Her work concerns aesthetics and political economy, broadly speaking. Her first book, "Scandals and Abstraction: Financial Fiction of the Long 1980s" (Oxford, 2014), tracked the convergences of finance, realism and postmodernism in literature and culture throughout the 1980s in the United States. Her second book, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke, 2019) explored the twin rise of new forms of socially engaged art alongside what she called "decommodified labor," or labor that is not recompensed. Along with Alison Shonkwiler, she is the co-editor of the collection "Reading Capitalist Realism" (Iowa, 2014). She recently published a book about animality and economy entitled "Marx for Cats: A Radical Bestiary," with Duke UP. She is currently completing a new book called "Fake Work: How I Began to Suspect that Capitalism is a Joke" about her experience with corporate labor, Y2K, and management consultants.