Resuming all the bad qualities of the first, everyone’s favorite literary brainlet, Mike Baron continues to debase Timothy Zahn’s excellent vision of the second volume in the Thrawn Trilogy, Dark Force Rising. In order to match the corporate page count threshold, the inherent charm and humanity of the original becomes compressed. Much to the detriment of an otherwise thrilling novel (and arguably one of the best in the now defunct SW EU canon) abbreviation is the name of the game and the overall quality never arises above mere mediocrity.
While some sloughing off of content is boilerplate for any comic-novel adaptation, its simplifications are questionable at best and detrimental at worst. Motivations are shorn. Action is sped up. And no character ever gets a chance blossom into anything resembling proper character development due to the page count constrictions.
Already butchered at the drawing board step, everything was already wrong from the get go. Yet for all the intrinsic faults of Baron’s second adaptation, its foreshadowing of the faults of the then upcoming trilogy are instructive a harbinger as any. A few examples particularly stuck out at me.
First, the inclusion of politics should always be a no-no for a franchise… you know… for kids. Finding itself uncomfortably smooshed against an intrinsically juvenile vision, the political undermining herein is just as gunky and malfeased at it was in Episode I. While far better developed in the novelization (in which it works well) the systematic compression distorts an otherwise well-constructed plot device. In either case, Star Wars’ heroic vision in which ultimately the good guys always triumph and the bad guys always lose is a poor mismatch for the ethical gray areas of politicking.
Second, just like the second trilogy, the reconstructions of classic scenes of the original, while well meaning, just come across as cardboard redoes more than anything. Luke and Mara’s rescue of Talon Karrde replicate the Death Star escape in IV. And Leia’s community organizer activism with the Noghri reflects the Ewok alliance in VI. Again, just as the prequel trilogy distorts the charm and memorability of its sources the same errors happen here. For the movies it was the fault of evil George Lucas’ shitty screen writing. Here, the ever present compression of source content and abbreviations in all the worst places are to blame.
Whether a result of shoddy workman-ship or the author’s assumption that his audience had never read the novels themselves, the comic adaptation of Dark Force Rising proves Mike Baron to be a charlatan of the most contemptible degree.