Hannah Chadwick is running from her past, but she just stumbled into London’s most dangerous secret.
A fierce, professional nurse, Hannah found herself unfairly blacklisted after speaking out against corporate misconduct. Desperate for work, she takes the job at a nondescript clinic just off Harley Street, treating patients with "rare conditions" for an eccentric abclynician named Julius Wayworthy.
But this isn't a normal medical practice. Hidden throughout the city, their world is defined by a mysterious energy source lurking in the tunnels of London's Tube. These are the thousands of creatures—from elegant haemovores to monstrous shapeshifters—who use the city’s network to conceal their true forms.
When Hannah witnesses her colleague, Axton Flynn, violently transform to save her life during a mugging. She learns two terrifying she is a human working in a world of monsters, and her predecessor was brutally murdered.
Now, caught between the LineFolk’s lethal secrets and the growing curiosity of the Police, Hannah must quickly decide who she can trust. Because if Wayworthy hired her for a reason, that reason might just get her killed.
Welcome to the Underground. Don't stray from the lines.
Jay Neill is a British author of high-concept Urban Fantasy, specialising in the collision of the mundane and the magical. After 25 years in the corporate sector, he switched to writing fiction to build worlds hidden just beneath our reality.
His published novel, The Terminus Of All Things, is a standalone urban portal fantasy that explores the concept of Endland, a chaotic, mirror-dystopia built from the obsolete remnants of our own world.
Jay’s upcoming series is The LineFolk of London, a separate venture into British mythology where all UK mythological creatures are forced to live within the restricted boundaries of the London Underground's Circle Line, surviving only by harnessing a unique magical energy source: Linether.
Jay’s witty, structured approach to modern fantasy has seen him compared to authors like Ben Aaronovitch (Rivers of London) for his use of real-world infrastructure and Robert Rankin for his eccentric, inventive British comedy and urban mythologising.