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Little Kin
Little Kin is the debut adult novel from critically-acclaimed author Katya de Becerra.
When Cass inherits a crumbling house on Rothagisht—a remote island near the Arctic Circle—she’s desperate for a new start. The land is stunning, the people are strangely healthy, and for the first time, Cass feels like she might finally belong.
But Rothagisht comes with Never go out after dark, and never open the door to a knock. As Cass is drawn into the island’s mysteries—and into the secrets of her own bloodline—she discovers Rothagisht is stalked by ancient creatures that rise from the heated depths when the old covenant stirs.
With the Festival of Giving and Receiving looming, and the island’s ancient covenant unraveling in blood, Cass must Embrace the community she’s longed for or confront the nightmare that could consume them all.
Perfect for fans of T. Kingfisher and Ari Aster’s Midsommar, Little Kin is a chilling, folkloric tale of survival and belonging.
When Cass inherits a crumbling house on Rothagisht—a remote island near the Arctic Circle—she’s desperate for a new start. The land is stunning, the people are strangely healthy, and for the first time, Cass feels like she might finally belong.
But Rothagisht comes with Never go out after dark, and never open the door to a knock. As Cass is drawn into the island’s mysteries—and into the secrets of her own bloodline—she discovers Rothagisht is stalked by ancient creatures that rise from the heated depths when the old covenant stirs.
With the Festival of Giving and Receiving looming, and the island’s ancient covenant unraveling in blood, Cass must Embrace the community she’s longed for or confront the nightmare that could consume them all.
Perfect for fans of T. Kingfisher and Ari Aster’s Midsommar, Little Kin is a chilling, folkloric tale of survival and belonging.
351 pages, Kindle Edition
First published September 22, 2026
About the author
Katya de Becerra
19 books303 followersKatya de Becerra is a multi-award-winning author of horror and speculative fiction whose work blends folklore, myth, and the uncanny to explore identity, transformation, and belonging. Her forthcoming novel Little Kin continues this tradition, weaving narratives that interrogate family ties and cultural memory. Katya’s previous novels (What The Woods Keep, Oasis, When Ghosts Call Us Home, They Watch From Below) have been praised for their atmospheric storytelling and genre-bending approach, earning her recognition as a distinctive voice in contemporary horror and fantasy. Katya was born in Russia, studied in California, lived in Peru, and then stayed in Australia long enough to become a local. She was going to be an Egyptologist when she grew up, but instead she earned a PhD in Anthropology.
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Displaying 1 - 30 of 51 reviews
June 13, 2026
⭐️ 3.25 ⭐️ A young woman, desperate for a new start and on a search for some answers, moves to a crumbling house on a remote island near the Arctic Circle. Rothagisht holds only 400 people and its inhabitants formed a very unusual community and culture. The residents follow strange rules: never open the doors when someone is knocking, don't go outside after dark, keep a bell close to you at all times. But Cass travels there to find a sense of belonging and learn more about an aunt she never knew. It's only when she arrives there, she learns about the land and its customs and soon finds herself thrown into an actual nightmare.
Cass right off the bat comes off as a very vulnerable character. Adopted since toddlerhood, Cass never met any of her biological family members, not even her aunt, who has left her the deteriorating house in the Arctic Circle. Cass is very lonely, somewhat introverted but she is also curious. She's curious about where she comes from, who her kin are, why she was left this house and as she sets on her search of identity, Cass quickly discovers that the Rothagisht community is deliberately withholding some information from her. And the island itself is significantly important in her journey.
Little Kin is a folkloric tale of belonging and survival. I loved how the isolated setting created a very tense and dark atmosphere. It was the fear of the unknown on the island that made Cass's search for meaning more compelling. All the island rules and community weirdness created a very suspenseful tone and it became symbolic because such conditions reflected the dangers that one feels when going through this type of journey. Cass arrived to this island to find herself but it feels like the island was challenging her and molding her into conformity.
There was a lot of mystique to this tale and the story introduced two supernatural beings that I was never familiar with from any folklore tales I've read in the past. The Movoi, gnome like creatures and the Garathin, creatures of fire and stone. Creepy! They both symbolized the unknown and played a major role in Cass's understanding of the truth about her past.
My deal-breaker was the romance. And yes, there is some romance here but it's not well explored and should have been left out. When Cass arrived to the island, she met Arder, a mysterious local who helps her get settled on the island. He was emotionally difficult to read and their relations came off forced vs genuine. There was more of physical desire vs emotional intimacy, and for someone as isolated and closed off as Cass, that romantic push was unnecessary.
Overall, this was an interesting read and while it kept my attention, I wasn't too impressed with the bizarre ending.
Many thanks to NetGalley, Blackstone Publishing and the author, Katya de Becerra for an early ARC!
Publication: September 22, 2026
Cass right off the bat comes off as a very vulnerable character. Adopted since toddlerhood, Cass never met any of her biological family members, not even her aunt, who has left her the deteriorating house in the Arctic Circle. Cass is very lonely, somewhat introverted but she is also curious. She's curious about where she comes from, who her kin are, why she was left this house and as she sets on her search of identity, Cass quickly discovers that the Rothagisht community is deliberately withholding some information from her. And the island itself is significantly important in her journey.
Little Kin is a folkloric tale of belonging and survival. I loved how the isolated setting created a very tense and dark atmosphere. It was the fear of the unknown on the island that made Cass's search for meaning more compelling. All the island rules and community weirdness created a very suspenseful tone and it became symbolic because such conditions reflected the dangers that one feels when going through this type of journey. Cass arrived to this island to find herself but it feels like the island was challenging her and molding her into conformity.
There was a lot of mystique to this tale and the story introduced two supernatural beings that I was never familiar with from any folklore tales I've read in the past. The Movoi, gnome like creatures and the Garathin, creatures of fire and stone. Creepy! They both symbolized the unknown and played a major role in Cass's understanding of the truth about her past.
My deal-breaker was the romance. And yes, there is some romance here but it's not well explored and should have been left out. When Cass arrived to the island, she met Arder, a mysterious local who helps her get settled on the island. He was emotionally difficult to read and their relations came off forced vs genuine. There was more of physical desire vs emotional intimacy, and for someone as isolated and closed off as Cass, that romantic push was unnecessary.
Overall, this was an interesting read and while it kept my attention, I wasn't too impressed with the bizarre ending.
Many thanks to NetGalley, Blackstone Publishing and the author, Katya de Becerra for an early ARC!
Publication: September 22, 2026
Review of advance copy received from NetGalley
I picked up LITTLE KIN on a whim because I was intrigued by the summary and powered through it in less than 24 hours. It took me a little while to get used to the author's writing style, and the slow burn of the plot, but she had such a beautiful way of describing the elements and the heroine's loneliness, that I still wanted to find out more. And oh my god, is this story ever worth the wait.
Set on an island in the Arctic Circle called Rothagisht, the heroine, Cassi, goes there as a sort of linguistic field agent to take notes on the peculiar language and culture. She also has roots there; even though she's adopted, her biological parents are from Rothagisht, which gives her the feeling that she's returning home as soon as she lands on those foggy, bitterly cold shores.
But it's immediately clear that this isn't your typical isolated community. They need to take a vote to see if she is "allowed" to stay, and she gets a weird feeling from the rocks that are stacked up on the shores. She also gets the feeling that people are coming in and out of her house when she's not around, moving things, burning things, and then there's the strange door in her basement that doesn't seem to serve a purpose.
I've seen a few people comparing this author to T. Kingfisher but this book is actually a lot darker than Kingfisher's book, and I don't think that's the best comparison for finding this book's target audience. I'd say that this felt more like THE HAAR by David Sodergren with how it combined an ultimately wholesome message with a lot of tragedy and blood lust, and BONETIDE by Karina Halle with the arctic (in her case, maybe sub-arctic) monster setting and a girl with a doomed inheritance.
Before I was even halfway through this book I bought almost all of the author's other books, so that should tell you how good this is. Absolute cinema.
Thanks to the publisher for the review copy!
4.5 stars
Set on an island in the Arctic Circle called Rothagisht, the heroine, Cassi, goes there as a sort of linguistic field agent to take notes on the peculiar language and culture. She also has roots there; even though she's adopted, her biological parents are from Rothagisht, which gives her the feeling that she's returning home as soon as she lands on those foggy, bitterly cold shores.
But it's immediately clear that this isn't your typical isolated community. They need to take a vote to see if she is "allowed" to stay, and she gets a weird feeling from the rocks that are stacked up on the shores. She also gets the feeling that people are coming in and out of her house when she's not around, moving things, burning things, and then there's the strange door in her basement that doesn't seem to serve a purpose.
I've seen a few people comparing this author to T. Kingfisher but this book is actually a lot darker than Kingfisher's book, and I don't think that's the best comparison for finding this book's target audience. I'd say that this felt more like THE HAAR by David Sodergren with how it combined an ultimately wholesome message with a lot of tragedy and blood lust, and BONETIDE by Karina Halle with the arctic (in her case, maybe sub-arctic) monster setting and a girl with a doomed inheritance.
Before I was even halfway through this book I bought almost all of the author's other books, so that should tell you how good this is. Absolute cinema.
Thanks to the publisher for the review copy!
4.5 stars
September 29, 2026
I absolutely loved this book. This is one of those reads that felt like it was written especially for me. Our main character is an anthropologist, and as an anthropology major, I loved all those elements woven into the story. She comes to this island preparing to study this isolated group of people and their customs, but ends up learning a lot about her own personal history in the process. I also loved the mix of folk horror and body horror. Additionally, there was a sweet romance, and while it was a bit insta-love, I did enjoy it.
This was also such a unique story. The island, its people, and their mythology felt so genuine, even though it was all fictional. Everything was so well developed and thoughtfully crafted, and the Arctic setting added to the dangerous atmosphere. I was very invested in the journey our main character was going through and eager to see what she would discover about herself and the island. I really can’t give this book enough accolades and I was very satisfied with how it all concluded. This is definitely a new favorite of mine.
This was also such a unique story. The island, its people, and their mythology felt so genuine, even though it was all fictional. Everything was so well developed and thoughtfully crafted, and the Arctic setting added to the dangerous atmosphere. I was very invested in the journey our main character was going through and eager to see what she would discover about herself and the island. I really can’t give this book enough accolades and I was very satisfied with how it all concluded. This is definitely a new favorite of mine.
Want to Read
January 29, 2026The island remembers. It always does.
Hey, my lovely readers!
Here’s a little note from me, the author, about my new book, LITTLE KIN (my adult debut!).
LITTLE KIN arrived in my life the way Rothagisht arrives for Cassini: suddenly, and without warning.
One night, just as I was drifting toward sleep, I found myself somewhere else entirely—standing on the deck of a steam ferry cutting across a turbulent sea, heading toward a mist shrouded island. My name was Cassini. I knew at once that this image, this feeling, was the beginning of a story I had to tell.
I’m a cultural anthropologist by training, and I’ve done my share of fieldwork—never in locations quite as remote (or terrifying!) as Rothagisht, but enough to understand that entering any community as an outsider comes with equal parts wonder and disorientation. Anthropology has always shaped my writing: I’m fascinated by ritual, myth, memory, and the ways people make meaning in places where the past is never really past.
In LITTLE KIN, I wanted to explore what happens when the desire to belong collides with forces older and stranger than we are. I wanted to write a story where a scholar’s instinct to understand meets a landscape that doesn’t want to be studied—only obeyed. A place where folklore isn’t metaphor but survival, and where transformation comes at a price.
This book is my love letter to:
• misty islands and sentient landscapes
• rituals that bind and unravel
• found and inherited kinships
• the uneasy space between science and superstition
And yes, to all the readers who love atmospheric folk horror with a slow burn emotional core!
Perfect for fans of Heather Fawcett, T. Kingfisher, and Ari Aster’s Midsommar, LITTLE KIN is a chilling, folkloric tale of survival and belonging. I truly hope this book of mine finds its way onto your TBR.
Feel free to ask me anything about the writing process, anthropology, or the world of Rothagisht—I love talking to readers here, but please note I don’t read or comment on reviews nor do I check my books' ratings as I believe review platforms are primarily for readers, and writers should let readers read and review without observed.
🖤 Katya
Hey, my lovely readers!
Here’s a little note from me, the author, about my new book, LITTLE KIN (my adult debut!).
LITTLE KIN arrived in my life the way Rothagisht arrives for Cassini: suddenly, and without warning.
One night, just as I was drifting toward sleep, I found myself somewhere else entirely—standing on the deck of a steam ferry cutting across a turbulent sea, heading toward a mist shrouded island. My name was Cassini. I knew at once that this image, this feeling, was the beginning of a story I had to tell.
I’m a cultural anthropologist by training, and I’ve done my share of fieldwork—never in locations quite as remote (or terrifying!) as Rothagisht, but enough to understand that entering any community as an outsider comes with equal parts wonder and disorientation. Anthropology has always shaped my writing: I’m fascinated by ritual, myth, memory, and the ways people make meaning in places where the past is never really past.
In LITTLE KIN, I wanted to explore what happens when the desire to belong collides with forces older and stranger than we are. I wanted to write a story where a scholar’s instinct to understand meets a landscape that doesn’t want to be studied—only obeyed. A place where folklore isn’t metaphor but survival, and where transformation comes at a price.
This book is my love letter to:
• misty islands and sentient landscapes
• rituals that bind and unravel
• found and inherited kinships
• the uneasy space between science and superstition
And yes, to all the readers who love atmospheric folk horror with a slow burn emotional core!
Perfect for fans of Heather Fawcett, T. Kingfisher, and Ari Aster’s Midsommar, LITTLE KIN is a chilling, folkloric tale of survival and belonging. I truly hope this book of mine finds its way onto your TBR.
Feel free to ask me anything about the writing process, anthropology, or the world of Rothagisht—I love talking to readers here, but please note I don’t read or comment on reviews nor do I check my books' ratings as I believe review platforms are primarily for readers, and writers should let readers read and review without observed.
🖤 Katya
Review of advance copy received from NetGalley
Little Kin moves a million miles away from the haunted houses and dark academia of Katya de Becerra's YA writing, diving into the murky realms of folk horror and isolated communities who beat to the sound of their own drums. The author has a PhD in anthropology and makes excellent use of her academic skill set by intricately laying the foundations of how a remote island community survives and thrives on the edge of the Arctic Circle. Getting to the island is akin to a three day camel ride, hitching a ride on an occasional supply ferry with no easy way of leaving should you change your mind. The community has its own peculiar customs and laws; this is not a place you can just decide to visit for a holiday. As the main character is also an anthropologist looking for new research opportunities, having the chance to visit this insular society is the equivalent of winning the lottery.
You can read Tony's full review at Horror DNA by clicking here.
You can read Tony's full review at Horror DNA by clicking here.
Review of advance copy received from Author
A mesmerizing blend of folk horror and dark fantasy, Katya de Becerra’s Little Kin is a knock on the door in the dead of night. Dread and longing simmer beneath the surface, and sinister legacies crawl back from the past in this propulsive, get-under-your-skin read that’ll leave you peeling back every layer with bloodied, ravenous fingers.
October 31, 2026
Little Kin is a blend of folk horror and the unsettling weirdness of Grimms’ fairytales!
Little Kin was comp-ed in the blurb as being similar to Heather Fawcett and T. Kingfisher, but I wouldn’t say that’s accurate. It lacks their humor, and maintains a serious tone throughout. The closest comp I can think of is that it feels like something that M. Night Shyamalan would’ve made into a movie.
I enjoyed the book’s creative and unique ideas, and I loved being immersed in its strong, atmospheric setting! The way Katya de Becerra writes really does make you feel like you are physically there with the characters within the setting. I enjoyed the mystery aspect, and I found that I couldn’t ever predict what would happen next in the story.
While I enjoyed it overall, there were a few things that brought the rating down for me. I didn’t feel emotionally attached to the characters. The story felt repetitive to me at times. The romance didn’t entirely work for me. The main character sometimes does things with “it just feels right for some reason” as the only justification (a pet peeve of mine). Also, I felt like the ending could have been a little stronger.
If you’re a reader who:
- is more into settings and atmosphere than they are into characters
- enjoys books with slower pacing that gives them time to ponder
- appreciates mild body horror
- likes books that have unsettling moments but aren’t too scary overall
- loves isolated settings
- enjoys anthropology and learning about unique cultures through worldbuilding
then you would be likely to love Little Kin!
Little Kin was comp-ed in the blurb as being similar to Heather Fawcett and T. Kingfisher, but I wouldn’t say that’s accurate. It lacks their humor, and maintains a serious tone throughout. The closest comp I can think of is that it feels like something that M. Night Shyamalan would’ve made into a movie.
I enjoyed the book’s creative and unique ideas, and I loved being immersed in its strong, atmospheric setting! The way Katya de Becerra writes really does make you feel like you are physically there with the characters within the setting. I enjoyed the mystery aspect, and I found that I couldn’t ever predict what would happen next in the story.
While I enjoyed it overall, there were a few things that brought the rating down for me. I didn’t feel emotionally attached to the characters. The story felt repetitive to me at times. The romance didn’t entirely work for me. The main character sometimes does things with “it just feels right for some reason” as the only justification (a pet peeve of mine). Also, I felt like the ending could have been a little stronger.
If you’re a reader who:
- is more into settings and atmosphere than they are into characters
- enjoys books with slower pacing that gives them time to ponder
- appreciates mild body horror
- likes books that have unsettling moments but aren’t too scary overall
- loves isolated settings
- enjoys anthropology and learning about unique cultures through worldbuilding
then you would be likely to love Little Kin!
October 10, 2026
2.5/5 stars
“She was of the island, and the island was of her.”
The Story:
Cass was adopted as an infant and knows little about her birth-family. When she is informed that a family member has left her a crumbling house on Rothagisht -a remote island near the Arctic Circle- in their will, she seizes the opportunity for a new start. But the island of Rothagisht is nothing like she imagined. Ancient rites, covenants and mystical forces govern the lands, and Cass soon finds out that her bloodline connects her to the island in ways she did not anticipate.
What I liked:
Admittedly the premise is far from original, but the atmosphere and fantasy-elements do a lot of work to make up for that. Although it’s labeled as horror, I’d categorize Little Kin as more of a dark fantasy/fairytale for adults. It’s atmosphere is steeped deeply in Nordic folklore-elements and the descriptions of the landscape and lore transported me back to my trip to Iceland (one of my favourite travels to date).
The way Becerra integrates the folk-elements into the setting and the story makes them feel completely authentic, whilst being completely original and unique. Unique in this case also means a little bizarre and uncanny. Personally, I loved that the author took that risk. As someone who grew up on Nordic and Germanic fairytales, I can tell you that the authentic ones are strange. Believe me when I say, isn’t even that wild compared to some of the folktales that used to make the rounds…
What I didn’t like:
To summarize it in a single noun: the romance. In fact, I disliked it so much that I came to hate the entire character of Arden and had to actively refrain from skipping all the sections that feature him prominently. It’s a classic case of horribly cringy insta-lust, dog-whistled at from the moment Arden is introduced as a lean and muscular, improbably tall and handsome man, who shows Cass the ropes of the island. I found this scene hilarious to visualize by the way as .
Apart from being handsome, Arden barely has a personality and basically functions as a vessel for exposition about the island’s history and culture. That lack of character and chemistry with Cass makes their romance completely unbelievable. Especially considering how strongly the plot leans on their bond and willingness to sacrifice for eachother by the end.
Luckily, none of these sacrifices matter in the end, which brings me to my final reason for rating this book fairly low. The ending let me down immensely. Not only did it feel far too easy and unearned, it also has the balls to end on a celebratory sex-scene, which felt compounded all the cringe I felt about the romance into a single scene…
Recommended for fans of A River Enchanted, Heather Fawcett and Root Rot (specifically for the uncanny fairytale vibes). I personally do not see the comparison to T. Kingfisher that many people are drawing, as Little Kin distinctly lacks the cozy vibe and humor-elements that are so characteristic of Kingfisher.
“She was of the island, and the island was of her.”
The Story:
Cass was adopted as an infant and knows little about her birth-family. When she is informed that a family member has left her a crumbling house on Rothagisht -a remote island near the Arctic Circle- in their will, she seizes the opportunity for a new start. But the island of Rothagisht is nothing like she imagined. Ancient rites, covenants and mystical forces govern the lands, and Cass soon finds out that her bloodline connects her to the island in ways she did not anticipate.
What I liked:
Admittedly the premise is far from original, but the atmosphere and fantasy-elements do a lot of work to make up for that. Although it’s labeled as horror, I’d categorize Little Kin as more of a dark fantasy/fairytale for adults. It’s atmosphere is steeped deeply in Nordic folklore-elements and the descriptions of the landscape and lore transported me back to my trip to Iceland (one of my favourite travels to date).
The way Becerra integrates the folk-elements into the setting and the story makes them feel completely authentic, whilst being completely original and unique. Unique in this case also means a little bizarre and uncanny. Personally, I loved that the author took that risk. As someone who grew up on Nordic and Germanic fairytales, I can tell you that the authentic ones are strange. Believe me when I say, isn’t even that wild compared to some of the folktales that used to make the rounds…
What I didn’t like:
To summarize it in a single noun: the romance. In fact, I disliked it so much that I came to hate the entire character of Arden and had to actively refrain from skipping all the sections that feature him prominently. It’s a classic case of horribly cringy insta-lust, dog-whistled at from the moment Arden is introduced as a lean and muscular, improbably tall and handsome man, who shows Cass the ropes of the island. I found this scene hilarious to visualize by the way as .
Apart from being handsome, Arden barely has a personality and basically functions as a vessel for exposition about the island’s history and culture. That lack of character and chemistry with Cass makes their romance completely unbelievable. Especially considering how strongly the plot leans on their bond and willingness to sacrifice for eachother by the end.
Luckily, none of these sacrifices matter in the end, which brings me to my final reason for rating this book fairly low. The ending let me down immensely. Not only did it feel far too easy and unearned, it also has the balls to end on a celebratory sex-scene, which felt compounded all the cringe I felt about the romance into a single scene…
Recommended for fans of A River Enchanted, Heather Fawcett and Root Rot (specifically for the uncanny fairytale vibes). I personally do not see the comparison to T. Kingfisher that many people are drawing, as Little Kin distinctly lacks the cozy vibe and humor-elements that are so characteristic of Kingfisher.
October 13, 2026
Thank you to NetGalley and Blackstone Publishing for the gifted ebook.
My Review
I have such a soft spot for folk horror, so this book was right up my alley! This was my first time reading Katya de Becerra, and I really enjoyed what she did with this story. It was dark, creepy, and had that unsettling feeling that I love so much in folk horror. I could almost feel it in my soul.
The story follows Cass, who inherits an old house on a remote island near the Arctic Circle. At first, it seems like the perfect place for her to start over, but of course, there's something very wrong with this island. The strange rules about staying inside after dark and never answering a knock at the door would have been enough to make me question everything! I loved the mystery surrounding the island, its people, and the secrets connected to Cass and her family. There was something about this isolated little community and its traditions that made the whole story even more unsettling.
I will say there were a few parts that felt a little bland to me, but honestly, it didn't take away from my enjoyment. I was still interested in what was happening and wanted to know what was really going on with this island. I loved the darker side of the story and the way the folklore was worked into everything.
Would I Recommend?
Yes! If you enjoy folk horror, creepy isolated places, strange traditions, and dark family secrets, I think you'll enjoy this one. I'm glad I gave this author a chance, and I'd definitely be interested in reading more of her books.
My Review
I have such a soft spot for folk horror, so this book was right up my alley! This was my first time reading Katya de Becerra, and I really enjoyed what she did with this story. It was dark, creepy, and had that unsettling feeling that I love so much in folk horror. I could almost feel it in my soul.
The story follows Cass, who inherits an old house on a remote island near the Arctic Circle. At first, it seems like the perfect place for her to start over, but of course, there's something very wrong with this island. The strange rules about staying inside after dark and never answering a knock at the door would have been enough to make me question everything! I loved the mystery surrounding the island, its people, and the secrets connected to Cass and her family. There was something about this isolated little community and its traditions that made the whole story even more unsettling.
I will say there were a few parts that felt a little bland to me, but honestly, it didn't take away from my enjoyment. I was still interested in what was happening and wanted to know what was really going on with this island. I loved the darker side of the story and the way the folklore was worked into everything.
Would I Recommend?
Yes! If you enjoy folk horror, creepy isolated places, strange traditions, and dark family secrets, I think you'll enjoy this one. I'm glad I gave this author a chance, and I'd definitely be interested in reading more of her books.
August 14, 2026
I have been a fan of this author’s YA work for quite some time. Her adult debut novel did not disappoint. The world building and folklore are impeccable. This read definitely leans into fantasy with horror elements. I am not a huge fantasy reader as I feel the plot can get too thick sometimes, but this one is so clear and will hit big with fans of T Kingfisher. The creatures are terrifying and the atmosphere and tone are so well set. If you enjoy high stakes, fantastic creatures, and body horror, definitely check this one out.
September 26, 2026
This book's strongest suit was the blend of horror and dark fantasy. The island was the main character, a fascinating creation standing at the crossroads of culture.
The premise was not original at all, it has been done 100 times before. The claustrophobic atmosphere was, however, well-rendered.
The characters were the weakest point. Cass just...moved through things. The love story with Arder was completely out of place and Arder wasn't even a character in the first place, simply a bland, walking stereotype.
The premise was not original at all, it has been done 100 times before. The claustrophobic atmosphere was, however, well-rendered.
The characters were the weakest point. Cass just...moved through things. The love story with Arder was completely out of place and Arder wasn't even a character in the first place, simply a bland, walking stereotype.
September 30, 2026
I feel like at its base this is a really great creepy folk horror that is claustrophobic and culty...but the characters fell extremely flat to me and it took me out of the story unfortunately, and the romance sub plot felt super rushed and they had no chemistry imo. It was just like she was there and he was there so why not???
thank you libro.fm for the gifted alc! 🫶🏻
thank you libro.fm for the gifted alc! 🫶🏻
Read
November 2, 2026without the main characters age being stated i would’ve assumed this was ya. take that as you will.
September 26, 2026
This was a lot scarier than I expected...
Cass goes back to the isolated, genuinely no visitors island, that her adoptive parents were the only people allowed to ever do in person research on. There's an obscure language, culture, and a belief system. Cass inherits a house from an aunt she didn't even know she had...and opens the door to danger and darkness beyond rational comprehension.
She's in danger, and there's no way out. I was gripped once I got the hang of the island and how Cass gave up approaching as a researcher and instead as a person unburying her own history.
Cass goes back to the isolated, genuinely no visitors island, that her adoptive parents were the only people allowed to ever do in person research on. There's an obscure language, culture, and a belief system. Cass inherits a house from an aunt she didn't even know she had...and opens the door to danger and darkness beyond rational comprehension.
She's in danger, and there's no way out. I was gripped once I got the hang of the island and how Cass gave up approaching as a researcher and instead as a person unburying her own history.
April 14, 2026
I was wondering how Australia’s queen of YA horror would handle her adult debut novel. The answer is - rather adroitly. De Becerra’s powers of description are as beautiful as ever, making the setting of Little Kin a highlight - it presents its terrors and its wild, volcanic gorgeousness in equal measure.
Cass, an anthropologist, is making her way to her ancestral home after a mysterious aunt, Brigra, died unexpectedly. Cass’s own origins are a tad hazy - she was adopted and therefore hopes this unusual chance to get to know her birthplace may give her the answers she craves.
On Rothagisht - cold, desolate and devoid of technology- things are about to get a little bit Amish and very Midsommar. The natives aren’t overjoyed to see her. Even the overwhelmingly sexy Arder seems to be keeping her at arm’s length, acting like a polite guide. Cass would like to get to know him carnally (with a name like Arder, there’s no way he was going to be short and scrawny), but there’s distance between them. Could it be his purpose on the island is that of a marked man? Or is Cass the marked one? The idea of sacrifice, on behalf of a community or a loved one, comes through quite clearly in this book.
Cass also feels herself to be magical somehow, and has squashed this feeling down as it’s a not-very-academic way to think. Her aunt’s mysterious tiny door is a big clue - as is the title of the book. It’s not ‘the small and unrelated people’. Parts of Little Kin are distinctly fantasy rather than horror, though a lot of Cass’s nights are distinctly nightmarish.
Looking at Little Kin as a migration story and considering De Becerra the author’s own story as a Russian writer in Australia, parts of Cass’s search for identity and struggle to get a sense of belonging in a community become quite poignant.
Finally - hard segue here - because this is De Becerra’s first adult novel, I expected adult activities. A character like Arder exists to be climbed like a tree and Cass’s desire for him is strong from the start. Like Chekhov’s gun, we needed Chekhov’s sex scene. I’m delighted that the sex when it eventually happens isn’t just for the sake of it, it’s well earned and a kind of consummation of her place on the island and her role as part of nature itself.
Disclosure: I’m a friend of the author.
Cass, an anthropologist, is making her way to her ancestral home after a mysterious aunt, Brigra, died unexpectedly. Cass’s own origins are a tad hazy - she was adopted and therefore hopes this unusual chance to get to know her birthplace may give her the answers she craves.
On Rothagisht - cold, desolate and devoid of technology- things are about to get a little bit Amish and very Midsommar. The natives aren’t overjoyed to see her. Even the overwhelmingly sexy Arder seems to be keeping her at arm’s length, acting like a polite guide. Cass would like to get to know him carnally (with a name like Arder, there’s no way he was going to be short and scrawny), but there’s distance between them. Could it be his purpose on the island is that of a marked man? Or is Cass the marked one? The idea of sacrifice, on behalf of a community or a loved one, comes through quite clearly in this book.
Cass also feels herself to be magical somehow, and has squashed this feeling down as it’s a not-very-academic way to think. Her aunt’s mysterious tiny door is a big clue - as is the title of the book. It’s not ‘the small and unrelated people’. Parts of Little Kin are distinctly fantasy rather than horror, though a lot of Cass’s nights are distinctly nightmarish.
Looking at Little Kin as a migration story and considering De Becerra the author’s own story as a Russian writer in Australia, parts of Cass’s search for identity and struggle to get a sense of belonging in a community become quite poignant.
Finally - hard segue here - because this is De Becerra’s first adult novel, I expected adult activities. A character like Arder exists to be climbed like a tree and Cass’s desire for him is strong from the start. Like Chekhov’s gun, we needed Chekhov’s sex scene. I’m delighted that the sex when it eventually happens isn’t just for the sake of it, it’s well earned and a kind of consummation of her place on the island and her role as part of nature itself.
Disclosure: I’m a friend of the author.
This entire review has been hidden because of spoilers.
Review of advance copy received from NetGalley
I mean, this one was creepy. There's a mysterious island filled with strange people and sinister creatures and it's all folk horror-y and I can totally dig that. The world building is fantastic and I enjoyed learning about Rothagisht and its inhabitants and all of the folklore of the island. If you like your novels full of folk horror and weirdness, there's a pretty good chance that you'll appreciate this one.
But (there's always a but!) the storyline did kind of jump the shark around the 80% mark for me. Even if you enjoy that sort of thing, you'll still know what I'm talking about when you get to it because it's utterly bizarre. I didn't exactly hate it, but the main character was certainly not on my bingo card for this book.
I also didn't totally buy the insta-love between Cass and Arder. It seems rather forced and unnecessary and almost … juvenile, I guess? I just read elsewhere that this author primarily writes YA and this is her adult debut, and I am not at all surprised to hear it. Even putting the romance aside, the writing does have a bit of a YA feel to it, despite the fact that there are exactly zero teenagers/young adults in it. That's not necessarily a bad thing, but it's something to be aware of if you're not a fan of the genre.
But still, this novel definitely had its spooky moments and I loved that it's written from the point of view of an anthropologist (and that the author herself is an anthropologist). Rothagisht would certainly be a fascinating place to visit … well, other than the bloodthirsty monsters roaming the island and the strange cult-like atmosphere, of course. But anthropologically? Rothagisht would be a goldmine. It's such an otherworldly and unusual place that the story veers into fantasy territory at times.
Overall, Little Kin is a mostly enjoyable and entertaining read. It's not perfect (because seriously what was that last 20%?), but it definitely kept me turning the pages until the very end.
3.49 stars, rounded down.
Many thanks to NetGalley and Blackstone Publishing for providing me with an advance copy of this book to review. Its expected publication date is September 22, 2026.
But (there's always a but!) the storyline did kind of jump the shark around the 80% mark for me. Even if you enjoy that sort of thing, you'll still know what I'm talking about when you get to it because it's utterly bizarre. I didn't exactly hate it, but the main character was certainly not on my bingo card for this book.
I also didn't totally buy the insta-love between Cass and Arder. It seems rather forced and unnecessary and almost … juvenile, I guess? I just read elsewhere that this author primarily writes YA and this is her adult debut, and I am not at all surprised to hear it. Even putting the romance aside, the writing does have a bit of a YA feel to it, despite the fact that there are exactly zero teenagers/young adults in it. That's not necessarily a bad thing, but it's something to be aware of if you're not a fan of the genre.
But still, this novel definitely had its spooky moments and I loved that it's written from the point of view of an anthropologist (and that the author herself is an anthropologist). Rothagisht would certainly be a fascinating place to visit … well, other than the bloodthirsty monsters roaming the island and the strange cult-like atmosphere, of course. But anthropologically? Rothagisht would be a goldmine. It's such an otherworldly and unusual place that the story veers into fantasy territory at times.
Overall, Little Kin is a mostly enjoyable and entertaining read. It's not perfect (because seriously what was that last 20%?), but it definitely kept me turning the pages until the very end.
3.49 stars, rounded down.
Many thanks to NetGalley and Blackstone Publishing for providing me with an advance copy of this book to review. Its expected publication date is September 22, 2026.
September 28, 2026
Little Kin was everything I wanted to kick off the season. Folk magic, anthropology, morally gray characters, complicated relationships, and a mystery that genuinely kept me guessing—it checked so many boxes for me.
What I especially loved was that the romance was not front and center. This really felt like Cass’s story and her journey of self-discovery. The romantic elements are there, but they never overshadow her personal journey or the larger mystery. I also appreciated the LGBTQ+ representation and how naturally it was incorporated into the story without being made into a huge plot point. That said, I do wish the romance had been developed a little more because it definitely left me wanting more from those relationships.
And then there was the plot twist. I don’t want to spoil anything, but I am rarely genuinely surprised by the direction a mystery takes or by which character turns out to be responsible. This one got me. I did not see it coming, and looking back, I really want to reread the book knowing what I know now.
One of my favorite aspects was the anthropology woven throughout the story. Katya de Becerra’s academic background really shows in her writing, but never in a way that makes the book feel overly academic or like you are reading a textbook. Instead, it gives the story and its exploration of folklore, culture, and belief an extra layer of depth. Low-key, this book had me wondering if it is too late to switch my major to anthropology.
Overall, Little Kin gave me exactly the atmospheric, folk-magic-filled read I was looking for. I would absolutely reread it, and if a special edition ever becomes available, I would seriously consider adding it to my shelf.
Thank you to NetGalley and the publisher for providing me with an advance review copy. All opinions and thoughts expressed in this review are my own.
What I especially loved was that the romance was not front and center. This really felt like Cass’s story and her journey of self-discovery. The romantic elements are there, but they never overshadow her personal journey or the larger mystery. I also appreciated the LGBTQ+ representation and how naturally it was incorporated into the story without being made into a huge plot point. That said, I do wish the romance had been developed a little more because it definitely left me wanting more from those relationships.
And then there was the plot twist. I don’t want to spoil anything, but I am rarely genuinely surprised by the direction a mystery takes or by which character turns out to be responsible. This one got me. I did not see it coming, and looking back, I really want to reread the book knowing what I know now.
One of my favorite aspects was the anthropology woven throughout the story. Katya de Becerra’s academic background really shows in her writing, but never in a way that makes the book feel overly academic or like you are reading a textbook. Instead, it gives the story and its exploration of folklore, culture, and belief an extra layer of depth. Low-key, this book had me wondering if it is too late to switch my major to anthropology.
Overall, Little Kin gave me exactly the atmospheric, folk-magic-filled read I was looking for. I would absolutely reread it, and if a special edition ever becomes available, I would seriously consider adding it to my shelf.
Thank you to NetGalley and the publisher for providing me with an advance review copy. All opinions and thoughts expressed in this review are my own.
Review of advance copy received from NetGalley
3.5☆
"The sacred balance must be kept. If we tell lies to the land, it will break us all"
Cassini Shanradoff-Krim is still reeling from the death of her mother, and mourning a father who is still alive but losing his battle to alzheimer's disease, when she recieves a letter that a mysterious Aunt Brigra she knew nothing about has left her their family's ancestral home. Cass embarks on a journey that will bring her closer to finding out who her birth parents are, and perhaps propel her anthropological career into the big leagues.
Little Kin is full of folklore and dark fantasy storytelling. Katya de Becerra definitely knows how to bring a world to life. The story did end up having a little too much fantasy sprinkled in for my taste, especially when it was marketed as a horror.
I think it can be hard for YA authors to find their adult audience writing style, and in my opinion Katya is not quite there yet. Besides for some spicier scenes, you could easily substitute the adult main characters for 17 year old characters, and the story would work. It reads very much like a throwback to the teen dystopian book era ( which I loved), but was lacking the grit and depth I feel an adult novel should have.
I would absolutely read Katya de Becerra's next adult novel, if there is one. Once her character's voices mature a little bit more, I think she'll be a force to be reckoned with when it comes to writing adult novels.
I'd like to thank Katya de Becerra, Blackstone Publishing, and Netgalley for a free ARC copy in exchange for a review.
"The sacred balance must be kept. If we tell lies to the land, it will break us all"
Cassini Shanradoff-Krim is still reeling from the death of her mother, and mourning a father who is still alive but losing his battle to alzheimer's disease, when she recieves a letter that a mysterious Aunt Brigra she knew nothing about has left her their family's ancestral home. Cass embarks on a journey that will bring her closer to finding out who her birth parents are, and perhaps propel her anthropological career into the big leagues.
Little Kin is full of folklore and dark fantasy storytelling. Katya de Becerra definitely knows how to bring a world to life. The story did end up having a little too much fantasy sprinkled in for my taste, especially when it was marketed as a horror.
I think it can be hard for YA authors to find their adult audience writing style, and in my opinion Katya is not quite there yet. Besides for some spicier scenes, you could easily substitute the adult main characters for 17 year old characters, and the story would work. It reads very much like a throwback to the teen dystopian book era ( which I loved), but was lacking the grit and depth I feel an adult novel should have.
I would absolutely read Katya de Becerra's next adult novel, if there is one. Once her character's voices mature a little bit more, I think she'll be a force to be reckoned with when it comes to writing adult novels.
I'd like to thank Katya de Becerra, Blackstone Publishing, and Netgalley for a free ARC copy in exchange for a review.
September 19, 2026
Katya de Becerra’s adult debut Little Kin is a wonderful blend of horror, dark fantasy and folklore and I was fully immersed right from the beginning.
When Cass, an anthropologist, inherits a house on the remote island of Rothagisht she is eager to study the locals and learn more about their lives. However, first she must earn the trust of this incredibly closed off community. What she finds on her arrival is a society governed by many rules including never to go out at night and never answer the door after dark. As Cass is drawn into the mysteries of this island and the secrets of her own bloodline, she discovers that this island is terrorised by ancient creatures and that there is much more to her heritage than she ever could have imagined.
Woah this was one creepy and incredibly gripping story. Right from the opening pages as Cass journeys on the ferry, there was a real sense of danger and dread, almost as if there was something lurking ready to pounce. The tension built at just the right pace to keep me intrigued and I absolutely loved all the folklore sprinkled throughout the pages.
Remote, atmospheric settings are one of my favourite things and Katya has created this gloriously windswept and menacing island that was actually its own character. Rothagisht was an enigmatic and chilling place which had a huge part to play in making this story quite terrifying.
I felt slightly off balance as I read, much as Cass herself was, not knowing who was trustworthy and who was dangerous. It was a perfectly paced and creepy novel of survival and belonging and I recommend it to all lovers of atmospheric horror and dark fantasy, especially if you enjoy a side of folklore.
When Cass, an anthropologist, inherits a house on the remote island of Rothagisht she is eager to study the locals and learn more about their lives. However, first she must earn the trust of this incredibly closed off community. What she finds on her arrival is a society governed by many rules including never to go out at night and never answer the door after dark. As Cass is drawn into the mysteries of this island and the secrets of her own bloodline, she discovers that this island is terrorised by ancient creatures and that there is much more to her heritage than she ever could have imagined.
Woah this was one creepy and incredibly gripping story. Right from the opening pages as Cass journeys on the ferry, there was a real sense of danger and dread, almost as if there was something lurking ready to pounce. The tension built at just the right pace to keep me intrigued and I absolutely loved all the folklore sprinkled throughout the pages.
Remote, atmospheric settings are one of my favourite things and Katya has created this gloriously windswept and menacing island that was actually its own character. Rothagisht was an enigmatic and chilling place which had a huge part to play in making this story quite terrifying.
I felt slightly off balance as I read, much as Cass herself was, not knowing who was trustworthy and who was dangerous. It was a perfectly paced and creepy novel of survival and belonging and I recommend it to all lovers of atmospheric horror and dark fantasy, especially if you enjoy a side of folklore.
Review of advance copy received from NetGalley
Review of advance copy received from Netgalley.
I was drawn to this book by the lovely cover and the promise of horror but I struggled to get into the story. It starts off well with a rather bleak boat ride to a remote island populated by a closed community and an introduction to our protagonist, Cass, who is an anthropologist with a specialty in magic (think Russian covens and ancient rituals) who is using this as an opportunity to work on her postdoc and discover her roots. On her first night on the island there are things in the dark and knocks at her door and strange voices calling her name and a pretty intense nightmare and this is as horror as this book is going to get.
You see, this isn't a horror novel, It's a fairytale.
Once I accepted the genre change I enjoyed the book much more and sped through the rest of it. This book would be good for someone who enjoys fairytales, especially dark ones, and is interested in maybe dipping their toes into horror. It just wasn't what I was looking for.
And one more complaint behind the spoiler:
Thank you to Blackstone and NetGalley for providing this ARC in exchange for an honest review.
I was drawn to this book by the lovely cover and the promise of horror but I struggled to get into the story. It starts off well with a rather bleak boat ride to a remote island populated by a closed community and an introduction to our protagonist, Cass, who is an anthropologist with a specialty in magic (think Russian covens and ancient rituals) who is using this as an opportunity to work on her postdoc and discover her roots. On her first night on the island there are things in the dark and knocks at her door and strange voices calling her name and a pretty intense nightmare and this is as horror as this book is going to get.
You see, this isn't a horror novel, It's a fairytale.
Once I accepted the genre change I enjoyed the book much more and sped through the rest of it. This book would be good for someone who enjoys fairytales, especially dark ones, and is interested in maybe dipping their toes into horror. It just wasn't what I was looking for.
And one more complaint behind the spoiler:
Thank you to Blackstone and NetGalley for providing this ARC in exchange for an honest review.
Review of advance copy received from NetGalley
I would like to thank NetGalley for the advanced copy.
This book has all of the right pieces. A scholar on a mysterious island, folk magic, folk monsters, a creeping dread that everyone knows something you don't. As well as fantastic atmosphere! Just from reading the description I was excited to read this story.
Unfortunately, that enthusiasm faded once I started to read. I do not think there is anything wrong with the writing itself, or even the story. If there was a problem with the writing style or the story itself, it would be easier to pinpoint why I decided to leave the book unfinished. The story just didn't resonate with me.
*spoilers ahead*
The main girl is instantly attracted to a man on the island. It was at first sight, and it was brought up every time he stepped into frame. It got a little frustrating - the description of the book on NetGalley did not mention how romance-heavy the story would be. It distracted me from the overall plot of the book. To me it felt like it dampened the horror elements, because I would start to dread the man coming back into play because I knew the tone would shift.
I decided to give Little Kin three stars despite not finishing it because it /is/ an interesting story. Just not for me. I feel that the book's description should change to mention how much her attraction to this man on the island is part of the plot.
This book has all of the right pieces. A scholar on a mysterious island, folk magic, folk monsters, a creeping dread that everyone knows something you don't. As well as fantastic atmosphere! Just from reading the description I was excited to read this story.
Unfortunately, that enthusiasm faded once I started to read. I do not think there is anything wrong with the writing itself, or even the story. If there was a problem with the writing style or the story itself, it would be easier to pinpoint why I decided to leave the book unfinished. The story just didn't resonate with me.
*spoilers ahead*
The main girl is instantly attracted to a man on the island. It was at first sight, and it was brought up every time he stepped into frame. It got a little frustrating - the description of the book on NetGalley did not mention how romance-heavy the story would be. It distracted me from the overall plot of the book. To me it felt like it dampened the horror elements, because I would start to dread the man coming back into play because I knew the tone would shift.
I decided to give Little Kin three stars despite not finishing it because it /is/ an interesting story. Just not for me. I feel that the book's description should change to mention how much her attraction to this man on the island is part of the plot.
This entire review has been hidden because of spoilers.
September 27, 2026
book was a very pleasant surprise. I’ve read a few novels by other anthropologists and they all ended up being crime novels of some sort. Not a bad thing, it’s what I write and love reading. This was definitely horror in the vein of the comps. It had that nice lingering tension, kind of like a held breath until things started happening. But even then, there was this nice undercurrent of waiting for the domino to fall. Cass was an interesting character and very close to the truth in terms of being a researcher trying to get her information while also trying to be respectful of the people around her. That’s at least been my experience, and even more so I imagine for an anthropologist. This was an incredibly unique storyline and it captured my attention from the beginning. I was right about what happened to set the chain of events off, but I had no idea how, and it was way crazier than I expected. It explores the things you are willing to sacrifice whether for your own life, love, or the people you care about, and what you’re willing to do when those things are put in danger. If you’re looking for a really cool folk horror novel, add this one to your TBR.
Huge thanks to Blackstone Publishing and NetGalley for sending me this ARC for review! All of my reviews are given honestly!
Huge thanks to Blackstone Publishing and NetGalley for sending me this ARC for review! All of my reviews are given honestly!
October 13, 2026
Solid & kept me wondering. Had some nice, unexpected twists to the sentient landscape genre. Cass's anthropology background gave her an interesting insider/outsider POV. Has a good examination of what makes kin and family and the forms these relationships can take (Vague, but otherwise--spoilers!)
The romance is more lust than love; not sure the two will last on the island, but whatever.
I've read this and When Ghosts Call Us Home so far; both fall fall into the "Definitely worth reading, probably won't reread" category. When Ghosts is actually a bit creepier than this. I'm picking up another Beccerra now, so we'll see!
Some things left me unsatisfied & puzzled right at the end. They enter into spoiler territory, so
The romance is more lust than love; not sure the two will last on the island, but whatever.
I've read this and When Ghosts Call Us Home so far; both fall fall into the "Definitely worth reading, probably won't reread" category. When Ghosts is actually a bit creepier than this. I'm picking up another Beccerra now, so we'll see!
Some things left me unsatisfied & puzzled right at the end. They enter into spoiler territory, so
Review of advance copy received from NetGalley
When Cass inherits her family's ancestral home on a remote subarctic island, she hopes it will lead her to answers about her past. Instead, she finds herself caught in an ancient covenant, surrounded by unsettling folklore, impossible beings, and a desperate fight for survival. Little Kin was an eerie, immersive read with family secrets, dark fantasy, and folk horror.
I really enjoyed the mystery surrounding Cass's family history as she pieced together the truth about where she came from. The mythology and lore were incredibly imaginative, and it was clear how much care went into creating this unique world. While I appreciated the fantasy elements, I did find they occasionally overshadowed the horror. I went in expecting something a little darker and scarier...which is totally on me.
However, the story kept me invested from beginning to end. With the constant mystery, the unforgettable setting, and the surprising twists, I was always eager to see what would happen next.
Thank you, @blackstonepublishing, Katya de Becerra & NetGalley, for the #gifted earc. All opinions are my own.
I really enjoyed the mystery surrounding Cass's family history as she pieced together the truth about where she came from. The mythology and lore were incredibly imaginative, and it was clear how much care went into creating this unique world. While I appreciated the fantasy elements, I did find they occasionally overshadowed the horror. I went in expecting something a little darker and scarier...which is totally on me.
However, the story kept me invested from beginning to end. With the constant mystery, the unforgettable setting, and the surprising twists, I was always eager to see what would happen next.
Thank you, @blackstonepublishing, Katya de Becerra & NetGalley, for the #gifted earc. All opinions are my own.
October 6, 2026
Give me an isolated island, ancient folklore, creepy rules, and a community that feels just a little too welcoming, and I am IN.
Cass inherits a crumbling house on a remote island near the Arctic Circle, hoping for a fresh start. Instead, she finds Rothagisht has rules.
Don’t go out after dark.
Don’t answer a knock at the door.
Obviously, things go horribly wrong.
The island has secrets, Cass has secrets, and something ancient is stirring beneath it all.
I loved the creeping sense of dread here. The folklore, the strange traditions, the isolation, and that constant feeling that there is something everyone else knows that Cass doesn’t. The more she gets pulled into the community, the more unsettling everything becomes.
It has that delicious Midsommar feeling of there being more to a community than you realize. Add in some Russian folklore and creatures rising from the depths, and you’ve got my attention.
Little Kin is eerie, atmospheric, strange, and deeply concerned with the terrifying question of what we’re willing to sacrifice to finally feel like we belong.
Perfect for readers who like their horror folkloric, unsettling, and just a little feral
Cass inherits a crumbling house on a remote island near the Arctic Circle, hoping for a fresh start. Instead, she finds Rothagisht has rules.
Don’t go out after dark.
Don’t answer a knock at the door.
Obviously, things go horribly wrong.
The island has secrets, Cass has secrets, and something ancient is stirring beneath it all.
I loved the creeping sense of dread here. The folklore, the strange traditions, the isolation, and that constant feeling that there is something everyone else knows that Cass doesn’t. The more she gets pulled into the community, the more unsettling everything becomes.
It has that delicious Midsommar feeling of there being more to a community than you realize. Add in some Russian folklore and creatures rising from the depths, and you’ve got my attention.
Little Kin is eerie, atmospheric, strange, and deeply concerned with the terrifying question of what we’re willing to sacrifice to finally feel like we belong.
Perfect for readers who like their horror folkloric, unsettling, and just a little feral
Review of advance copy received from NetGalley
This is atmospheric, character-driven fantasy at its best, and it's clear every page carries a real writer's fingerprints. The isolated island of Rothagisht is drawn with such texture, its rituals, its Council, its ancient covenant, that you feel the fog and dread settle in around Cass from the first chapter. Her arc from a newcomer clinging to her old life to someone reckoning with a hidden truth about herself (and the slow-burn pull toward Arder) is handled with real emotional patience rather than rushed convenience.
What stands out most is the craftsmanship: the myth and ritual feel lived-in rather than decorative, and the prose has a distinct, deliberate voice you can tell was shaped by a human hand, full of small, idiosyncratic choices no algorithm would think to make. It's the kind of layered, personal storytelling that reminds you why original fiction from a dedicated author matters. A rich, immersive read I'd happily recommend to anyone who wants their fantasy laced with mystery and heart.
What stands out most is the craftsmanship: the myth and ritual feel lived-in rather than decorative, and the prose has a distinct, deliberate voice you can tell was shaped by a human hand, full of small, idiosyncratic choices no algorithm would think to make. It's the kind of layered, personal storytelling that reminds you why original fiction from a dedicated author matters. A rich, immersive read I'd happily recommend to anyone who wants their fantasy laced with mystery and heart.
Review of advance copy received from NetGalley
Little Kin is a bit of dark fantasy, a bit of folkloric horror, and a story about coming home to... unexpected ends. The pacing is quick. The language is direct. There are some spooky bits. The end takes a bit of a wild turn, which I appreciated because I like risks in stories, especially in genre fiction. That all said, it almost felt like the book was written initially as YA and the characters were aged up later. The stakes for Cass are so fully rooted in her present that she couldn't have been leaving much behind. Her actions and emotions always neatly mapped together, even if she's a bit unreliable. And the romance was a bit unnecessary to the emotional core of the plot. If she had just turned 18, I might have been convinced of her experience. (If Arder had been 18, his actions would have been more understandable.) I would read de Becerra again, but I might try one of her YA novels.
Many thanks to NetGalley and the publisher for this free ARC in exchange for an honest review.
Many thanks to NetGalley and the publisher for this free ARC in exchange for an honest review.
Review of advance copy received from NetGalley
I love folk horror and I’ve always found anthropology fascinating, so I was immediately intrigued by the premise of this book.
It was a fast paced read. At times I felt the plot was moving so quickly that I didn’t get a chance to appreciate the world of Rothagisht and the intricacies of the remote island and its mysterious customs.
I enjoyed following the main character Cass on her journey of self-discovery and empowerment. Elements of the story felt like Alice in Wonderland with Cass caught in a wild fever dream and I was happily along on the ride.
I would recommend for fans of The Wickerman and Midsommer. There were similar vibes right from that start in which a character is lured to a remote society and we can tell immediately that something is off but can’t put on our finger on what it might be. The plot kept me guessing until the climax which encouraged me to keep reading “just one more chapter” until the book was done.
It was a fast paced read. At times I felt the plot was moving so quickly that I didn’t get a chance to appreciate the world of Rothagisht and the intricacies of the remote island and its mysterious customs.
I enjoyed following the main character Cass on her journey of self-discovery and empowerment. Elements of the story felt like Alice in Wonderland with Cass caught in a wild fever dream and I was happily along on the ride.
I would recommend for fans of The Wickerman and Midsommer. There were similar vibes right from that start in which a character is lured to a remote society and we can tell immediately that something is off but can’t put on our finger on what it might be. The plot kept me guessing until the climax which encouraged me to keep reading “just one more chapter” until the book was done.
Review of advance copy received from NetGalley
This book completely pulled me into its strange, unsettling world. There’s a quiet sense of dread throughout Little Kin that kept building, making me increasingly uncomfortable in the best possible way.
I loved the eerie atmosphere and the feeling that there was something lurking just beneath the surface. The story has an almost dreamlike quality at times, but there’s a darkness underneath it that makes you question what’s real and what’s waiting in the shadows.
Katya de Becerra has a talent for creating that slow-burn tension that gets under your skin. Little Kin is strange, atmospheric, and wonderfully creepy—exactly the kind of horror that stays with you after you’ve finished reading.
Thank you to NetGalley and the publisher for providing an advanced copy in exchange for an honest review.
I loved the eerie atmosphere and the feeling that there was something lurking just beneath the surface. The story has an almost dreamlike quality at times, but there’s a darkness underneath it that makes you question what’s real and what’s waiting in the shadows.
Katya de Becerra has a talent for creating that slow-burn tension that gets under your skin. Little Kin is strange, atmospheric, and wonderfully creepy—exactly the kind of horror that stays with you after you’ve finished reading.
Thank you to NetGalley and the publisher for providing an advanced copy in exchange for an honest review.
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