Glasgow is burning after a series of racially motivated murders, and it’s up to Detective-Sergeant Lou Perlman to put out the fire in international bestselling author Campbell Armstrong’s riveting thriller
First an Asian business owner falls to his death from his sixth-story apartment. Next an Indian woman, a kindergarten teacher, is shot dead. Meanwhile, Detective Perlman grieves quietly for his brother, killed in a hail of gunfire, and wrestles with his attraction to his sister-in-law, Miriam. There is no rational motive for the killings—none except pure racially driven hatred.
With the emergence of a group called White Rage, fear ripples through the city and Perlman has to get answers fast. As he looks beneath the bright surface of the city where he was born, he finds longtime enemies, dangerous businessmen, and ancient connections that will disturb and threaten the wrong people when their secrets are finally revealed.
Born in Glasgow, Scotland, Campbell Armstrong got a degree in philosophy before taking a position teaching creating writing. After his excellent series about counterterrorism expert Frank Pagan, Mr. Armstrong has written several compelling novels of crime and life in his native Glasgow.
I thought I was ordering 'White Rage' by Carol Anderson, a book about racial divide. Instead I got this, a detective thriller set in Glasgow. It's also about racism - a secret sect that calls themselves White Rage go on a killing spree, targeting non-white people in the city - but it's definitely not what I was looking for.
I'm sure the author wrote it thinking he was being an ally, but the effect is the opposite. Rant incoming.
Firstly, all the nonwhite characters serve no purpose in the book except to be brutally murdered. We barely get to know them, they are given no agency or depth of character. The white characters are up front and centre.
Secondly, it's pretty horrific to use the murder of nonwhite people as entertainment for a presumed all-white readership.
Thirdly, the book demonstrates absolutely zero awareness of what racism is and how it manifests. He chooses only to focus on the violent extremes and ignores the systemic, cultural, and social forms of racism that are just as damaging, even if less visible.
This is why it's never a good idea for a white man writing books about white characters for white readers, to think they can write a book about racism. Just - don't. No. Books like this contribute to the problem.
The book is 20 years old and still topical. There was a bit too much Perlman for me. Nowadays I find that the troubles of troubled policemen get boring rather quickly.
White Rage, number two in the series, picks up about four months after the conclusion of the first novel. Feisty Lou Perlman is confronted with racism, hate groups, and of course, murder. He knows how to antagonize his superior officers, knows how to appreciate the affectations of his sister-in-law Miriam, and discovers the misery of extreme pain. An overall very good read.