widespread racism against Black people (and everyone that isn't white) in the U.S. history, which never left the public completely in different areas like in public perception, legal proceedings and politics. The combination of Benson’s careful storytelling and Battle’s expressive artwork makes the novel both accessible and emotionally intense. The graphic novel raises important questions about who has the right to tell his story and how media can reshape painful historical events. The analysis of the case through a modern lens was very interesting and well done.
Thank you to NetGalley, Christopher Benson, Eric Battle and the publisher for the eARC in exchange for an honest review.
Emmett Till’s story is one that I will never forget and will never let others forget. I appreciate that aspect of this graphic novel as no one should ever forget this very recent and tragic history. This graphic novel serves a great purpose in keeping this story in the minds and hearts of younger generations. I was drawn to the premise and the way this story would be told; while reading, I appreciated how the writer within the story encountered quite a tangled web of societal issues that mirrored certain aspects of the story. However, the copy I read was an unfinished version with black and white sketched images and it was difficult to follow a lot of the time. The finished images will probably be well done, but this did impact my reading experience so I have to note that. Thank you to NetGalley for the ARC!
I received this book as a gift from NetGalley for my review. I wanted to read this book as the story of Emmett Till is so upsetting. I loved how they showed a lot of different perspectives of how people have used his story over the years, but I wish that it would have talked more about what had actually happened to him. I choked up at the part where his momma opened the box and loved her courage to decide to show just what had happened to her boy. It saddens me that he never got the justice he deserved. Yes, we may know they were terrible people, but they never suffered any consequences to their actions. I will say I will be looking for the book his Mama wrote about it. I know it will wreck me but if I'm going to read about it I'm gonna read about it from most effected by it.
Mixed thoughts on this one. I’ve been teaching about Emmett and his dear mother for years now. Generally, I support anything to do with what happened in Money. However, I feel like this may be confusing for teen readers. The dual timeline with the journalist and Emmett’s story feels more contrived than anything else. It starts strong but seems to come unbraided as the story moves on. I like the art, it’s dark and moody. There is some color, but I’m not sure what if it’s meant to be symbolic. I think high school students, especially those with barriers to learning, will struggle. Drat, I so wanted this to be more classroom friendly!
This book asks who gets to tell the story of Emmitt Till. It is profound and thought provoking.
There is a sincere attempt to tell the story that Emmitt's mother wanted told. Through her eyes, the reader sees how even well-meaning people tried to use his murder to frame a narrative.
It's helpful if you know about Emmitt's brutal murder before reading this book. Also, this one is not for children or young teens. Instead, the book is best understood by those old enough to question how true stories are manipulated and controlling a narrative.
I have long been interested in the Emmett Till story and have taught it many times. It is harrowing and unjust, and no re-telling can change the circumstances of his death.
Whilst this graphic did contain some information that I didn't know, I found it quite disjointed and hard to follow. I think the explanation at the end of the novel would best be put at the front to give the readers some direction and grounding in how the narrative is portrayed.