Book Two of this four-part epic plunges One Path into a breakneck prehistoric chase across unending forests, valleys and mountains, carrying a scorned child toward a life-giving treacle rumored to flow in the Towers. Closing in are Una’s tribe and the White Kin - an ancient albino T-rex drawn to the child’s power. Lushly illustrated, brutal and breathtaking, One The White King delivers 200 pages of high-stakes survival from Greg Broadmore & Andy Lanning, published by Mad Cave Studios.
In a brutal, breathtaking prehistory where cavegirls fight desperately to survive and dinosaurs rule the valleys, One Path flees her tribe with a “cursed” infant which she refuses to abandon. With a fierce young Runtling at her side, she drives toward the mythic Towers - vast, earthen spires said to hold life-saving sap, a treacle rich enough to keep the starving child alive. Behind them, love twists into pursuit. Una, One Path’s sister, leads a relentless war-band - driving three subjugated T-Rexes, they are determined to uphold their brutal laws and destroy the child they scorned. Worse still, Una’s desperate gambit has roused an older the White King, an ancient albino T-Rex that rises from hibernation to claim its tribute. Drawn by the infant’s vital scent and the promise of renewed power, the White King cuts a path of ruin across forest and plain, devouring anything that stands between it and the child. Part chase, part odyssey, One The White King hurtles through a landscape where hope is hunted and trust runs thin. As the Towers loom and the hunters close, One Path must choose what to risk, and who to become if she’s to save the condemned child.
By day I work at award winning design and effects shop, Weta Workshop as a conceptual designer, but at night I go home and wash dishes. I joke. My girl friend will tell you as much.
No, I go home and write and draw more. I mainly photoshop rude pictures of people I know in compromising situations and write offensive comments emanating from speech bubbles on said pictures, but from time to time I write and illustrate a book or two.
I've worked on many big name effects-heavy feature films like King Kong and Narnia, but I'm least ashamed of having been lead designer for District 9. I joke again! I am very proud of all the films I've worked on. Too proud actually. Haughty even. Smug.They make me feel very important.