Before I get to the review itself, it ought to be stated I received this book through a Goodreads giveaway.
I must admit I'm not a religious nor spiritual person. These are matters I merely have some academic interest in as someone with a fascination towards the human psyche, most of all. As it turned out, I ended up truly enjoying the book less for the psychology of the characters presented, and more for the fact Neeleman has done a staggering level of historical research for his book. Who doesn't love a well researched historical novel? Best of all, Neeleman provides a bibliography of the works most influential in shaping the event, environmental, and cultural details of his story at the end of the book. I admire the scholarly approach he has taken. The author deserves his praise for staying very true to history, as well as providing an interesting, logical take on the intentions behind the written Word.
There's some quite detailed sex scenes present in the book. They weren't the greatest descriptions of consensual intercourse I've ever read, but I will give credit to the author for paying attention also to the female experience. While the sex scenes were largely following the age old "dipping the d in and poking around with it is enough" kind of philosophy, I did take note of a couple of occasions where the woman was allowed to attend to her own pleasure more than that of Jacob. Also, oral sex where the female is the receiving partner. Points for including that, just because I don't see many male authors ever bothering to embrace the whole aspect of sex not being 1. only about the guy, and 2. only about penis and the penile things you can do with the all-ecstasy inducing penis.
Something I hope Neeleman will pay attention to in the future, should he feel compelled to write more after this debut work, is variation in female characters. In Logos, the only female characters worth mentioning by name were the ones who were beautiful. That, in itself, isn't wrong. What makes it bothersome is when "beautiful" equals each female being shaped in the exact same mold. All love interests of Jacob were described as having shapely figures. That EXACT word keeps recurring with the females. They are all shapely, witty, good humoured, sparkly eyed young babes. This got so bothersome after halfway through the book that it actually sucked out much of my enjoyment of the story. Jacob never struck me as a character with insane animal charm, but I suppose I got proven wrong at every turn of events in this book, judging by the reactions all these ladies that be like DAMN! had towards him. That felt like lazy writing to me, and it's generally very bothersome to me when the ladies get described in ways nearly identical to each other. Maybe Jacob has an extremely specific taste, and that was the intention of the author - I don't know. But I still feel Neeleman ought to take it to heart that there are numerous ways to describe female people, and that if he is going to go ahead and make them such a big part of the story, he should f***ing invest on them. Imagine if not just a few but all male characters worth mentioning in the book were all narrow waisted, athletically muscled bronze-skinned adonises with thick dark eyelashes.
That, however, is my only real criticism of Neeleman's writing. His prose is beautiful, very rich in detail, and his attention to historical accuracy is very rigorous indeed. His debut novel definitely deserves more attention, and is one of the absolute best books I've read this year, even being among the better books I've read to date in my entire life.
For anyone with even a passing interest in theological matters and philosophy, Logos presents a satisfyingly challenging read while still managing to be purely entertaining in its detailed, often graphic dramatization of the events. Much recommended.
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Bonus whine to Homebound Publications:
Now, I am not one to judge a book by its cover, however, I am one of those people who narrow their eyes at the sight of a bad resolution image being printed on the cover. There is noticeable pixelation on the image of the relief, suggesting the image has been made far too large for the cover dimensions to be displayed properly. The copy of the book I received also had a slightly diagonal cut for its back cover, creating a white edge for the darkly coloured design. Of these two, however, it is the pixelation that felt more bothersome, as it makes the entire design work itself seem somewhat on the cheap side - like someone just paint bucketed a Microsoft Paint canvas and slapped a text and a Google search image on it. Tsk! A little more care, Homebound Publications, will you?