PRETTY DEAD [2015] By Anne Frasier
My Review Four Stars****
I didn’t start reading Frasier’s series featuring new character Homicide Detective Elise Sandburg until this year. All four installments were purchased after I became an instant fan of Anne Frasier with THE BODY READER.
The setting for her Elise Sandburg books follows the exploits of Savannah Homicide Detective Sandburg and partner David Gould amidst the atmospheric streets and backdrop of the Gothic mystique of the Old South. The underlying ambience of these haunting surroundings envelop each of the story lines in a colorful yet chilling cocoon. Savannah’s dark heritage and its pervasive local Gullah culture of voodoo and magic is as much a character in the plot lines as are the Homicide Detectives and the colorful yet dark and scary human characters who populate the novels.
In the debut novel [PLAY DEAD] the author did a splendid job with character development of her main protagonists. I liked the female lead character of Elise and her evolving back story as I moved through the pages of the story line. I could understand why an orphaned child with such a strong rumored link to the local culture of voodoo and magic would gravitate toward her purported heritage. This would be especially true for a teenager growing up in a foster home with parents who accepted her only because of a sense of duty or philanthropy. Elise’s current life as a divorced mother with a teenager who understandably prefers the comfort, perks, and stability of a home with dad and step-mom only tended to humanize Sandberg to an even greater extent. I liked her, and she emerged as a strong, competent, intuitive, yet imminently sensitive hero.
Sandberg is skillfully molded by the author into an intriguing figure who is marvelously mysterious and yet working quietly within Savannah’s police department as a dedicated Homicide Detective. Rumors swirl about the fact that she was abandoned as an infant in a cemetery, perhaps even deposited atop the tombstone of a voodoo priestess. Elise’s eyes are unique and arresting in that they contain an array of splinters and stars reflecting all colors. It would not escape the imagination of any native of the streets of Savannah to realize the sum of all colors results in pitch black. This characteristic is consistent with the rumors that Elise was the illegitimate daughter of an infamous Savannah root doctor (conjurer, witch doctor) named Jackson Sweet.
The co-main character of Elise’s newly assigned partner from FBI’s Cleveland, Ohio Office (David Gould) was deftly crafted into a believable and vulnerable character by the talented author. Sandberg initially mistakes his emotional detachment for a lazy and undesirable partner to carry his part of the burden of her assigned homicide cases in the department. Rather quickly the reader finds that his backstory is so dreadful that it rivals a good man and father’s worst nightmare. I was briefly reminded of Ann Rule’s SMALL SACRIFICES. David gradually emerges as a sensitive, caring, and perhaps even over protective side kick.
There was a gritty realism to the rivalry between Northerner (“Yankee”) David Gould inserting himself into the world of the superstitious Southern homicide cops. It ultimately shaped up to reflect that he and Sandberg were both “outsiders” but for different reasons. They made a terrific team and the scenes and dialogue between them were outstanding.
Conversely, I was underwhelmed by the main plot line. It was a decent story which did feature a chilling MO, but I felt that the author’s talent for spinning an atmospheric narrative and impressive character development overshadowed the murders and investigation in the introductory novel. If I am honest, I had expected another BODY READER and that was unrealistic on my part.
I subsequently read Book 2 (STAY DEAD) a few months later, in May of this year. This was a confusing book any way you look at it. It has Elise kidnapped by a serial murderer named Travis Tremain (dubbed by the media “The Organ Thief”). The abduction itself occurs in the time frame between PLAY DEAD and the beginning of Book 2 (STAY DEAD). Elise reflects on the captivity and her torture but only intermittently. In other words, the narrative is in the present tense, but the entire “chapter” of Elise’s kidnapping, rape, torture, and ultimate escape from Travis Tremain (“The Organ Thief”) is in the past. This (plot mechanism?) is inherently confusing. As a reader, I prefer a linear plot line, and even well delineated “time jumps” between past and present in the narrative largely annoy me particularly when not carried out smoothly enough as to not interrupt the momentum of the storyline.
Elise repeatedly hurts David with her words and actions. She seems oblivious to his feelings and ignorant of the fact that words are weapons that can wound. She became less likeable for this reader as the book progressed, even borderline callous. Elise takes David's feelings for her totally for granted. Sandburg continues to be self-absorbed all the time, but even worse, she clearly viewed all of David's actions through a lens of how her own feelings or well-being would be effected---and not what cause and effect the action would have on David.
This second book of the series was a “misfire” from Frasier. It doesn’t work on many levels despite its admittedly colorful cast of characters and its theme of the “dead” returning to life. The worst-case scenario for me was not so much my disappointment in this particular story and the complex manner it was doled out, but rather the inescapable fact that I had started to really dislike the main character of Elise. I was “on the fence” about the remaining installments.
BUT I really AM a fan of Frasier’s and I had loved the debut novel of her INLAND EMPIRE book series [FIND ME], just bought the sequel released this year [TELL ME]. I made a spontaneous decision to read the two remaining installments of the Elise Sandburg books back-to-back] before I read her new book. I’d already concluded that the books were not in the same league with her Jude Fontaine series.
I finished Elise Sandburg Book 3 a few nights ago [PRETTY DEAD]. A mere 25% into the novel and I was sure that it would be my favorite of the three books thus far. The storyline was proceeding in a linear timeline using third person POV while alternating the perspectives (serial killer, Elise, Gould, etc.). It was easy to get into at the start of the book, and the story line maintained a steady momentum proving to be both an enjoyable and also a quick read.
Elise has been made head of the Savannah PD at the start of this third installment. Sandburg’s body remains permanently “inked” and scarred by the twisted Tremain, but more significantly she is suppressing full blown PTSD and is incapable of moving past the physical torture and sexual predation at his hands. There is also the unsettling lack of closure due to the inability of the police to recover the remains of the madman dubbed “The Organ Thief”. Elise blames Gould, at least in part, for her ordeal. I would have to re-read the previous installment to get a handle on that conclusion, since it completely eludes me. Sandburg performed ill-advised acts in the last book that a rookie cop would never have even considered alone acted upon.
The author introduces our highly intelligent and prolific serial killer right out of the gate, skillfully using third person narrative but with the POV of the murderer. The reader readily grasps that he is a seasoned thrill killer who changes MO, victimology, and physical locations to disorient and confuse the authorities. He has been successfully killing with gay abandon (pun sort of intended) and the reader suspects that there is at least a chance that his escalation and feeling of omnipotence may prove to be his undoing. The serial killer (yep, a bona fide “serial killer” this time around) considers himself a gifted imitator, actor, and essentially a “chameleon”. Unlike the memorable film TAKING LIVES (based loosely on the book of the same name by Michael Pye (1999), this “chameleon” doesn’t kill a man and then assume his identity. No, rather, he imagines a persona and then strives to “become” that character, replete with new name, physical mannerisms, perfected emotional reactions to various stimuli, and essentially “morph” into a person who is capable of inserting himself into a new state, city, and community. That’s an intriguing concept to be sure. Nightingale [real name] decides on you guessed it the city of Savannah for his newest killing ground. This is in part due to his eluding Gould when David was an FBI profiler tracking the elusive Puget Sound Killer. I’m not a “crossword puzzle person” myself (but my spouse is), and it is actually quite intriguing the part that the Daily Crossword plays in this psychological thriller/police procedural.
No spoilers here. However, I will disclose that Elise and David’s careers with the Savannah PD do not end on a high note. The reader learns the truth of the saying “Old doors close, new doors open”. I liked this installment because it was fast and fun. Jackson Sweet played a significant role, which I enjoyed, and Audrey was front and center at a critical time. Strata Luna may not be as black and cold as she portends to be. The one takeaway that was a big fat negative was that I disliked Sandburg even more than the prior two novels. I was relieved that I wasn’t the only reader who wondered where the Elise from the first book had disappeared to, since the character has been despicable during the last two installments. I did guess the killer immediately, but the author did manage to inject a couple of misdirects that had me “second-guessing” myself. The title “PRETTY” DEAD is another bit of the author’s clever word play on “dead” and its ordinary connotations. In this case there are at least two direct references to the status of being dead. In the first case Elise ponders the realization that she might have eventually been led to the belief that Tremain was “truly” dead but for the rash of new murders. Tremain was the “Organ Thief”, a serial murderer for profit, who abducted and tortured Sandburg in the prior novel “TRULY DEAD”. In the second instance, Elise is asked whether the Savannah killer is in fact dead, and after contemplating the body at her feet she answers that the he looks “pretty dead”. Her response echoes the title of the book and “PRETTY” dead is good enough in this case.