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89 pages, Hardcover
First published April 30, 2015
The impact of this Dutch Protestant value system on the English he came to rule has been underestimated, like almost everything else William of Orange brought them. A major feature of life in the Calvinist Netherlands was a significant degree of tolerance towards other faiths and denominations, something not native to England at that time, however much we now pride ourselves on it as a core aspect of notional ‘Englishness’.(18)It was also heartening to learn that they must be pretty much nearly the only scandal-free monarchs in British history:
Their reign effectively killed off the world of the Restoration, with its duels and debauches, its gropers and fumblers, whores and orange-wenches, clap-doctors, cuckolds, rogues and bullies. Part of the trouble with William and Mary, for succeeding generations, has been that they were too seriously respectable.(74)And finally, that the 1690s was a really interesting time to be alive that has yet to be seriously exploited by period dramas/historical fictionalizers, as according to the author
There is no worthwhile historical fiction set during this period. The action of Peter Greenaway’s much-admired film The Draughtsman’s Contract (1982) is located (with several deliberate anachronisms, including a cordless phone and a painting by Roy Lichtenstein) within an authentic enough atmosphere of arriviste prosperity in 1694. Nobody, so far as I can tell, has ever tried to write a play, an opera or a ballet about William and Mary. Such an exercise might repay the effort involved.(88)Get cracking, then, my friends! I promise to read/watch the results. And I will likely read and/or collect more from this little gem of a series, albeit no monarchist I (though some of my forbears came to Canada when the wind was southerly [they, being mad but north-northwest, still knew a hawk from a handsaw] as United Empire Loyalists—i.e. they bravely ran away, away from 1776 and all that)!