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Naar levend model: De opkomst van Amerikaanse kunstenaars Parijs 1867 - New York 1948

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In the 19th century, American artists had to travel to France for validation; by the mid 20th century, the center of the art world had shifted to the United States. How did this happen? The French author of Sartre: A Life, Annie Cohen-Solal traces this shift in the balance of aesthetic power in the sparsely illustrated volume Painting American. Little more than a rehash of the relevant portions of French and American art history, it will not appeal to specialists looking for major new findings or novel interpretations. But it may be just the ticket for anyone curious about what the sober ranks of 19th-century American artists were learning in the heady world of Parisian art or the motives of American philanthropists who brought European art to the U.S. Particularly welcome is the unusual attention paid to developments in American art outside New York. --Cathy Curtis

Paperback

First published January 1, 2000

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About the author

Annie Cohen-Solal

32 books32 followers
Annie Cohen-Solal is an academic and writer. For ever, she has been tracking down interactions between art, literature and society with an intercultural twist. After Sartre: A Life (1987) became an international success, she became French cultural counselor in the US, where she held her position from 1989 to 1992.

In New York, Cohen-Solal’s encounter with Leo Castelli led her to shift her interest to the art world. In the frame of a manyfold project which was to become a social history of the US artist, she published Painting American (2001); Leo Castelli & His Circle (2010); New York-Mid Century (2014), with Paul Goldberger and Robert Gottlieb; Mark Rothko (2013). In 2013, she became special advisor at the Ecole Normale Supérieure for the Nuit Sartre ; in 2014, general curator of Magiciens de la terre 2014 at the Centre Pompidou, publishing Magiciens de la terre : retour sur une exposition légendaire, with Jean-Hubert Martin. As a professor, she has held positions at Tisch School of the Arts (NYU), École des Hautes Études en Sciences Sociales, University of Caen, École Normale Supérieure in Paris, the Freie University of Berlin, and the Hebrew University of Jerusalem. She is working on curating exhibitions for the Rijks Museum in Amsterdam, the Musée Picasso and the Musée de l’Immigration in Paris. She will soon lead, alongside Jeremy Adelman, the “Crossing Boundaries” workshop at the CASBS (Stanford University). Born in Algiers, Annie now lives between Paris and Cortona.

(Taken from the bio of her official website)

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October 18, 2008
i started this book eons ago...and am still reading it! i relish the close up of the period... it feels like yesterday!
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