This is a most welcome addition to the growing field of Disney Studies. One of my favorite aspects of the book is that it does not solely focus on one facet of representation, but on many, which is what drew my attention to this text in the first place. What keeps this from being a 5/5 star book for me, though, is perhaps entirely of my own devising. I was excited when I saw that the book was covering the canonical minority groups: race, ethnicity, gender and sexuality, but what really enticed me was the inclusion of disability. I set myself up for disappointment here because, as one might expect, the field is just growing (or at least it was at the time of publication); therefore, the essays were not as strong as I would have liked them to be. Indeed, there seems to be a hesitancy when using disability studies as a lens by which to examine film simply because it is a (somewhat) novel approach. This sense that disability studies is the "new kid on the block" haunts the essays in this collection which are at times infused with uncertainty. Nevertheless, they are important in our understanding of Disney's approach to characters with disabilities / different abilities and the other essays in the book were well written, even if I didn't deem them superb. I would certainly recommend this text as a must-read for those studying Disney because of its scope and also because it gives us many tools with which to analyze films. Although I wish the essays included would have had a stronger impact on me than they seem to (at least at the moment), I cannot deny how important this text is. I hope other readers find it more suitable to their specific interests than I did.