As a “working preacher” who has also taught homiletics on a graduate level, I try to read at least one book a year on the craft, along with another book on writing. This year I chose this book, written by a professor of homiletics at Perkins School of Theology, a Methodist seminary in Texas.
This book is divided into three parts. The first two deal with the practice of preaching, but the author attempts to provide the information in a creative manner. In the first part (which is what I thought the book was about from its title), she images being at the Breadloaf Writer’s Conference. Taking her readers along with her, we go from conversation to conversation with fiction authors. As we overhear their discussions, we gain insight into how preachers might us some of the tools of authors to engage his or her congregations in their sermons. We learn about noticing and being aware of what’s important in the text and in our sermons. We learn from a number of authors including Annie Dillard, Natalie Goldberg, Frederick Buechner, Stephen King, Isabelle Allende, Toni Morris. We gain insight into character, plot, and shape along with picking up ideas of how to journal and to capture such insights into the human condition.
The second part of the book involves a “make believe” cooking show. Here, she draws from well-known (and some not so well known, at least not for me) professors and writers of homiletics. Each one teaches how they approach a sermon, and the reader gets to pick up a recipe card at the end of their presentation. By the time I got to this part of the book, I was a little over with the cuteness of McKenzie’s writings. The writer’s conference wasn’t quite as overblown as this imaginary journey through some kind of convention with all kinds of “chefs,” a few of whom I’ve met, many of whom I’ve read and heard lecture. Those I knew before reading this book include Charles Rice, Fred Craddock, Tom Long, David Buttrick, Richard Eslinger, Henry Mitchell, Paul Scott Wilson, Nora Tubbs Tisdale, Justo Gonzalez, Eugene Lowry and Mike Graves. To her credit, McKenzie draws from across Western Cultures including African American, Korean American, men and women, Protestants and one Catholic example.
I found myself wondering about those not included: Tex Sample (who focuses on the language of the working class), Cornelius Plantinga, Jr (who has been writing about preaching and literature long before this book was published), Robert Smith, Jr (an African American who has strong grasp of doctrinal preaching), and Haddon Robinson. The latter really surprised me as his Biblical Preaching may be one of the most popular books on preaching and the “bible” of expository preaching.
The final section of the book was my favorite. The section consists of a number of creative sermons written by McKenzie. Who’d ever think of angels as UPS workers (after all, angels deliver messages from God which ties into the packages delivered by a UPS driver. This section of the book was my favorite and I’ll come back to it again and again. McKenzie is able to touch on her audiences fear and concerns and offer a helpful word of reassurance from scripture. I would have preferred to have read more sermons and less of her “tidbits” of information from authors and homiletic professors.