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135 pages, Paperback
First published February 1, 2015
Call him a cynic, because he reminds us of Holden Caulfield in The Catcher in the Rye, who sees hypocrisy in everything admired and worshipped. Twice a month, Pomeroy goes to the General Assistance Office to collect his $230 check. He cashes it and then looks at the bills. “There’s Jackson, an Indian murderer. There’s Jefferson, a slave owner. There’s Grant, a drunk and a butcher for the cotton guilds. And that goddamn Lincoln was the worst of them all. Killed himself half a million people just so he could keep the cotton tariffs jacked up.” Every month, before spending all his general-assitance money, Old Pomeroy must have had a ball when he studies these historical faces on the treasury bills. Faces of the one-percenters. “Steal a little and they’ll throw you in jail. Steal a lot and you’ll get your face put on money.” Historical rhetoric doesn’t cling like static to him. How about: “Ask not what your country can do for you. Ask what you can do for your country.” What a steaming pile of crap. Kennedy, Jesse Jackson, Bill Clinton!
Characters like Pomeroy brings to mind the anarchists such as Cormac McCarthy’s Suttree whose associates are mostly criminals and demimonde, who are estranged, as Stanley Booth puts it, “from what might be called normal society.”
Happy in his own world of delusion, he fancies himself getting a contract with Apple Records for his love of music. Yet in his narcissistic daydreams, he has a soft spot for his parole officer. A hot-blooded Latina with smoldering eyes and a husky accent, she says to him, “Mr. Beasley, must everything be a fantasy to you?”
But who is Pomeroy?
Here, from the book:
“The bitch cocks her head like a parrot and shrugs. ‘Is that what they call you?’
“Pomeroy tells her, ‘I’m the man of the people.’
“The bitch just shakes her head. ‘Really, luv? Is that what you are? You do seem more manchild than man.’”