Peter Schneider has very little new or original to say about the New Berlin.
Here are some quotes:
Cinderella Berlin
p.7 – Today, half of Berlin’s tourists come from abroad, and their numbers continue to grow every year. Forecasts already predict that the city, which currently counts 25 million overnight visitors, could soon catch up with Paris (37 million overnight visitors), thus making it second only to London.
p.8 – Cinderella Berlin offers an inestimable advantage over these princess cities: it gives all newcomers the feeling that there is still room for them, that they can still make something of themselves here. It is this peculiarity that makes Berlin the capital of creative people from around the world today.
p.10 – the three friends had to carry the couch several blocks and up five flights of stairs to their apartment. They succeeded because they had to succeed.
Potsdamer Platz
p.30 – And what’s the rush anyway? Why does the area have to be developed in just four years? Why not let the city grow there organically over the next twenty to thirty years? And does the entire plot really have to be covered with buildings? Couldn’t part of it be set aside for the generations to come?
p.35-36 – Renzo Piano: “You create a space not for life with its unpredictable, biological rhythms, but for virtual life. This kind of awakening by bombardment scares me sometimes.” Can’t something be left unfinished, I asked, some small part of the construction area set aside for the ideas and revisions of future generations? The financial constraints of a large-scale project like this are despotic, Piano replied. They don’t allow for leaving openings. It would be expecting too much of him as an architect to leave untouched any part of an area he had been hired to develop.
p.37-38 – Hotel Esplanade: before leaving for Hollywood, Billy Wilder had earned a reputation as a gigolo, working for five deutsche marks and a free meal. He taught dolled-up ladies aged twenty to fifty how to dance the Charleston. […] In this same hotel, in 1944, conspirators in the July plot against Hitler waited for the code word “Valkyrie.”
Berlin Schloss versus Palace of the Republic
p.51 – Talent, according to one definition, is the ability to be in the right place at the right time.
West Berlin
p.63 – The name West Berlin refers to a city that no longer exists. With “Where Are We Now?” his new song about the time he spent in West Berlin, David Bowie – who lived on Hauptstraβe in the Schöneberg district in the 1970s – has unleashed a veritable wave of nostalgia.
p.71 – In the summer of 1962, I boarded a train in Freiburg, arriving in the Prussian metropolis the following day. It was the farthest distance you could travel within West Germany – some five hundred miles. I wanted to go to Berlin for the same reason that most students of my generation chose this city: studying in the “front city” counted as a sort of voluntary military service – if you studied in West Berlin, you were exempt from serving in the Bundeswehr.
Clubs
p.147 – Pippi Longstocking’s motto: Do things the way you like. That’s the only way to make sure they turn out right!
p.152 – In Berlin, it seems, in the end everything becomes either art and/or memorial, irrespective of whether you’re dealing with the Holocaust, World War II bombardments, or the division of Germany. And maybe that’s a good thing.
What Happened to the Wall Anyway?
p.156 – Ever since Joe Hatchiban started hosting karaoke parties in the amphitheatre and handing out trash bags to the audience afterward, Mauerpark has become clean and green.
p.157 – At more than fourteen hundred yards, the so-called East Side Gallery is by far the longest remaining section of the Wall. In reality, however, it is also part of the former Hinterlandmauer; in other words, it only became possible to pain on it after the actual Wall had fallen. After reunification, the Council of Ministers of East Germany commissioned a series of internationally known artists to paint and spray-paint a number of impressive images onto the long wall.
The Ghost of BER International Airport
p.175 – Tegel was designed for 7 million passengers a year, but now handles 17 million.
p.178 – For the time being, Berlin is glad it still has the small but brilliant Tegel Airport, designed by the architect Meinhard von Gerken when he was just twenty-five years old. As for the new international airport, designed by this same von Gerkan, it remains in the state of incompletion that the city likes best.
Spring in Berlin
p.310 – In the summer of 2013, many beaming faces from Berlin’s municipal government could be seen on television. The reason? For the first time in living memory, the city had generated a surplus of 750 million euros and was able to put forward a budget that would reduce the debt burden from 63 billion to 61.8 billion euros by 2016. Hurray! Only 61.8 billion euros of debt left! Sober viewers like me asked ourselves why a city like Detroit with a debt of $17 billion has to declare bankruptcy, while Berlin considers a debt burden four times as large a reason to celebrate!
p.311 – In 2012 alone, Berlin grew by some 45,000 inhabitants. Assuming continued growth of this magnitude, by 2030 the city will have roughly 250,000 more inhabitants – the equivalent of a whole new district.
But the city is already short some 100,000 apartments and has only hesitantly begun to tackle the construction of affordable new housing. Then there are the social problems associated with this growth. For, the number of persons aged eighty years and over is set to grow the most.
There is no doubt that what Berlin needs more than anything else are qualified immigrants who are willing to assimilate.
Berlin has also mastered a very different problem of integration better than most of the rest of Germany: overcoming the “Wall in the mind.”
p.312 – Today, Berlin is the city in Germany where reunification has made the greatest progress. And that doesn’t mean that the differences between the two German cultures have simply been leveled. It was always an illusion to believe that reunifying the two German states would leave behind nothing of East Germany but its green arrow turns signs and the now iconic little traffic-light men at intersections. In reality, the westernization of the East has long since been matched by the easternization of the West.
Today, almost all the major literary awards go to writers from Germany’s East – to the considerable annoyance of their West German colleagues – and hardworking officials from the new federal states have gained a foothold in all the important juries, commissions, and academies of the reunited republic.