The author of this work, Mr. Maurice Genevoix, is a second-year student at the Ecole Normale, Paris. Having finished the second year of his course and, incidentally, completed a study "on Maupassant," he was in a position to regard with pleasant anticipation the vacation due to fall in July, 1914—a month later he received his baptism of fire, and of what a fire!
He supplies us with an invaluable picture of the war.
In the first place, the writer is endowed with astonishing powers of observation; he sees all in a glance, he hears everything. The intense power of concentration he possesses enables him instantly to seize upon all essentials of a particular incident or scene, and so to harmonize them as to produce a picture true to life.
Nothing escapes him—the song or hiss of bullets, the diverse notes of hurtling shells, the explosions, the shatterings—every tone of the infernal uproar; the breezes that pass, those that follow the explosions, those that have caressed the bodies of the dead "Whose frightful odour poisons the air;" the faces of men in moments of great crisis, their words, their dialogues; and, finally, the changing appearances of inanimate things, for are not actions for ever associated in the mind with the changing aspects of nature?
The pre-eminent, outstanding merit of the work, however, consists in the never failing sincerity of its author.
Many of those accounts already published—joyous greetings from the trenches, or light-hearted letters most carefully selected from among many thousands—due to many reasons, such as the precautions taken by the Censor; the reluctance among non-combatants to emphasize their own inaction and well-being by contrast with the suffering of others; a natural and universal desire to make the best of things; the very human habit of seeking to explain numerous and diverse manifestations by one simple idea, for example, to attribute every great event to the heroism of every man involved—a heroism without an end; and finally, the tone of the Press, the banality of its optimism—all these things contribute to present a picture of war softened and sweetened, abounding in "good times." Such travesty of the truth at once revolts and fills with indignation those who fight. A war such as this has proved to be merits at least that we should hear and face unflinchingly the truth of it in all its entirety.
The regiment is on the march; towards the close of day it passes through a village:
"The entrance to the village, which is indeed little more than a hamlet, was choked with carriages, with ploughs and horse-rakes, which had been drawn to one side. In silence we pass before the shattered houses. Nothing remains but the mere shells of walls and distorted chimneys still standing above the wrecked hearths. Some charred beams have rolled almost into the middle of the roadway; a large mechanical mowing-machine raises its broken shaft like a stump.
"The regiment defiles through the gloomy evening; our steps resound lugubriously and violate the surrounding desolation. In a short while, when the last section will have disappeared over the summit of the hill, the cold and silent night will descend again on the village, and peace shroud the poor, dead houses."
To be continue in this ebook..................................................................................
Born on 29 November 1890 at Decize, Nièvre as Maurice-Charles-Louis-Genevoix, Genevoix spent his childhood in Châteauneuf-sur-Loire. After attending the local school, he studied at the lycée of Orléans and the Lycée Lakanal. Genevoix was accepted to the Ecole Normale Supérieure, being first in his class, but was soon mobilized into World War I in 1914. He was quickly promoted to a lieutenant, but was seriously wounded at the Battle of the Marne in 1914 and returned to Paris. The battle left a profound influence on him, and he wrote the tetrology Ceux de 14 (The Men of 1914), which brought him recognition among the public.
Around 1919, Genevoix contracted Spanish influenza, causing him to move back to the Loire. He was quite prolific during his time in the Loire area, earning a Prix Blumenthal grant from the Florence Blumenthal Foundation to support him as a professional writer. It was this grant that allowed him to continue with some of his most celebrated works, Rémi des Rauches and Raboliot, the latter of which earned him the Prix Goncourt.
In 1928, his father died, and Genevoix moved to Vernelles in Loiret. At around this time, Genevoix started to travel abroad to Canada, Scandinavia, Mexico, and Africa. Canada and Africa were both admired by the writer, the latter of which he dedicated a 1949 essay to it, Afrique blanche, Afrique noire. He was elected to the Académie française on 24 October 1946 and was formally inducted the following year. In 1950, he returned to Paris and became secretary of the Académie française in 1958. In 1970, Genevoix, who was president of the program committee of French state radio, started a television series on French writers. He was also offered the Grand Prix National de Letters. He died on 8 September 1980.
The Académie française literary Prix Maurice Genevoix is named for him.
Excellent. A rare WW1 memoir during the brief period before the Western Front settled into the stalemate of the trenches. These guys are actually marching, back and forth, up and down, digging and then moving. Billeting on the ground or in small villages. The action is from late August to early October 1914 in the Meuse Valley near Verdun which of course became the site of the titanic battle by that name starting in February, 1916. The John Mosier book on Verdun I read a few months ago described these early battles and the importance of the Meuse Valley to the French defenses. None of these great strategic questions are asked or answered in this book. It is very much a 'poilus', well a lieutenants, viewpoint. The weather, terrain, food, mud, artillery, small-arms fire, the encounters with the 'Boche'. It was published in 1916 so there are censor omissions here and there. Not perhaps to be compared with Robert Graves or Siegfried Sassoon but those were done much later I believe. It was a bit more like a French 'All Quiet on the Western Front' but that is ostensibly fiction. I believe there may be two follow-ups to this one but not sure if they are translated. Very well written and credible. What those guys went through still amazes!
Tome 1 de "Ceux de 14". Extraordinaire récit sur l'enfer du combat en première ligne. Énorme leçon de courage, de patriotisme, d'abnégation. Bref, un très beau premier tome.