**Advance SPOILER FREE Review. I received an ARC for free from the author. Release date currently set as February 3, 2015**
Master of Plagues is round two in the adventures of Inspector Nicolas Lenoir. We first met him in E.L. Tettensor's pitch-perfect debut novel, Darkwalker, and she has seen fit to regale us with another mystery for the man to solve. We return to Kennian, which is something of an alter-Victorian era London. Kennian boasts a muddy, gritty, rainy with a chance of more rain, can-almost smell-the-horse, swarthiness. This isn't a place for the weak of heart or will power - or those without water-proof shoes. This time, on top of the muck and the mire, a severe bought of plague has struck. This is a plague that kills its victims within 3-4 days of being contracted, continues to be highly contagious in dead bodies, and is burning like a wildfire through the populations of the poverty stricken camps on the outskirts of Kennian.
Lenoir is summoned by the Mayor to hear of a theory that will set into motion the entirety of the rest of the book - the plague isn't natural. There is suspicion it was planted artificially and, for whatever reason, someone has purposely started killing off people in the hundreds, and soon thousands. With only a few facts to go on, and a disease that is claiming lives faster than even the best Inspector can think, Lenoir has to get to the bottom of this riddle before Kennian, and other major cities on the continent, are wiped out for good.
I'm not sure what I was hoping for when I returned to Lenoir's world, but it was definitely something more than this. I don't mean to sound overly harsh. Much like Darkwalker, the world is excellently written with beautiful vocabulary that paints the bleak and grey life of Kennian residents with a precise brush. E.L. Tettensor has a fantastic way with words. If you had a chance to read her other novel released this past year, The Bloodbound (written under the name Erin Lindsey) you may already know this.
In Darkwalker, Lenoir faced a supernatural foe that served as an ethereal judge, jury, and executioner for an unknown master. Lenoir was a man who had ceased caring for his work and had no friends or family to speak of. Hailing from a distant land of Arrenais (an alter-France from the sound of it), Lenoir seems to be running from a past he is ashamed of, and an old life of privilege, given up long ago for reasons not totally clear. The pace of writing was tight, and introduced main-stay characters like his partner, now turned Sergeant, Bran Kody, and a street urchin by the name of Zach. The main threat of the book felt focused and ever mounting in the level of danger it presented to the Inspector. Threats to his accomplices felt far more real, and the conclusion brought together all the breadcrumbs that had been tossed to us in the pages before the climax. The actual Darkwalker itself was fascinating, and all the world building promised plenty more mystery in books to come.
Alas, aside from recapping certain locations and mentions of races, Master of Plagues seems stuck in Kennian. With promises of getting more into the Adali culture and way of life, we are only given the barest glimpse, just as in the first book. In fact, in the first book we learned more. Other elements felt formulaic as well, such as Bran Kody continuing to be a punching bag (poor thing), and Zach getting himself caught up with the wrong people and held captive for a good portion of the story (again). Unfortunately, however, despite the so-called threat of the plague, it never felt for a second that either of these characters might actually succumb to some kind of horrible fate. Zach's contribution to the story is so meaningless for the most part, that he comes off more as the cartoon-y side kick creature that's put in to be more relateable to children. There's a disappointing lack of information that is known about Lenoir's encounter with a supernatural being and indeed, the supernatural elements of the world are left out almost entirely. Brushed aside as if there WASN'T an entire book and culture of evidence to support there is more than meets the eye to this world.
The author was, to my knowledge, living in Africa while writing this book. While reading about the plague, it was hard not to picture a lot of the overtones of the current Ebola outbreak. The way the plague is handled and the discrimination against the poor and other-race Adali people was also a harsh reflection of exactly how the disease has been treated in the real world. In that sense it is a surprisingly relevant story, even while being alter-historical mystery/fiction.
That being said, I just can't get past 3 stars in my rating. Goodreads subtitles 3 stars as "liked it" and I did LIKE the book, I just didn't LOVE it with the 5 stars I had to give Darkwalker. I felt that the mystery could have had a lot more bite and the climax much more .... something. When the maniac behind the curtain is finally revealed there was more the sense of "well no one would have seen that coming because we never heard that name before" instead of that satisfying "I followed all the clues, and now I get to see if I was right." The book itself has Lenoir's superior telling him not to beat himself up because nobody can predict something like a plague, but as a reader, that still feels like a cop out.
I'm harder on the book because of the sterling precedent Darkwalker set for it. I wanted to go back to a world that had magic living in its shadows and demonic creatures of vengeance hunting for a man's soul. Instead I got mud, fires, plagues, and the feeling I was a side-kick to Dickens trudging through London slums in search of good source material for his next book.
I have heard that there isn't a third book currently planned, and I do hope that changes. However this review may sound, I DO want to go back to the world and see how it expands. However, the next time I visit Lenoir, I hope he'll show my imagination around a bit more.