Though I ended up harboring lukewarm feelings about Lemony Snicket's A Series of Unfortunate Events, that didn't stop me from checking out another series he penned under the same pen name while also using himself as a character. All the Wrong Questions ended up being cheekily clever and engrossing through its accessible middle grade slant on the mystery/detective genre that retains Snicket's signature pun and wordplay-laden style
There are four novels that make up the All the Wrong Questions series (I am excluding the related sundry short story collections for the sake of clarity): Who Could That Be at This Hour?, When Did You See Her Last?, Shouldn't You Be in School?, and Why is This Night Different from All Other Nights?. As you can probably guess, each book's title becomes a question at the crux of each book's plot as well as carries a theme throughout the series.
Plot-wise, All the Wrong Questions focuses on Lemony Snicket as a pre-teen boy who is being trained to work as a secret agent/clandestine detective under the sometimes misguided and clueless hand of S. Theodora Markson. Together, they travel to the city of Stain'd-by-the-Sea where they are initially hired to investigate the theft of a statue. However, this serves as a catalyst to a much larger, more sinister plot where Lemony and his eventual small band of allies face off against a mysterious villain known as Hangfire. Each of the books in the series builds upon the last, finally coming to a head in the final book.
The strongest elements for me in this series would be its setting and cast. We get to know Stain'd-by-the-Sea fairly well, almost as if it's a character in and of itself. I love solitary settings such as this because it allows the author to explore it at some length so that, by the end, readers get to know the location almost as well as the characters populating it. In the case with Stain'd-by-the-Sea, we're familiarized with its businesses, streets, and shadowy corners and crevices. We learn about the odd habits its residents have and a bit of its history, namely that it was once under water and all that remains of that past are the seaweed forests. Time period-wise, it's a little hard to place, but it came across to me as having a 1930s-1950s film noir vibe but geared for middle grade audiences with an ever-so-subtle modern twist.
Similarly, I loved the cast, especially its leads and some of its colorful secondary characters. As seems to be the case in Snicket's writing, it's the young characters who shine and the adults who come across as either villains or not very helpful albiet this wasn't quite as pronounced here as it was in A Series of Unfortunate Events. In this series, Lemony serves as the chief protagonist and is very clever and intelligent for his age, often circumventing S. Theodora Markson's advice, which sometimes isn't very sensible. S. Theodora at times acts as the typical unhelpful adult figure; however, her occasional flashes of insight and snarky tongue redeemed her for me.
Lemony eventually befriends Moxie, a budding journalist; Ellington Feint, whose true motives are always in flux; Cleo Knight, an intelligent young lady who makes a valuable ally; a leather jacket-wearing librarian; and a set of taxi driving twins. All in all, this cast makes the series for me, and even when its respective plots seem to take a breather, they keep the story from falling entirely into a slump. Out of everyone, Ellington Feint proved to be my favorite thanks to the is-she-or-isn't-she treatment Snicket (the author) gives. As stated, her motives are mercurial and her relationship with Lemony (the character) switches between helping him uncover answers and keeping secrets from him. Overall, this is a fun cast crafted with unique personalities and motives, so it's easy to pick favorites.
Concerning the series entries themselves, Who Could That Be at This Hour? serves as a solid opener, introducing readers to Lemony and S. Theodora Markson as they travel to Stain'd-by-the-Sea in order to uncover the stolen statute of a legendary beast. This is easily the strongest novel of the series for me, which is odd seeing as most first novels tend to fall by the wayside as a series continues. But the plot, pacing, and mystery element are brisk and unexpected twists keep it engaging. What starts out as a find-the-missing-item story evolves into a much larger mystery that gets carried over throughout the series' subsequent novels.
The follow-up book, When Did You See Her Last?, is my second favorite entry. Part of this is due to yet another intriguing mystery that initially focuses on a missing person, the presumed abducted Cleo Knight. The other part is thanks to the introduction of Cleo as a series regular, and she proves to be a good equal to Lemony in terms of smarts. Hangfire becomes more of a central villain here, which calls another character's deeds into question. It's obvious that all of the secrecy surrounding certain events and persons in Stain'd-by-the-Sea will ultimately lead back to him.
The third novel, Shouldn't You Be in School?, has Lemony partnered up with sundry allies as he investigates a potential arsonist that, in reality, has little bearing on the overall story. For me, this novel and the concluding novel were good but lacked a solid sense of substance than the first two books. This chiefly comes down to a plot that seems so shadowy, even the novel isn't certain which way to go. Characters draw conclusions and make discoveries that don't seem to lead anywhere save for serving as set up for the final novel. While I don't mind some plot elements being held back for a final conclusion, a penultimate book still needs to rely on its own micro-plot, which Shouldn't You Be in School? seems to lose about halfway through. While it's not an insufferable read, its lack of focus caused me to be less invested than in the series' first half.
Lastly, Why is This Night Different from All Other Nights? closes out the series. Here, the novel retains a classic Hitchcock-esque train mystery vibe, complete with an unexplained murder and a falsely accused (or are they?!?) suspect. The close quarters and mobile environment add to the tension, which leads to a showdown with Hangfire as well as some unexpected character reveals and a surprise ending. However, much like with its predecessor, Why is This Night Different from All Other Nights? is weak on concrete plot. There is more action than what was featured in Shouldn't You Be in School?, which consisted of characters moving from point A to point B and then stopping to talk about it (at some length, I might add). However, the plot here is nowhere near as brisk, fluid, and definitive as found in Who Could That Be at This Hour? or When Did You See Her Last?.
It's also worth noting that Snicket (the author) is known for not giving his heroes and heroines traditional happy endings, so I suppose one might say he doesn't disappoint here. This was by no means as frustrating as the ending of Series of Unfortunate Events, but the conclusion to All the Wrong Questions is probably best described as semi-bittersweet. There are also some loose threads that are left up to readers' speculation, but there is enough closure to provide a collectively conclusive ending. As a whole, while I have no earnest complaints about this final novel, it still didn't quite reach the same high bar set by the series' first two entries.
Overall, the All the Wrong Questions series is, for the most part, an engaging noir-style mystery that, while geared for a middle grade audience, possesses enough twists, turns, and colorful characters to satisfy older readers. While some of the latter mystery plots do feel watered down in favor of exposition, its first half is thrilling enough to satisfy any lover of classic detective fiction and encourage them to follow characters' arcs all the way to the end.
Content:
Language - None, other than some very sporadic name-calling by a bully character.
Violence - Nothing in terms of anything graphic or gory. Some characters are placed in perilous situations and face potential injury or death but escape unharmed. A character is murdered, but the death happens off-page and is never described in detail. One character is consumed by a creature but nothing is detailed. Some characters are intentionally drugged to make them suffer temporary amnesia. Hangfire is intended to be a menacing character but never becomes overly terrifying. Characters often lie and misdirect others so as to cover their tracks or keep others from harm. Crimes such as theft, arson, and kidnapping are discussed or assumed to have happened, but nothing ever becomes frightening or too intense except for perhaps the very youngest of readers.
Sexual Content - None.