For fans of Master Slave Husband Wife and Django Unchained comes the extraordinary forgotten story of an event known in its day as “the first shots of the Civil War,” from the New York Times bestselling author of Dr. Mütter’s Marvels.
The year, 1851. The place, a Quaker farming community turned Underground Railroad stronghold, where a Maryland enslaver had journeyed in pursuit of four men who’d fled his plantation years before. In a few hours, he’d be dead… and twenty-seven men from the village of Christiana would be rounded up and put on trial. Not for his murder, but for treason—for waging war against the United States, at a time when it was a crime against the government to obstruct an enslaver looking to reclaim his ‘property.’
This is story of what happened in Christiana that September morning—and in the ensuing ‘trial of the century,’ which saw the president himself advise the prosecution on strategy and a sitting congressman serve as lead attorney for the defense. But The Ballad of the Fugitive William Parker is also a much larger tale, one spanning decades, following a whole startlingly diverse community of abolitionists in their fight to convince their fellow Americans of the subversive idea that now found itself on that the nation ought to live up the ideals it was founded on, and respect all men as equals.
It’s a story that whisks readers from the quiet farmlands of Lancaster County—where a self-emancipated man named William Parker, whom legend had it bullets could not kill, rallied his neighbors to ride out each night to battle the slavecatchers who stalked their countryside—to Philadelphia’s genteel Society Hill, where socialite Harriet Forten Purvis had the ear of the mayor (and a cellar filled with fugitives). It’s stylish, propulsive, intimately human tale of bravery, ingenuity, and hope—and of ordinary people with little in common who came together to stand against injustice… and won.
Cristin O’Keefe Aptowicz is an American poet who was recently awarded a 2011 National Endowment for the Arts Fellowship in Poetry.
She is the author of five books of poetry, including the recently released Everything is Everthing (Write Bloody Publishing), as well as the canonical slam history, Words in Your Face (Soft Skull Press), which U.S. Poet Laureate Billy Collins wrote “leaves no doubt that the slam poetry scene has achieved legitimacy and taken its rightful place on the map of contemporary literature.”
Founder of the three-time National Poetry Slam Championship venue, NYC-Urbana, Cristin has toured widely with her poetry, at venues as diverse as NYC’s Joe’s Pub, LA’s Largo Theatre and Australia’s Sydney Opera House. Cristin’s poetry books are published on Write Bloody Press, and available at all online & brick-and-order bookstores.
Her poetry has appeared (or is forthcoming) in McSweeney’s Internet Tendencies, Rattle, Pank, Barrelhouse, MonkeyBicycle, decomP, Conduit and La Petite Zine (among others), as well as in anthologies such as Poetry Slam: The Competitive Art of Spoken Word, Learn Then Burn: Modern Poetry For the Classroom, Bowery Women and Word Warriors: 35 Women Leaders in the Spoken Word Revolution (among others).
The Ballad of William Parker is history writing at it best. I made the mistake of trying to read it at bedtime, but it was so riveting that I couldn’t put it down. At times, it reads like a novel. It is meticulously researched and beautifully written. It is fascinating to read William Parker’s story with many of his own words, and those of the Forten and Purvis families too. If you were moved by the Narrative of the Life of Frederick Douglass and want more stories of Black Americans who are portrayed as powerful agents and not just helpless victims, this is the book for you! History buffs interested in 19th century America, don’t miss this book!