Perhaps it’s not being so stuffy to admit that a collaborative novel -- especially when it involves seven collaborators! -- doesn’t sound terribly appealing. After all, writing isn’t a democratic enterprise and novels are fitful, fragile creations. They can too easily cave in under the weight of a gimmick or come apart without the adhesion of a single author’s vision. Which only makes Finbar’s Hotel more impressive. If collaboration is a risk that invites disaster, then it must also make room for triumph.
OK, “triumph” may be stretching it a bit, but Finbar’s Hotel really is quite good. The brainchild of Irish writer and editor Dermot Bolger, it features the work of such Irish literati as the Booker Prize-winning Roddy Doyle (author behind such screen hits as The Commitments and The Snapper), Joseph O’Connor (whose claim to fame is making fun of Irish manhood and being Sinead’s brother), as well as Jennifer Johnston, Ann Enright, Hugo Hamilton and Colm Toibin, this is no crowd of second-raters here, and yet the book may owe its success to the nifty way Bolger has managed to keep their individual voices in tact while reining them in at the same time.