Emily, Carl and Jules have all ‘gone before their time’. After dying on the same day in Halifax, West Yorkshire, they each wake up in a room in a hotel on the outskirts of town. They’re instructed to meet in the basement headquarters of film production company ‘End Credits’, where no-nonsense producer Suzi tells them their lives have been secretly filmed and they must edit their own biopic before they are able to move on.
There are only three: they can’t prevent their own deaths or anyone else’s, they can't kill anyone, but they can make a director's cut - one change which will alter everything that comes after.
With the chance to undo their regrets and explore life’s infinite possibilities, what will they choose?
I was born in North London in 1970 and brought up in Hertfordshire. I wrote my first novella, the Time Machine, aged eight, shortly after which I declared that my ambition was to have a novel published (I could have been easy on myself and just said ‘to write a novel’ but no, I had to consign myself to years of torture and rejections). I was frequently asked to copy out my stories for the classroom wall (probably because my handwriting was so awful no one could read my first draft), and received lots of encouragement from my teachers Mr Roberts, Mrs Chandler (who added yet more pressure by writing in my autograph book when I left primary school that she looked forward to reading my first published novel!) and Mr Bird.
My first publication came when I was thirteen and my Ode to Gary Mabbutt won second prize in the Tottenham Weekly Herald ‘My Favourite Player’ competition. At fifteen I won the Junior Spurs Football Reporter of the Year Competition and got to report on a first division football match from the press box at White Hart Lane (I got lots of funny looks and none of the journalists spoke to me.)
At sixteen I embarked on ‘A’ levels and a journalism course at De Havilland College, Hertfordshire, and my college magazine interview about football hooliganism with local MP and football club chairman David Evans made a double page spread in Shoot! magazine (they never paid me) and back page headlines in several national newspapers (only a nice man at the Daily Star bothered to check the story with me).
I joined my local newspaper, the Enfield Gazette, as a trainee reporter at eighteen. During a ten year career in regional journalism I worked as a reporter on the Birmingham Daily News, news editor on the Birmingham Metro News and Chief Feature Writer on the Coventry Evening Telegraph, winning Highly Commended in the Feature Writer of the Year category of the 1997 Press Gazette Regional Press Awards.
I loved working on regional newspapers but by 1998 my features were getting too long and the urge to write a novel had become too great so I left my staff job to write my first novel and work as a freelance journalist. I have written for The Guardian, The Independent on Sunday, The Times Educational Supplement, The Big Issue, Wanderlust and Community Care Magazine. I’ve also had a short story published in Best magazine
I found the writing and working from home a very solitary process so also worked as co-ordinator of the Birmingham Bureau of Children’s Express, a national charity which runs a learning through journalism programme for young people and taught journalism to schoolchildren for the National Academy of Writing. After I moved north in 2001 I qualified as an adult education tutor and taught creative writing classes to students aged between 18 and 82 for the Workers Educational Association across Calderdale, West Yorkshire.
After more than a hundred rejections from agents for my first novel (and more rewrites than I care to remember) I finally got an agent but still couldn’t get a publisher. I started work on my second novel I DID A BAD THING in 2003, finished the first draft and gave birth to my son Rohan in 2004, rewrote the novel and got a new agent in 2005, obtained a two-book deal with Headline Review in 2006.
I Did a Bad Thing was published in paperback in October 2007, made the top thirty official fiction bestsellers list (and number 3 in Tesco!) and has so far sold more than 77,000 copies. 10 Reasons Not to Fall in Love was published in paperback in March 2009, reached no 22 in the official fiction bestseller charts (and no 4 in Tesco) and has so far sold more than 80,000 copies. Both novels were also long-listed for the RNA Romantic Novel of the Year Award.
Following the success of my first two novels I got another two-book deal from Headline Review, with Things I Wish I'd Known being the first of these. I am currently working on my fourth novel.
EXCERPT: The wind tugs at my hair, calling me, gently coaxing me forwards. Whispering to me that it can take the pain away. I am old enough and wise enough to know it is a con artist. That nothing can be as easy as it makes it sound. There are terms and conditions, such as the fact that for a few fleeting seconds, the pain will be far worse than this. Excruciating, I imagine. But nobody reads the small print because they want to believe what they are being promised: that they will be thinner, richer or happier. Life will be better, more exciting or easier. And I am no different to anyone else.
ABOUT 'IF I HAD MY TIME AGAIN': How would you live your life differently, if you had a second chance?
Emily, Carl and Jules have all ‘gone before their time’. After dying on the same day in Halifax, West Yorkshire, they each wake up in a room in a hotel on the outskirts of town. They’re instructed to meet in the basement headquarters of film production company ‘End Credits’, where no-nonsense producer Suzi tells them their lives have been secretly filmed and they must edit their own biopic before they are able to move on.
There are only three rules: they can’t prevent their own deaths or anyone else’s, they can't kill anyone, but they can make a director's cut - one change which will alter everything that comes after.
With the chance to undo their regrets and explore life’s infinite possibilities, what will they choose?
MY THOUGHTS: It's easy to say, 'If I could have my life over again, I wouldn't do this . . .' or, "I'd do this differently . . .' . What if you could?
If I Had My Time Again is set in the imaginary afterlife and three people - Emily, Carl and Jules - who all died on the same day of various causes, have the chance to make an editorial cut to their past lives. But, of course, there are rules, terms and conditions.
Anyone picking this up to read needs to be aware that If I Had My Time Again primarily deals with all manners of death and all that comes with it. But Linda Green has tackled the topic in a sensitive way, the grief and loss balanced with warmth, love and humour.
I have long been a fan of Linda Green and was interested to see how she would handle this topic. The answer, simply, is superbly. I was drawn straight into the story, intrigued by the possibilities and comforted by the writing.
While death and humour don't often go hand in hand, Linda Green has made it work. The humour is subtle, except for the lift buttons towards the end. That was just plain hilarious, and I know that next time I am placed on interminable hold with the worst ever music to listen to, I am going to think of this book and have a giggle to myself, imagining just what is in store after death for the person who implemented the system.
And Linda has not only made me think about the regrets in my own life but the possible consequences of those directors' cuts.
⭐⭐⭐⭐
#IfIHadMyTimeAgain #NetGalley
MEET THE AUTHOR: LINDA GREEN was born in North London in 1970 and brought up in Hertfordshire. She wrote her first novella, the Time Machine, aged eight, shortly after which she declared that her ambition was to have a novel published (she could have been easy on herself and just said ‘to write a novel’ but no, she had to consign myself to years of torture and rejections). She was frequently asked to copy out her stories for the classroom wall (probably because her handwriting was so awful no one could read her first draft), and received lots of encouragement from her teachers Mr Roberts, Mrs Chandler (who added yet more pressure by writing in her autograph book when she left primary school that she looked forward to reading Linda's first published novel!) and Mr Bird. Despite the pressure, Linda became a published author. Her writing often explores themes of personal growth, relationships, and the complexities of modern life. She also works as a creative writing tutor, helping aspiring writers develop their skills. She enjoys travelling.
DISCLOSURE: Thank you to Boldwood Books via NetGalley for providing a DRC of If I Had My Time Again by Linda Green for review. All opinions expressed in this review are entirely my own personal opinions.
This book made me both laugh and cry. The author strikes a beautiful balance between sorrow and humour. We follow three main characters: Emily, Jules, and Carl, each of whom has died before their time. Before they move on to their version of “heaven,” they’re offered a final chance to create a Director’s Cut of their life: a chance to reshape the narrative of what happened, even though they can’t change their own death or anyone else’s.
I devoured this story in just a few days. It’s tender, funny, and surprisingly uplifting, and I’d wholeheartedly recommend it to anyone who enjoys fiction that blends emotional depth and sadness with lightness and humour.
Three people brought together after death are given the chance to reflect on their lives together. As they do so, via production of their very own life movies, we are reminded that we so often do not know what people are going through behind closed doors and how their experiences can shape and direct their lives.
In the afterlife, each individual is able to change one decision they made as they compile the movie of their life - to alter the path they traveled during their lifetime and, by association, the paths also traveled by their family and friends. How will they use this ability and will there be any happy endings?
A thought-provoking and poignant story, If I Had My Time Again explores sensitive subjects with gentle humour. An highly-recommended read which really pulls on the heart strings.
If I Had My Time Again is a bittersweet contemporary fiction story set in Halifax, England, about three very different people who have the misfortune to die on the same day. They find themselves in a strange type of purgatory where they are required to direct the movie of their lives to help them come to terms with it, before they get to pass on for good, with the enticement that they get to make one change that fixes their biggest regret. I was invited to read this by the publisher because I had enjoyed the author’s previous novel last year - The Woman with All the Answers, and I loved the premise of this. There’s a wonderful mix of humour, some hilariously quirky side characters and thought-provoking questions. I thought the empathetic way the three leads bond together to help each other come to terms with the tragedies in their lives was done very well.
After deciding she cannot bear to continue living, 50 year old Jules jumps off a bridge, and is shocked to wake up in an ordinary-looking motel - not her idea of heaven, or hell! She’s even more bemused when she is introduced to Emily, a teenager who died of leukaemia, and Carl, who came off his motorbike, and told why they are there. Bolshy film producer Suzi explains that together, they will each direct their life story, and decide on their Director’s Cut - but they are not allowed to prevent their own deaths. Watching their final scenes and visiting their grieving families, the three learn way more about each other than strangers would ever share normally. As judgement gives way to sympathy, they must each decide - what would they change, if they had their time again?
While this does cover some sensitive topics, including addiction, the death of a minor, stillbirth & suicide, it’s sensitively done, and balanced by the comedic moments - some are laugh-out-loud funny. Those who are very religious may not approve of the author’s take on the afterlife though! I really wasn’t sure how she would give us a happy ending without spoiling it, but was delighted with how she managed it. There’s even a list of suggested questions for Book Club readers at the end. I’m keen to read more by Linda Green so will be looking out for her older books and curious to see what she comes up with next. Thanks to NetGalley and Boldwood Books for the ARC. If I Had My Time Again is available now.
Before the book starts, the author, Linda Green, has written an author’s note, giving a trigger warning for suicide and baby loss. She also writes that she hopes she has addressed these issues sensitively. Having read Linda’s books for many years, I had complete confidence that this would be the case.
Jules wakes up in a strange room, the TV bears an intriguing message. She is to report for an induction meeting promptly. Realisation starts to dawn on her, as her memories return. The bridge, and the feeling of desperation. Jules isn’t exactly sure of where she is, but soon she finds she has company, Emily and Carl. They will be together for this emotional and unexpected process. As much as I would like to say more, and sound less enigmatic, I can’t, as it would be a massive spoiler.
The characterisation is wonderful, they were alive (ironically) in my mind and heart. They had all endured so much, in different ways. I felt so much empathy for them. At times I had to stop reading, to control the lump in my throat, and to stop more tears from rolling down my cheeks. I love Suzi, she is the gift that keeps on giving. All of her cultural references are mine, she made me smile so much. I am fully on board with the VAA system too.
I loved that Prince had formed the soundtrack for one of Linda’s earlier books, In Little Stars. (If I can tangent for a moment, if you haven’t read that book, you really should, it’s wonderful) The music for this current book is provided by The Cure. As I read, I had Spotify ready to play any song that accompanied a chapter or moment. I thoroughly enjoyed listening to my beloved 80s music.
I ploughed through the pages so quickly, as I was so eager to know where and how the book would end. The author alternated between warming my heart, then tearing it to shreds in the next chapter, but it is also funny too.
Linda Green’s writing always brings out so many emotions in me, she makes me smile and cry, and so much more in between. I think she is such an underrated author. If I Had My Time Again is a gorgeous read, highly recommended, but please have the tissues at hand.
Quite an unusual story this one. Did I love it, not sure but, I did like it. Death is such a voodoo subject that reading about it makes for an uncomfortable read. My thanks to netgalley and the publishers for giving me the opportunity to read this book in return for an honest review.
I was expecting to enjoy this book more than I did, as I am fan of Linda Green. Three people, Jules, Emily and Carl find themselves in a holding area after their deaths. All die through very different ways and the book is about each character reviewing their lives and making a film for the others to watch. They can make a directors cut at the end of their films that change their lives in different ways. The only rule is that they can't save their own lives or the lives of others. I enjoyed hearing about Jule's life best. An interesting concept but not the best Linda Green book I have read.
This is an engaging 'what if' about there being a waiting room before Heaven and Hell and a chance to change something, and maybe make amends before the final resting place.
Emily, Carl and Jules have different stories, different families and had different parts to play in their own deaths. While I enjoyed this, the premise felt like it was working too hard to fit the story. I didn't believe in the logic behind the three rules, so it didn't entirely work for me. Lots of food for thought about living our best lives and I'll read more of Linda Green's work as there was lots to like here.
Thank you Linda Green and Boldwood Books for the ARC. Opinions are my own.
At the beginning of this book, there are trigger warnings for suicide and baby loss. After reading this I knew it was going to be an emotional read.
This is a story about the choices we make and our regrets, love and friendship. In the book we follow three very different people who have lost their lives in different ways. They meet in a hotel room for an induction meeting and they have no idea what is going on. I can’t say much more than this because I don’t want to spoil the book for others.
I did enjoy reading this book. It was sad but I felt that sometimes the comical elements of the book were too much. Some were really cheesy and cringy which did spoil it a little for me.
Thank you to the Publisher and the Author for the opportunity to read and review this ebook before the publication date.
I enjoyed this book, although it was a bit weepy at times. We meet three people who have all died in different situations. They meet in a hotel (which is very much like a Travelodge!) between earth and heaven where they are given the opportunity to make a film about their lives and deaths, to see how it affected those they left behind and see if they can process their deaths. The only rules though - they cannot prevent their own or anyone else's death. It's a difficult read at times, and there are lots of trigger points which the author does warn about at the beginning. I did find myself wiping away the tears, especially when they can see what happens after their deaths. However it wasn't all sad! If you're not bothered about a bit of dark humour, then you may find some laughs surfacing at parts of the book.
The book was well written, and even though I found the whole "movie-studios" theme a little strange, I found the three main characters storylines quite moving and heart-warming. It wasn't what I was expecting, but I found it surprisingly uplifting by the end, and was glad I had read it.
📚 BOOK REVIEW 📚 If I Had My Time Again Linda Green Format: ARC Pub Date: 3/13/26 ⭐️⭐️⭐️⭐️
Thank you to @netgalley, @theboldbookclub, and @lindagreen for the ARC in exchange for an honest review.
Three strangers. One basement. One chance to rewrite their biggest regret. If your life was a movie, what would you change in the final edit?
Emily, Carl, and Jules die on the same day in Halifax, West Yorkshire—only to wake up in a nondescript hotel on the edge of town. Soon, they’re summoned to the basement offices of a mysterious production company called End Credits, where a blunt producer informs them their entire lives have been secretly filmed. Before they can move on, they must edit their own biopic.
There are rules: they can’t stop their deaths. They can’t save anyone else. But they’re allowed one director’s cut—one change that will ripple through everything that follows.
What unfolds is part speculative premise, part emotional reckoning. It’s a story about regret, consequence, and the quiet moments that shape who we become.
This book hooked me from the first chapter. I love stories that blend the ordinary with the surreal, and this one does it with so much heart. The hotel setting, the End Credits studio, the idea of editing your own life—it’s strangely comforting and unsettling at the same time.
What stayed with me most were the small, intimate reflections each character experiences while watching their lives play out on screen. It isn’t dramatic or flashy—it’s honest. And sometimes honesty hits harder than any twist.
The pacing is gentle but purposeful, and the emotional beats land in a way that makes you think about your own “director’s cut” moments. It’s about regret, yes but also about grace. This is the kind of book that makes you pause mid-chapter and quietly reflect on your own life.
✅ WHAT I LIKED / WHAT WORKED
• The life-as-film concept is a fresh, highly visual take on the afterlife trope. • Each character offers a distinct emotional lens on regret and redemption. • The basement dynamics were a highlight—watching Emily, Carl, and Jules confront their flaws felt painfully relatable. • The “director’s cut” device adds meaningful tension and emotional stakes.
⚖️ WHAT DIDN’T WORK (for me)
• I wanted a bit more backstory on Suzi and the End Credits organization—I’m a sucker for world-building. • A few emotional moments could have been explored more deeply. • The ending is satisfying, but I wanted just a touch more closure.
⸻ Because the story begins at the end, it naturally explores heavier themes. It delves into grief, the finality of death, suicide, and the weight of unresolved regret. It’s a beautiful read—but one that asks you to sit with the darker corners of a life lived.
⚠️ Content Notes • Death and dying (central theme; protagonists have passed away, one by suicide) • Grief and loss (baby loss) • Suicide • Existential reflection • Regret and unresolved relationships
I don't think I've ever felt on the verge of tears so many times in one novel as I did in this one.
I have been totally broken by this, but have ended up completely surprised by one of the endings more so than the others that has left me feeling oddly uplifted.
Especially as we know all three main characters are dead at the start of the book, and we meet them in the afterlife. Now this is the sort of concept that would normally have me running miles away from a book, but given I have read almost every Linda Green novel to date, I trusted that I was reading something in a safe pair of hands.
And I really was, she has a way of writing which really resonates with me and that a few of her books have tended to stick in some way shape of form to me a lot more than most other authors I have read. And this I suspect is going to be one such book.
I have no idea how to describe the contents of what I have just read, other than definitely unique, and completely amazing.
Of all the various theories there are out there about what happens when you die, I really really like Linda Green's ideas in this book, and really hope she is some sort of all knowing person, and that this is the reality. As that would be awesome.
Although it would raise an interesting question of what on earth would my life highlights be, and what sort of director's cut would I make for my own life. Which I think would make for an interesting book club discussion.
I think I've just about felt every emotion there is during this book, I definitely feel as though I've been through the wringer, and I devoured this book in two sittings over the course of the day. I just had to keep reading, and needed to discover more and more about the lives of Emily, Carl and Jules.
And it's not all death and tears, there is laughter too, loads of references that Emily the youngest of the three didn't get, but that I totally got, but equally there is a lot of references to Friends, that I was totally there for.
I'm not sure I'll forgive the author for the amount of times tears pricked my eyes during this book, but it's 10000% the sign of an excellent novel for me to be feeling that deeply that regularly. Utterly brilliant writing, excellent and unique concept and just something totally and utterly different.
Thank you Boldwood Books and Netgalley for this copy which I have reviewed honestly and voluntarily.
Someone started hoovering outside. Which was when it occurred to me that my actions had presumably booked a one-way ticket to Hell. In which case, this wasn’t bad at all. There’d been no one to do the hoovering for me at home. If this place came with a cleaner, it may as well be Heaven as far as I was concerned, and the whole ‘do not sin or you’ll end up in Hell’ thing must have been invented to prevent overcrowding.
‘No, we have permanent staff as cleaners,’ replied Suzi. ‘People who took up seats on trains with their bags or put their feet up on them. And those who played their music or YouTube videos loudly enough for the whole carriage to hear. They thought they’d got away with it, but they’re doing payback time here.’ ‘So, is that like community service for the dead?’ asked Jules.
I was going to see Harry again in real life. He wouldn’t be able to see me but maybe he’d be able to sense I was there. It would be like Ghost but without the pottery, which was good as I hated getting my hands dirty.
It made great footage. I think Faz is putting it to music. Nothing I’ve ever heard of but he’s too young to know “You Don’t Bring Me Flowers”. When I mentioned Neil Diamond, he thought it was a made-up TikTok name for a drag queen.
It was far harder to witness other people’s pain than to deal with your own.
I judged you, didn’t I? I was so full of pity for myself that I didn’t have any left for you.
My Review:
I have got to get it in gear as this is my first Linda Green read and, oh man, I have been missing out! To say I adored this is an understatement. This was brilliantly clever, ingeniously creative, and delightfully amusing as well as poignant and thoughtfully parsed. This gal has mad skills, and I greatly covet her craft while also greedily plotting to amass all her words.
The storylines were well-crafted, and her agile writing style was emotive, engaging, highly absorbing, and deceptively evocative. I snorted with glee at the clever snark and chortled into my wine goblet more than a few times. She also squeezed my heart at unexpected intervals as well. The character development was, pardon my pun, to die for.
Ms. Green has a new acolyte and die-hard fan girl!
Linda Green has a true talent for penning engaging and emotional dramas that can have you giggling one minute, before shedding tears of sorrow the next. "If I Had My Time Again", a novel set in an imaginary afterlife, is no different.
The narrative is told in turn from the perspectives of Jules, Emily and Carl, three individuals of varying ages and backgrounds who have shuffled off their mortal coil and unexpectedly found themselves in a kind of processing centre. Here they will have the opportunity to review their time amongst the living and make one change - a "director's cut" - to the way that things originally panned out.
Much as I doubt that this is an option that will be presented to me when my time on this planet is done, it does provide food for thought for readers, who will inevitably find themselves contemplating what they would do in that scenario. The three central characters are beautifully drawn and relatable, but they are also backed up by an equally impressive supporting cast. Given that the story concerns itself extensively with the theme of death, there will be readers who may not feel comfortable with the subject matter and Linda Green considerately includes a warning about these potential triggers at the start of the book. Personally, I am more of the view that the author shares in the acknowledgments section, which is to say that the more we talk about grief and loss, the more we are able to understand and support those experiencing it.
As with some of her other novels, a number of the social references made in the course of the narrative may well go over the heads of non-British readers, as, almost certainly, will the well-depicted West Yorkshire accent that frequently rears its head. However, for a UK audience this is another well-observed and delightfully written book from Linda Green.
Many thanks to NetGalley and the publisher for supplying an ARC in return for an honest review.
If I Had My Time Again by Linda Green is an emotional, reflective read with a compelling premise, though it didn’t fully resonate with me the way I’d hoped.
The concept immediately drew me in—the idea of looking back on life’s choices and wondering what might have been is such a powerful and relatable theme. Green does a thoughtful job exploring regret, second chances, and the ripple effects of decisions both big and small. There’s an emotional sincerity to the story that I appreciated, especially in the quieter, more introspective moments.
The main character’s journey felt authentic in many ways. Her reflections on love, family, and missed opportunities were heartfelt and believable. I enjoyed how the story examined not just romantic relationships, but also friendships and the complexity of personal growth over time.
However, the pacing felt uneven at times. The middle portion in particular moved slowly, with repeated internal reflections that, while realistic, didn’t always push the story forward. I found myself wanting a bit more narrative momentum and emotional depth in certain key moments.
That said, Linda Green’s writing style is warm and accessible, making it an easy read overall. The emotional themes are handled with care, and there’s a gentle poignancy that lingers even after finishing.
Overall, If I Had My Time Again is a solid, thoughtful novel about hindsight and the roads not taken. While it didn’t completely captivate me, it’s still worth picking up if you enjoy character-driven women’s fiction that focuses on life choices, personal reflection, and emotional growth.
okay, so, this book had me hooked on the idea alone. three strangers in a sort of afterlife hotel, editing their own biopics? count me in, baby. that’s a strong, imaginative setup, and it kept me turning the pages. linda green really nailed the premise. in addition to its strong premise, what makes this book work is its emotional core. especially the ending! the way the story handles suicide and baby loss is gentle, thoughtful, and never feels exploitative. emily’s ending completely wrecked me. it’s heartbreaking, tender, and written with so much empathy that i genuinely struggled to get through those pages without crying. the director’s cut rule is also a great touch, raising big questions about what actually matters in life: how long we live, or the meaning of one changed moment. but getting to that ending wasn’t always easy. some choices really pulled me out of the story. the AI element felt unnecessary and honestly kind of weird in a book that’s otherwise all about human emotion and soul-searching. it broke the magic of the afterlife rather than adding to it. the book is also very noisy: constant pop culture references and a heavy soundtrack that sometimes feel like too much. and yes, some of the dialogue is painfully cheesy. in the end, this felt like a 5-star ending stuck inside a 3-star book. if you can get past the pop culture overload and the cringey moments, there’s a deeply moving story here about womanhood, regret, and the choices that shape us. i liked it despite its flaws, mostly because the emotional payoff is that strong.
Emily, Carl and Jules have all ‘gone before their time’ and find themselves waking up in a hotel room, with instructions to meet in the basement. They find they are in the headquarters of film company ‘End Credits’, where producer Suzi tells them in order to move on they must edit their own biopic. Each is able to make one directors cut - one change that will alter everything that comes after.
I have read a couple of books by this author ages ago and after reading this one I am not sure why I haven’t read more! I was really drawn into the concept of this one, it sounded fresh and compelling. It was definitely that and so much more. I loved the creativity and imagination involved in the fantasy world and the ideas presented. I also liked the chance to discover the different lives of three main characters and was drawn into all their stories. The characters were expertly developed, despite their flaws you could easily feel real warmth and empathy towards them.
The author did a fantastic job at drawing a range of emotions, despite the seriousness and at times tragic subjects explored. While at times I shed tears, there were moments I found myself smiling at the humour. The overall story was thought provoking and moving, it definitely leaves you thinking. The only slight niggle I had was that the pacing was off at times, however that was minor and overall I found this a beautiful story and one I would recommend. I will certainly go back and see what books I have missed by this author. Thanks to NetGalley and the publisher for this copy in return for an honest review.
This book is one of the most memorable I’ve read in recent months. It will make you laugh, shake your head, and reach for tissues- sometimes all at once. The premise seems simple at first: three strangers find themselves in a holding space before the afterlife, unsure of where they will ultimately go. They are asked to create a “director’s cut” of their lives before a final decision is made. Which moments defined them? And what is happening to the people they left behind?
Our three main characters couldn’t be more different. They come from different generations, carry different histories, and collide in unexpected ways when they first meet. As their stories unfold, the complexities of their lives reveal themselves. This is where the book truly shines. We watch their defining moments play out almost like scenes in a film, shifting between the narrative of their memories and their own reflections on those experiences. Slowly, the full picture emerges. Along the way, the characters begin to trust one another, forming a bond that feels genuine and earned.
The book does explore difficult themes, so a gentle warning is necessary. Some of the events that shaped these characters’ lives are heavy and emotional. If topics such as suicide, the loss of a child, or PTSD connected to alcoholism are sensitive for you, please take care of yourself while reading.
I received a free copy of this book and am voluntarily leaving a review.
Emily, Carl and Jules all died on the same day in Halifax, West Yorkshire; and they now find themselves in a holding platform before going on to the afterlife. The strangers all vary in age, having different life experiences and each dying in a different way. Each one has the opportunity to see various aspects of their life played out before them, including their end credits and see how each of their deaths affected the people around them. They are given the chance to do a director’s cut whereby they can change one thing in their story, but not the course of their own death. As each of their very different stories unfold, it becomes clear that they all had difficulties which are slowly revealed throughout the story. They are all from different generations, with dissimilar experiences of how they got to the point in their life which led to their death. As they view the poignant aspects of their lives, the three form a strong bond, supporting each other through their journey and they slowly start to revisit their initial opinions of each other. The author initially advises of triggers through the story and although the plot sounds quite depressing, it really isn’t. It contained lots of dark humour and insightful moments, and is quite thought provoking. The plot has an interesting and unique premise. My one criticism is that the plot is a little slow, particularly during the middle of the story, but enjoyable all the same.
This story follows three individuals, Jules, Carl and Emily, who are unconnected, except that they have all died on the same day, as they enter a holding area before moving on to their final destination in the afterlife. We learn about their earthly lives as they are shown film footage of their time on earth. They are tasked with creating a 'director's cut', making one change to their 'film', but are not allowed to prevent their own or others' demise.
This concept alone had my mind doing cartwheels, wondering what small change they could make and how it might affect the final outcome and I was sorely tempted several times to read the last two chapters to satisfy my curiosity. I'm glad I didn't as that would have ruined the story for me. The ending was unexpected but absolutely perfect.
The author note at the beginning warns that the story deals with grief and loss - in part about suicide and still-birth - and I must say I found it played with my emotions, one minute sniggering at the dark humour, the next becoming choked up as I considered their lives and the impact their deaths were having on those left behind. Jules is my favourite character and the source of much of the humour in this warmly-written and cleverly devised story set in the afterlife.
I look forward to reading more from this author as I thoroughly enjoyed this story, and would whole-heartedly recommend it to readers with similar tastes.
I had this book in my NetGalley shelf for a while, and just noticed that it's due in 2 days, so decided to read it right away. I'm interested in the cover, title, blurb, and honestly not expecting much from it. However, the first pages got me hooked. It's easy to read, and without hassle, I finished reading it in less than a day. I could have finished it in one sitting if I'm not that easily distracted, hehe. The story is about after-life experiences that happened to three people, loosely connected to each other - Emily, Jules, Carl. Taking first person POV, each chapter is told from the main character's view simultaneously. At first, I wasn't impressed with Emily, I thought she's just being spoiled. However, as we continued reading, we can see everyone has their own story, their own struggle, and no one is having it easy. There are many British politics references, and some Brit-pop, also books and movies references, which enrich the reading. There are some things that still left hanging for me, such as how the project works, but well, I think it's more about what I would comprehend as after life might be different. We don't know about it for sure, so I guess we can live up to our imagination. I would suggest reading it if you love a dramatic story with a heartwarming session. Not too hard to digest, just enjoy reading it, suitable for above 13 years old, in my opinion.
"I was not special in life, and I will be unremarkable in death too."
Nothing less than five stars for a book that can make me feel emotions like that! Jules, Emily & Carl all die on the same day in Halifax and that is where the similarities end. They wind up in a hotel on the outskirts where they have to make a directors cut of their lives to 'move on'. Together, they witness their grieving families and the journey to their deaths. I sobbed, I laughed and I listened to the stories because it could easily be the life of someone you know.
Favourite character: Suzi - at first she irritated me to no end, but as we learnt her story and witnessed how she helped our trio I can't help but love her.
My favourite part about this book was getting to feel so many emotions about complete (amd fictional) strangers. I can see small parts of myself in all the characters and I think that's what makes it all the more encompassing.
My only criticism for this book was that I wanted it to be longer, I wanted to see more of their lives and their families but that's just me being selfish. Having read this book I will undoubtedly pick up more of this author's work in the future when I've recovered from this one!
"The greatest happiness of life is the conviction that we are loved; loved for ourselves, or rather, loved in spite of ourselves."
Having read another book by the author and looking at the book cover and the blurb, I thought I was in for a really funny read. So it came as a surprise to me that the author began the book with a trigger warning for suicide and baby loss. I do think the subjects were dealt with well in the book, I just wasn't expecting it.
Three people meet in the "afterlife" and it's not all floating clouds and angels. Instead they are in rooms on the top floor of a hotel. In order to move on they have to watch and then edit their life story, and also do a director's cut of a favourite film.
There was quite a bit of humour which appealed to me, but you need to be of a certain age for most of it to make sense. I also hadn't watched two of the favourite films that they chose to edit and so I skipped a lot of that part. I also felt that it was slightly too long a book. Once we had gone through the life films going back to see them described again but with the edits was a little tedious to get through, although I did like the edits. I think this would make an excellent film. The concept of the three people replaying their lives would work better on film.
Whilst we did get a glimpse into of the lives of each of the three people, I never felt that I really got to know them or what made them tick. Despite the serious subjects covered it felt more like a sitcom.
If I Had My Time Again by Linda Green, Jules when the book starts is on the bridge trying to make up her mind to do it or not do it the next thing she knows she wakes up in a hotel on the outskirts of her town. She is left a message to go to the basement for a meeting. When she arrives Carl and teenager Emily are also there and this is when they learn they’re not only dead but have task to complete before the end. they all passed in three vastly different ways and some are more app to share than others there’s so much I wanna put in this review but as the book just deals with these characters and some of their past and some of their present and some of their families passed in present but not much else I don’t want to give any spoilers away just know I absolutely loved Susie and wish Jules would’ve been a Pixar director. I love books like this that act what if and then try to answer that question the only thing I didn’t like is how they kept insinuating that heaven wasn’t real but if it wasn’t where were they? In any event I love this book and highly recommended if you love magical Realism and heartwarming stories that may or may not make you cry then you will absolutely love this one. #NetGalley, #TheBlindReviewer, #MyHonestReview,
This is a beautifully written five-star read. This deals with many subjects that some may not want to read about, but as someone who has lived through at least four of the major storylines, they are beautifully done. I loved how the author discussed the trauma of a baby born sleeping, but didn’t label it as that directly, and talked about Sands who are just a wonderful charity, this story will have you reaching for tissues, but it will also have you smiling so big your face aches. Just like life its not all smooth running, and sometimes we have to alter the edit to get what we need. The pace of the story was well done, you didn’t feel like you jumped from one sad circumstance to another, but it also wasn’t trivialised, you get pulled into the story and in some ways I feel that it helped me deal with my past, I had a friend in similar circumstances to Carl and it was wonderful seeing him get so much joy from riding, it reminded me of the better times my friend had. This story will make you think, what final cut would you make? Would you want to see your life again, the good the bad and the ugly? What would you do differently? I know what I used to think, but this story has changed my perspective and made me wonder if I would make that same final cut still.
I received a complimentary copy of this book. Opinions expressed in this review are completely my own.
A huge thank you to NetGalley and the publisher for the ARC! This book is a true tragi-comedy, filled with life-altering situations that will resonate differently with every reader. Please note the trigger warnings for suicide and baby loss before diving in.
The characterization is absolutely wonderful. I ploughed through the pages so quickly because I was desperate to see how it would all end. The author has a gift for warming your heart in one chapter and tearing it to shreds in the next, yet it still manages to be funny!
My only real criticism is that I wanted it to be longer—I was being selfish and just wanted more time with these families. The only thing that didn't quite sit right with me was the constant insinuation that heaven wasn’t real, which felt confusing given the setting. Regardless, I loved this book and highly recommend it if you enjoy magical realism and heartwarming stories. I’ll definitely be looking for more from this author once I’ve recovered from this one!
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Has to be one of the best pieces of speculative fiction I've read for a long time. Linda Green takes the deaths of three strangers and builds a moving story about the way life gets upended and the consequences of a loved one's passing. In this original plot, the three end up in a transition motel with a chance to edit one consequential moment in each of their lives like in a film reel with the understanding that they cannot edit out their death. In the process, they all go back and review their lives, but also have to watch the aftermath of their deaths and the toll on those they left behind. The three build a strong friendship as they work together on the project and decide which pivotal moments could be changed to produce the best result. The side characters were also great. The ending: both sad and inspirational.
I fell in love with the three main characters, especially young Emily. Just writing about the book still makes me emotional, but in a good way.
Strongly recommended but keep a few tissues at the ready!
Thanks to Boldwood Books and NetGalley for sharing a complimentary advance copy of the book; this is my voluntary and honest opinion.